MOM Art Annex: Exhibition & Education Center

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M.A.M.A. Left Overs – no more with Rajaa Paixão and Oz with Gwen North Reiss

Statement:

Rajaa Paixão’s art practice tackles a conceptual and multidisciplinary approach, mainly encompassing sculpture and painting, turned into assemblages.

Having an overly dreamy and idealist nature, her thoughts tend to be too erratic and therefore overlapping, resulting in the abstraction and blurry perception of events, contrasted with the urge to reorder physical objects neatly, and naturally, the need to examine divergent themes.

Rajaa’s work process resembles a reverse visual digression, exploring the limits of her memory and imagination, and sharpening indistinct feelings through a dissected analysis of the subject; with the purpose of demystifying the complexity of an event and minimalising thematic narratives by stripping it to its essentials.

The choice of unconventional and diverse materials results from the study of the topic and the inspiration behind it. The role of a base/structure to hold or present the work is as essential to her as the artwork itself; and she only feels that the work is finished when both elements merge into one sculpture, with a clear correlation between all the displayed pieces.

“Becoming a mother was a massive challenge to reconcile my art process with my new status and responsibilities, and reintegrate creation in my daily life. It also changed the way I look at life and respond to change, something I’m happy to embrace and translate in my future work. I am currently exploring safe materials further, and implementing new techniques, which will allow me to maintain my practice in the presence of my son.”

Selected Projects:

– Left Overs no more

The body of work consists of an installation of 3 pieces encompassing painting (at times using one hand while holding a baby or rocking a pram with the other), and sculpture, using contrasted materials and techniques to create organic and industrial shapes.

Bringing together unfinished works and what seems to be an eternal work in progress, the artworks respond to the theme of Sanity and Motherhood, or what’s left of it.

The result involves a long process of what resembles an artistic therapy, in an attempt to extrude trapped emotions on canvas, morphing unconscious thoughts into a colourful interpretation, repetitive and identical gestures; assembled to create inner order, achieved in short saccadic intervals of interrupted time.

Echoing a prolonged chaotic mental and physical metamorphosis, the pieces reach a state of being almost finished, on the verge of being made sense of, figured out, endorsed; only to be soon hit by a triggered, sudden and uncontrollable wave of irrational fear backed with fury, spreading “like” fire, consuming every bit of vulnerable order recently restored.

The end result betrays an illusory freedom being brutally stripped off, the lie of being a separate and defined entity, provoking a loss of control and irreversible frustration, transferred onto the work.

What seems to be a hanging promise of accomplishment, just like the postpartum body and mind, displays signs of visible damages and cracks, hinting to the extent of the invisible ones.

In the end, each imperfect left over from an unfinished work manages to find balance and a purpose in filling a supporting role in the birth of a new coherent and complete entity.

– Berlin 78 Days Backwards

3 pieces tackling an impossible hypothetical yet actual attempt of a trip, using the power of physics and surrounding forces such as black holes, time and the speed of light.

A story about missing an art trip to Berlin, and deciding to travel virtually. The work result consists of a time machine (with hints to a torture tool from all the waiting and stressing), light and sand incubators, ‘theoretically’ meant to catch the light through a mirror and make the sand level rise, allowing the powers of physics to do their magic, and a black hole sound piece with a distorted recording of the unlimited calls made to the German Embassy.

M.A.M.A. 28

More about Rajaa:

Rajaa took part in several group exhibitions across England, and was an artist-in-residence at They Eat Culture in Preston, UK, in addition to attending evening classes, Psychoanalysis after Freud, at the Freud Museum, London. She studied a Master of Arts with emphasis on European Art Practice at Kingston School of Art, London, and has received 4 years tuition in Neoclassical Sculpture.

Instagram @rajaapaixao

OZ

By Gwen North Reiss

Like Dorothy you imagine
that someone will give you,
will have the power to
grant, I think was the word,
what you most want,
one thing that was so clear
when you started out
before you met all of these others,
before the dog met all of these others
who also searched for one thing.
You know the list, a heart,
courage, a nervous system etc.,
a way to get back to Point A.
The shoes were key—
the ones worn for a while
by an evil one and now irreversibly
yours because of the violent way you came
into this world, with feet,
fully formed. You were a bit rumpled,
and so serious, staring—
What an entrance! —
while others giggled and cooed
and asked who must you be.
You knew all along, but you had
to tell them in so many words,
reminding them at every turn
when you started walking,
when you reached the city,
and discovered the truth
about the great one.
By then they knew you well
enough to help you explain.
And you knew what they wanted
and knew what you would miss
about each one of them
when you left—or got back
whichever it was.
The day wishes were handed out like prizes
the great and powerful disappeared
in an instant, waving and yelling97

