ART ANNEX 538 28th St. N. St. Petersburg, Fl 33713

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The Museum of Motherhood Welcomes Hannah Brockbank to MOM Residency [Click]

The Museum of Motherhood Art Annex in St. Petersburg, Florida welcomes Hannah Brockbank in October, 2017.

Hannah Brockbank

Hannah Brockbank is joint winner of the 2016 Kate Betts Award. Publications featuring her work include Hallelujah for 50ft Women Anthology (Bloodaxe), A Way through the Woods Anthology(Binsted Arts)Full Moon & Foxglove Anthology (Three Drops Press), The London Magazine, Envoi, and When Women Waken Journal. Her poems also featured in the Chalk Poets Anthology as part of the 2016 Winchester Poetry Festival. She has also written feature essays for Thresholds International Short Story Forum. Her first pamphlet, Bloodlines, is due for publication by Indigo Dreams Publishing in 2017. She is studying for a Ph.D at the University of Chichester.

During her residency at M.O.M, Hannah will have access to the Andrea O’Reilly Library and Reading Room, the complete works of Demeter Press, and the latest publications on mothering and motherhood. She will respond creatively to M.O.M’s varied galleries and exhibits which incorporate a range of mothering concepts, and will inspire her to embody her own mothering experience through poetry. Creative work written as a result of her residency at M.O.M, will form part of her Ph.D, which includes writing a publishable book length collection of new matrifocal poems. We welcome Hannah for two weeks beginning the third week of October.

Twitter @hannahbrockbank

Website www.hannahbrockbank.com

Instagram @hannahbrockbankwriter

If you are interested in learning more about the MOM Residency Program or you know someone who would benefit from focused time away, working in a supportive environment, and whose concentration is on the maternal, please find out more here. [LINK].

2017 Residencies:
January – Christen Clifford
Summer – Dawn Parker
July – Christen Clifford
October – Hannah Brockbank

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MAMA by Elisabeth Schön Words by Judy Swann [CLICK]

The ProCreate Project, the Museum of Motherhood and the Mom Egg Review are pleased to announce the 24th edition of this scholarly discourse intersects with the artistic to explore the wonder and the challenges of motherhood. Using words and art to connect new pathways between the academic, the para-academic, the digital, and the real, as well as the everyday: wherever you live, work, and play, the Art of Motherhood is made manifest. #JoinMAMA

Art by Elisabeth Schön – See more at ProCreate Website:

ZMOTHERINE

Art by Elisabeth Schön

The postpartum period is a surreal time and space that can hurt or heal a woman but either way she’ll never forget it with her in body in flux and a human being that just came through her and is utterly dependent on her for survival. Their meeting binds them as she’s confronted with her biology and its vulnerability. 

 
Elisabeth Schön is an artist photographer photo book maker juggling her attempts at self-publishing with three young boys at home.

Words by Judy Swann

Fool

I threw rose petals on the ground
and her pink slippers slid on that silky surface, the Muse, when she came just now.

Her small hooves have worn every fabric, every skin, every color, my kids
try them on when she slips them off.

Her little goat horns wobbled and she scolded, “Why am I not connecting? Why so many dreams and so little in my basket, Fool?”

By ‘Fool’ she meant ‘Innocent Child.’ She said, and I could see her beard, she said, “Tell me that you love me.”

“I am,” I said, “not sleeping alone.”
She said, “Tell me that you love me.”
I said she was always on my mind, I called

As often as I could. She said, “Tell me
that you love me.” I said “I’ve spent twenty years, two husbands, and all my thrift on those roses.”

Judy Swann is a poet, essayist, translator, mom, blogger, and bicycle commuter, whose work has been published in many venues both in print and online, including the Mom Egg Review. Her son is (always) on his way home. Her book, We Are All Well: The Letters of Nora Hall has given her great joy. She loves. She lives in Ithaca, NY.

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CFP: MOM Conference 2018 – Teaching Mother Studies In The Academy & Beyond [LINK]

LINK TO SUBMIT HERE [LINK]

LINK TO SUBMIT HERE [LINK]

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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Submit to The Mother Load – Essays About Art and Motherhood: Extended deadline Oct. 15 [CLICK]

Women will never stop discussing the complexities around being a mother and what motherhood (in its many forms) means for their professional life. Within the arts, there are a wide range of disciplines, each with their own subjective ways of determining an artist’s level of success. As individual artists, how do we define success within our practice, our community, and the greater art world? And, at the same time, how are we defining success as mothers?

As The Mother Load project enters its fifth year, we are creating a new way to engage in this dialogue through an anthology–a collection of essays by mother-artists. In collaboration with writer & editor Maggie Messitt, we will work to produce a collection that incorporates your stories and give personal narrative to the broader conversation about motherhood, artistic practice, and success.

