I am a mixed media artist working mainly in sculpture and installation using a range of techniques that include casting, assemblage, photography, projections & sound. My practice is about the domestic and every day, and the stories of the objects around us – in both our homes and museums. Collecting, collating, documenting and display are key elements in my work as is repetition. I am interested in the dynamics of opposites: domestic and industrial, beautiful and ugly, useful and useless, temporary or permanent. My process has resulted in work that explores the fragility of memory; is rooted in the fabric of the home, yet presented in a historical context.
Procreate Project, the Museum of Motherhood and the Mom Egg Review are pleased to announce the 45th edition of this scholarly discourse. Literature intersects with art to explore the wonder and the challenges of motherhood. Using words and art to connect new pathways between the academic, the para-academic, the digital and the real, as well as the everyday: wherever you live, work and play, the Art of Motherhood is made manifest
The Big Letdown by Kimberly Seals Allers is a book available through the Museum of Motherhood Library.
In America, the month of October is the month of witches – the evil, the cruel, and the ugly. The Museum of Motherhood has hundreds of books in its collection, intended to educate, elucidate, and empower us. How have women been targeted as witches throughout history, since the middle ages and what can we learn? Let’s look at how Barbara Ehrenreich throws light upon this subject in her book “Witches, Midwives and Nurses: A history of women healers “.