MAMA_Logo_2015

The Museum of Motherhood, the ProCreate Project, the Mom Egg Review, and the Mother Magazine are pleased to announce the launch of a bi-monthly international exchange of ideas and art. M.A.M.A. will celebrate the notion of being “pregnant with ideas” in new ways. This scholarly discourse intersects with the artistic to explore the wonder and the challenges of motherhood. Using words and art to connect new pathways between the creative, the academic, the para-academic, the digital, and the real, as well as the everyday: wherever you live, work, and play, the Art of Motherhood is made manifest. Download the Press Release here or read about updated initiatives#JoinMAMA  @ProcreateProj  @MOMmuseum @TheMomEgg

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Cooperative Residencies at M.O.M. Make a BIG Impact

Based on our successful and impactful residency opportunities at the MOM Art Annex in St. Petersburg, Florida, we will be offering ongoing live/work situations throughout the 2018 season.

Scholars, artists, poets, and International travelers, are you looking for a supportive environment where you can research and study women and mothers?

Stay at the bungalow in your own private room with workspace onsite. This affordable opportunity is based on the belief that we learn through interaction and discover through play.

Our collaborative environment allows for ample private work time with plenty of options to use our inspiring facility with exhibits on hand, while discovering beautiful St. Pete.

Some planned activities, but mostly make of it what you will! Two bedrooms with a shared bath, kitchen, and porched area, plus ample gardens and painting shed make this the place for your project to blossom. This is a very low-rent donation based-system for maintaining our library and exhibit space.

PLEASE CONTACT US FOR MORE INFORMATION: M. Joy Rose, Director: (207) 504-3001 or write: info@MOMmuseum.org

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The Fence Project in Kenwood

M.O.M. wants to share in the spirit of the community by celebrating “where art lives.”

Help us design and paint our fence with beautiful art about women, mothers, and children. How do mothers inhabit the world? What does motherhood mean to you?

We will be taking submissions for ideas from Kenwood artists from February 12- 26, 2018.

The fenced area comprises approximately 90 feet. We are looking for THREE different artists to cover approximately 30 feet each. *Images ONLY. No WORDS.

Total budget is $500 per section, payable to three different artists for a total of $1,500. Receipts for paint may be submitted separately.

THE MOM ART ANNEX IS LOCATED AT 538 28th ST. NORTH ST. PETERSBURG, FLORIDA. SUBMIT YOUR IDEAS TO OUR FACEBOOK PAGE: https://www.facebook.com/MOMmuseum or SEND JPG IMAGES TO MOMmuseum@gmail.com (Don’t forget to include your contact information!) MOMmuseum.org

3 designs will be chosen. Notifications will be circulated Feb. 28. Painting begins MARCH 1 to be completed by March 20, 2018

PLEASE SHARE THIS OPPORTUNITY!

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M.A.M.A. The Muteness and the Scream & When You Were Wild [Click]

The Muteness and the Scream
Carolina Brunelli

I have always believed in Art with a purpose. I have always believed that I needed a motive, a driving force of social change for my creative process to make sense. When I saw myself pregnant that feeling had simply gone. Perhaps by irony, the patriarchal oppression that I have never acknowledged in my own life, paralyzed me and the torrent of the classical dual feelings of motherhood threw me in a black hole. I no longer saw myself as an individual, a woman, an artist, nor could I see myself as an autonomous being.

This process of turning back to my old self took me three years. It was three years of creative labour to get through the cowardice of patriarchy that oppress women, creating an invisible work force for the perpetuation of the human life, shutting up feminine strength and independence. However, in my situation there is no specific villain, there is no false dichotomy of good and evil, only the branding print in the collective subconscious that women are responsible for raising their children.

Carolina Brunelli

During those three years, I had lost my identity and did not know where to start to get it back. That is until I came across “an Artist Residency in Motherhood”. This residency helped me uncover that I could unglue myself from the symbiosis that is to be a mother and retrieve my identity. My driving force of creation was slowly coming back. It has shown me that Motherhood is a fertile ground for social change and I could finally see that I was not the only one feeling this particular way. Through different readings from other artist mothers, I realised that what I was actually searching for was not an excuse to work, but a good enough excuse. It was not about the patriarchal oppression of feminine exclusivity in raising the children, nor the unfair share of the children´s care, even less the lack of the State support in the form of day-care and schools. It was finally clear to me, that I muted myself because of the lack of recognition of the artistic labour as a worthy enough labour for me to outsource the daily care of my son.

