Batya Weinbaum, Goddesses, and the Season of Light

While onsite at the MOM Art Annex, Batya Weinbaum will be constructing a fertility goddess mural from 6000 BCE. Her work elaborates on the Neolithic period, influenced by the works of Marija Gimbutas, Riane Eisler, Monica Sjoo (The Great Cosmic Mother) and Elizabeth Barber (Women’s Work: The First 20,000 Years), who discuss periods of human history when motherhood was not a liability but something to be revered.

M.A.M.A 51: Art and words by Clara Aldén

The Mother of Frankenstein’s Monster (2021) researches the production of bodies and identities in relation to motherhood. ” My children were produced by and within my body”. Production continues after birth: children’s bodies grow and their identities develop. The identity of the mother is also born in relation to the child’s birth. This inquiry revolves around the idea of maternal “split subjectivity” and the child as an “unruly descendant” of the mother. It researches the conjunction of symbiosis and struggles present within a mother-child relationship.

#GivingTuesday 2021

This #GivingTuesday we chose to share our mission and ask that you consider making a donation to show your support of these ideals. As we grow our collections, we further establish our presence in the world: We are the first and only facility of its kind serving as a unique resource elucidating the art, science,Continue reading “#GivingTuesday 2021”

Birth Through Women’s History Month -WARNING GRAPHIC CONTENT-

Feeling an ungodly pain in her lower back and abdomen, she was more terrified than she’d ever been in her life. Somehow, despite her panic, she still remembered the list: photo ID, health insurance card, outfit for the next day, outfit for the baby. She called a cab to the hospital. It felt like the longest she’d ever waited for anything in her life, even though it actually couldn’t have been more than 20 minutes.