M.A.M.A 51: Art and words by Clara Aldén

The Mother of Frankenstein’s Monster (2021) researches the production of bodies and identities in relation to motherhood. ” My children were produced by and within my body”. Production continues after birth: children’s bodies grow and their identities develop. The identity of the mother is also born in relation to the child’s birth. This inquiry revolves around the idea of maternal “split subjectivity” and the child as an “unruly descendant” of the mother. It researches the conjunction of symbiosis and struggles present within a mother-child relationship.

#GivingTuesday 2021

This #GivingTuesday we chose to share our mission and ask that you consider making a donation to show your support of these ideals. As we grow our collections, we further establish our presence in the world: We are the first and only facility of its kind serving as a unique resource elucidating the art, science,Continue reading “#GivingTuesday 2021”

Birth Through Women’s History Month -WARNING GRAPHIC CONTENT-

Feeling an ungodly pain in her lower back and abdomen, she was more terrified than she’d ever been in her life. Somehow, despite her panic, she still remembered the list: photo ID, health insurance card, outfit for the next day, outfit for the baby. She called a cab to the hospital. It felt like the longest she’d ever waited for anything in her life, even though it actually couldn’t have been more than 20 minutes.

Interview Opportunity/Play About Birth & CFP JourMS

INTERVIEW OPPORTUNITY: Lillian Isabella is an award-winning documentary theatre maker. She’s looking to interview at least 100 different people with all different kinds of pregnancy and birth stories throughout the Summer of 2020. If you have been pregnant, are pregnant, or have given birth (of all ages), as well as the people who support pregnancyContinue reading “Interview Opportunity/Play About Birth & CFP JourMS”