I´m an artist and I´m a woman. I believe in Art as a living force of change. For me, being a mother was not only to yield to all the patriarchal conjecture but to disbelieve in all those special values that made me who I was before, nullifying my own self. Using Art as an instrument and the Residency as catapult, I could see myself as a woman again, independent and above all as a capable individual.

I believe now that I should share this overwhelming experience of imprisonment and freedom. I should go out of my cocoon and show, through everything that I lived the importance of dealing with the Motherhood thematic in Arts. Motherhood needs to cease to be a taboo, to be unwelcome and shameful and can finally reach femininity´s real symbolism of ancestry strength.

Thayná Bonin, a special old friend, who is such a sensible photographer, suggested that her and I could co-create a project to deal with all these issues. Therefore, we have created a photographic manifesto to expose Motherhood in its deepest rawness and awkwardness, but also beauty.

PHOTOGRAPHIC MANIFESTO ART AND MOTHERHOOD

We open the door and invite you to see the shadows, shadows from the story of a woman surviving motherhood on a patriarchal society.
We recover what mother-being has of most human and instinctive, we search for the access to our lost ancestry.

Surviving motherhood on a patriarchal society is painful.
In this society, being a mother means always feeling guilty and tired, to do the job of a whole of society alone.

But beyond the oppressions being a mother is also being able to fight, to survive, to reinvent oneself and to reconnect to our inner nature and strength.
These photos are a manifest, they invite you to look at mothers with compassion, humanity and love.

They are an instrument used to seek a new identity, they deny the bourgeois myth of the all-loving, all-forgiving and all-sacrificing mother and try to reach that touching point of two distinct beings with their own dreams and wishes, passions and fears.
They bring humanity back to the women-mothers, putting them back in focus, the place where they belong in life.

We believe photography can transform and empower the way women see themselves as a woman and as a human being. We hope that through this personal experience of patriarchal oppression we can reach other women and mothers, and that together we can be stronger. Art can be powerful.

Let us rise.

Carolina Brunelli
Thayná Coimbra

L.B. Williams

WHEN YOU WERE WILD   

(after Louise Erdrich)

When you were far away

snow fell green

Where trees were white hoary mountains

When three hundred year old men

could sleep beneath eagles

and become boys again

When I called to you

my voice at first a whisper

When all the mandrake roots were

taken from the earth

When a wind sighing chant

brought you to me.

Originally published in Mom Egg Review Vol. 13

L.B. Williams is the author of, Letters to Virginia Woolf, (Hamilton Books, 2005). Her poetry has appeared in such publications as Washington Square, Mom Egg Review, Sunrise from Blue Thunder (A Pirene’s Fountain Anthology). She has also published two poetry chapbooks, Sky Studies, (Finishing Line Press Fall 2014), and The Eighth Phrase (Porkbelly Press, October 2014). A new poetry chapbook, In the Early Morning Calling, is forthcoming this year from Finishing Line Press. She is Professor of Literature at Ramapo College of New

Jersey. Www.letterstovirginiawoolf.com

MAMA_Logo_2015

The Museum of Motherhood, the ProCreate Project, the Mom Egg Review, and the Mother Magazine are pleased to announce the launch of a bi-monthly international exchange of ideas and art. M.A.M.A. will celebrate the notion of being “pregnant with ideas” in new ways. This scholarly discourse intersects with the artistic to explore the wonder and the challenges of motherhood. Using words and art to connect new pathways between the creative, the academic, the para-academic, the digital, and the real, as well as the everyday: wherever you live, work, and play, the Art of Motherhood is made manifest. Download the Press Release here or read about updated initiatives#JoinMAMA  @ProcreateProj  @MOMmuseum @TheMomEgg

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A Museum of Motherhood – What’s That? [Click]

FOR IMMEDIATE RELEASE

MEDIA CONTACT: Martha Joy Rose, Director Museum of Motherhood
207.504.3001
Info@MOMmuseum.org
A Museum of Motherhood – What’s That?

St. Petersburg, Florida January 26, 2018 – When it came time for a move, there were several things motivating artist and founder of the Museum of Motherhood, Martha Joy Rose. She is the mother of Bucs football center Ali Marpet and his older brother, Brody Marpet, who is part of a new startup called Gaspar’s Rum. For Rose, family rules. Since both boys relocated to St. Petersburg, Joy as she is called, decided to follow.

Formerly a rock and roller, concert promoter, and academic, her band, Housewives On Prozac toured the country from 1998 – 2008. In 2002, she started the Mamapalooza Festival, which moved to 25 cities promoting moms who rock internationally. Along with her band, the women of Mamapalooza enjoyed appearances on Good Morning America, CNN, and multiple media outlets including the New York Times and the London Times. Thousands attended events in New York, London, Sydney, and Toronto. In 2010, Rose turned her attention to creating the first ever Museum of Motherhood on the upper east side of Manhattan. Relationships with local universities resulted in internships with students interested in studying the art, science, and history of mothers, mothering, and motherhood. M.O.M. as it is known, became a destination point for twenty thousand travelers during the museum’s 29 months on East 84th St., which was in part sponsored by Gymboree.