We are currently seeking potential contributors to this project and are collecting applications until September 15, 2017. As you answer the following questions, please consider what parts of your story you are most passionate about sharing. What aspect of your life as a mother-artists do you think about with the most emotional and intellectual energy? Was there a single incident that taught you something important and from which others could really benefit?  As this anthology focuses on sharing individual definitions of success, what are yours?

Your responses to the following questions will not only provide us with a writing sample, but it will assist our editorial team in determining the direction, if selected, you may (or can) take your essay. Selected contributors will work closely with our team throughout the writing and editing process (story inception, first draft, multiple edits, and a final essay for publication). SUBMIT: http://www.themotherload.org/

ALSO SEE PROCREATE PROJECT LEFTOVERS SUBMITTAL DEADLINE SEPT. 15: [LINK]

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Visit M.O.M. Today [CLICK]

VISIT MOM: Eight months after re-opening the Museum of Motherhood in St. Petersburg, Florida, the M.O.M. Art Annex has enjoyed visitors from all over the country. To schedule a visit write us: info@MOMmuseum.org. See just a few of our visitors here:

CONFERENCE: Our first “I ❤ MOM” Conference” titled Mothering from the Margins was a truly inspiring two-day event with a packed house that took place during Valentines’ week in February. We are in the process of editing and uploading content from the conference to the Journal of Mother Studies (JourMS), as well as crafting next year’s CFP.
COMMUNITY: The local Historic Kenwood Artist Enclave has been busy organizing of community events, including the Arts Walk last March. Their new enclave motto “where art lives” is particularly salient considering we really do live and work at the museum.

RESIDENCIES: Thus far, M.O.M. has hosted three residencies. In January, artist and activist, Christen Clifford arrived as our first guest and spent two weeks editing her latest work. She returned again in July. Also, we saw the first summer Spirited Woman Residency with Dawn Louise Parker who has been hard at work on her manuscript titled Forty-Seven Days of Love. Dawn continues to manage the M.O.M. space while editing her manuscript and we are grateful for her participation. In October, we will welcome Hannah Brockbank who will be joining us for a two week residency. Hannah is a poet hailing from Sussex, England. Her pamphlet Bloodlines will be published by Indigo Dreams in 2017 and she is a Kate Bett’s Award winner (2016). Hannah is a PhD student and will be utilizing the Demeter Library onsite among other things. Read more about our residencies here [LINK]

INTERNSHIPS: We currently have several calls out to local college students for internships for the fall of 2017. Our high school intern, Andres’ has been with us since the spring and is a St. Pete High School senior. He is hard at work cataloging our library and creating a new student exhibit for the fall.

ONLINE: In July of 2017, according to our google report 4,239 conducted searches and found us online. We are happy and proud that people are thinking about us. We hope that we can continue to expand in our new location. If you have ideas or want to get on board, please write Museum Director: Martha Joy Rose at MarthaJoyRose@gmail.com Introduction to Mother Studies classes will re-launch with a new partnership sometime within the next six months – stay tuned.

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Desperate Artwives Takeover – London England

ALL YOU NEED TO KNOW

Who: Depserate Artwives Collective – Mother Artists!

What: We envisage each artist performing a repetitive domestic action or interruption of their own interpretation for the duration whilst wearing something red for recognition. (Some of the actions will be – folding, cleaning the floor, calling the children, hanging the washing etc). Where: In and around the Tate Modern.

Please be ready to start at 1pm.

The action is to be flash mob style. We will be starting by being spread out (please choose your position and if you can, let us know where you will be – roughly).

We will gradually get together for a big finale at approx. 1:45. Final meeting point will be at the river entrance on Queen’s Walks in between the trees’ path. When: Sunday the 6th of August from 1pm to 1:45 approx.

How Long: Approx 45 minutes Aims:

• To make visible Women doing domestic actions, in front of the Tate Modern at a time when finally we see a woman taking over as director of the gallery.

• To draw attention to the lack of women artists hanging in the gallery and represented throughout the art world in general.

• To draw attention to an invisible and legitimate and often unheard voice, that of the motherartist and to give it value.

• To demonstrate against and give voice and recognition to the silent unpaid work done by the many millions of women around the world that is diminished, minimised and unacknowledged.

If you cannot make it in person and will join us via Social Media:

• ON THE DAY post a picture of yourself whilst performing a domestic action on YOUR FACEBOOK PAGE or TWITTER ACCOUNT

• Wear something red

• Make sure you hash tag the following #uniteddespitethedistance #motherartist #desperateartwives

Desperate Artwives