MOM Art Annex: Exhibition & Education Center

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Muttererde & The Language of Class

Jessica Lauren Elizabeth Taylor Muttererde (2017) Video

Muttererde profiles conversations with five black femmes on the knowledge and non-knowledge of their mothers, grandmothers, great grandmothers and as far back as the knowledge carries them to create a rich and powerful archive on ancestry.  They explore themes of motherhood, migration, cultural differences, beauty standards, queerness, kinship, death and rebirth. Their stories, although from five different countries, intertwine to weave a tapestry of herstory through the African diaspora. Through their testimonies, the viewer discovers that ritual, memory and oral history can challenge the status quo.

This work, made in collaboration with filmmaker Astrid Gleichmann, features the stories of Camalo Gaskin, Tobi Ayedadjou, Niv Acosta, Natalie Anguezomo Mba Bikoro and Fannie Sosa. It has been supported by the Decentralized Cultural Work Tempelhof-Schöneberg, District Kunst und Kulturforderung Berlin and A Prima Vista Filmproduktion. Posted in partnership with the Museum of Motherhood, Procreate Project and the Mom Egg Review.

 Artist Biography

Jessica Lauren Elizabeth Taylor (b. 1984, Florida) is a multidisciplinary artist and community organizer. Her roots are in the Southern United States, born in Mississippi and raised in Florida. Taylor’s work manifests through performance, text, dialogue, dance and community building for Black People and People of Colour. She is chiefly concerned with ways to dismantle oppressive institutions and the creation of racial equity in art and cultural institutions. She has performed and presented at the Barbican Centre of Art (London, UK); Chisenhale Gallery (London, UK); Hebbel Am Ufer (Berlin, Germany); Kunst-Werke Institute for Contemporary Art (Berlin, Germany); Sophiensaele Theater (Berlin, Germany);  The Astrup Fearnley Museum of Modern Art (Oslo, Norway); Rogaland Kunstsenter (Stavanger, Norway); and the Irish Museum for Modern Art (Dublin, Ireland). She is currently undergoing a Master of Art in Black British Literature at Goldsmiths University of London.

VIDEO TRAILER

LANGUAGE CLASS

Kimberly L. Becker, (written on Qualla Boundary; for C.M.)

Little by little

we are reclaiming the words

Just as the land was once large,

so, too, our voice

Some words lost on the Trail

have been found

They lived hidden in baskets,

in pockets, in the very tassels of corn

(Selu, Selu)

Now the words live again

See? When I say nogwo it is now,

both the now of then and the now

of not yet

The words work secret medicine

and strong, forming us

from the inside out

Language is our Magic Lake–

we walk in limping with loss

and emerge wholly ourselves

When Cecilia speaks

she bears with her

the future of these sounds

Listen: her voice is soft, but sure

Originally published in The Mom Egg Vol. 8 Lessons, 2010

The Museum of Motherhood, the ProCreate Project, the Mom Egg Review, and the Mother Magazine are pleased to announce the launch of a bi-monthly international exchange of ideas and art. M.A.M.A. will celebrate the notion of being “pregnant with ideas” in new ways. This scholarly discourse intersects with the artistic to explore the wonder and the challenges of motherhood. Using words and art to connect new pathways between the creative, the academic, the para-academic, the digital, and the real, as well as the everyday: wherever you live, work, and play, the Art of Motherhood is made manifest. Download the Press Release here or read about updated initiatives#JoinMAMA  @ProcreateProj  @MOMmuseum @TheMomEgg

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