“I have an ongoing interest in how mothers contribute to the social and economic fabric of American culture as well as the individual struggles women who are mothers experience,” says Rose. The museum is currently located in Rose’s live/work space in a 1920s bungalow across from St. Pete High School.

Rose is speaking at the Tampa Bay Breastfeeding Task Force Annual Conference on Feb. 9th. More info here [CLICK]

The second annual “I Love MOM” Conference takes place on February 16 & 17th on the USF campus in partnership with the Museum and the USF Women’s and Gender Studies Department. International artists and academics present on a variety of topics. Free and open to the public: RSVP info@MOMmuseum.org.

The museum doors will also be open to participants in the Artist Enclave of Historic Kenwood’s annual Artist Studio Tour. The free two-day event is on Saturday, March 17 10-5 and Sunday, March 18 12-5. Copies of the edited collection, the Music of Motherhood (Demeter Press 2018), and select pieces of art, by Ms. Rose will be for sale and on display.

The museum is located at 538 28th St. in St. Pete. Tours are by appointment only and can be made online or by calling 207.504.3001. Exhibits feature a pregnancy vest (which tour participants can try on), the laminated cereal box dress worn by Rose when touring with Housewives band, and assorted art, antiques, ephemera, and teaching tools. More information is available at MOMmuseum.org

DOWNLOAD PDF PRESS RELEASE M.O.M.

MOM ONE SHEET PDF

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Hello From Cortney – M.O.M.’s Spring Semester 2018 Intern

Hello,

My name is Cortney Roquemore. I am a senior at the University of South Florida St.Petersburg. I major in psychology. I am proudly doing my spring internship at (M.O.M.). (Museum Of Motherhood). M.O.M. is not just a museum, but it’s an empowering facility that shares the “information and education about the art, history, and science of motherhood from an international perspective.” My duty as an intern is to cultivate new relationships with people, institutions, and scholars in the St. Petersburg community. I will be inviting students from USF to come to M.O.M. for tours as well as utilizing social media to let people in the community know about this new incredible resource. I will also be learning about grant writing and crowdfunding for non-profits.

During the month of January, I will alphabetize and organize the library including the Demeter Collection of books and learn how to add resources to the museum’s scholarly collection. I will be adding this data to Excel. In February, I being my community outreach. The first week in February I will speak with some of my former professors and invite small groups of students (5 at a time) to come and tour the Museum. I will set up a schedule for this. On February 9th, I attend the Tampa Bay Breastfeeding Coalition where the director of the museum, Martha Joy Rose is presenting on the topic of racial disparities with regard to the visibility of breastfeeding in the public arena. Then, on Feb. 16th and 17th I will be helping out with the Annual Academic M.O.M. Conference. This conference, recently renamed the I :> M.O.M. Conference is in its second year in St. Petersburg. This year’s conference is going to be held on the USF campus in collaboration with the Women’s and Gender Studies Department of USF and made possible in part by a ResearchOne grant. This promises to be an exciting start to February.

After the conference is over, I will be learning all about how to lead tours of M.O.M. Then, I will be interacting with students who visit from USF (as well as the general public).

When March arrives, I will also be turning my attention to the business side of the museum and learning more about how a non-profit organization is properly managed. March 15th I will be attending a Greenhouse workshop (available for free through the city of St. Pete), on fundraising called “SPAA –Grant Writing/Development Research” from 8:30AM- 10:30 with Ms. Rose.  On March 22nd I will participate in another workshop with Ms. Rose from 6:30-8:30PM on “How to be Successful Via Crowdfunding.” In between these workshops, I will be identifying one specific project we hope to raise money for.

April will be a good opportunity for me to synthesize the skills I’ve acquired after getting familiar with M.O.M.’s library and exhibition resources, leading tours, and participating in multiple workshops and events. I will use the remainder of my internship to work with Ms. Rose remotely (via e-mail and Skype) on fundraising initiatives for one museum project as well as curating and promoting social media initiatives. I will actually write one grant and create an online Crowdfunding campaign. My internship requirement is 120 hours. By working on Mondays and Wednesdays from 1-5 or 6 PM (4-5 hours depending on the week, plus special events), I will easily be able to fulfill this mandate. This internship will help me form good working skills. I will have the opportunity to interact with my community. Most importantly, I get to learn more about the psychological aspects of motherhood!!