MOM Art Annex: Exhibition & Education Center

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GENDER DISAPPOINTMENT: What it is, how it feels, how to handle it (LINK)

MEET OUR NEW INTERN! Dee Shaffner (Merritt) is a first-time college student at Cayuga Community College in Fulton New York. Dee is currently workings towards her Associates’s Degree in Liberal Arts with a concentration in Psychology. She is a single mother to 3 wonderful (and extra silly) little boys, Lucas, Logan, and Liam. In addition to being a mother and a student, Dee also works at Mother Earth Baby and is a La Leche League volunteer.

We are thrilled to welcome Dee for a remote internship in blogging over the course of several weeks. She will be researching and writing on topics related to motherhood, gender, pregnancy, and breastfeeding. She hopes to gain additional insight from her research and share that knowledge. Her desire to support other mothers stems from her personal motherhood struggles as well as from questions and concerns, friends, mothers, even strangers have approached her about through the years, She will share some of her perspectives as part of her internship for MOM.

GENDER DISAPPOINTMENT: What it is, how it feels, how to handle it.

The day of the gender reveal during pregnancy can be an exciting one! When I went in for mine, I was so confident I was going to have a girl. The ultrasound technician concentrated on my belly as I lay under the thin cotton blanket on the table. Then, suddenly, pointing to the grainy image on the ultrasound screen, the tech announced in an excited voice that we were having a boy. My heart sank. This was not anything I was prepared for, no one ever mentioned to me that I could feel devastated about the gender of my baby, I felt so ashamed. All I could think of was how I was told in classes, and from other mothers, that all the effort and pain from pregnancy and labor goes away and nothing else matters when you hold your baby in your arms for the first time. But, I could not imagine holding a baby boy. I felt shattered.

Lying on the table, hearing the technician’s words, I squeezed my partner’s hand and forced out a smile. After I got dressed and left the room, I convinced myself there could be a mistake. The images were so blurry. There was still a chance my baby would come out a girl. Months later, during the labor and then as my baby was delivered, I heard excited voices announcing, “Congratulations. You have a baby boy!”

I felt a wave of disappointment and a surge of shame. These were the same feelings of shame I felt the first time I was told I was having a boy. I didn’t dare say anything out loud. I forced a smile.

This happened to me 3 times. Yes, I am the mother of 3 boys. Over the years I hoped the desire for a daughter would disappear. I love my children and this is not something I need to defend, but my heart still aches for other possibilities. Gender disappointment by definition is when an expectant parent experiences depression or anxiety when the sex of a baby does not match their preference. As I find myself continuing to struggle with my emotions, I have since learned many mothers and fathers also have gender disappointment. Though the journey is different for everyone, complex feelings, sadness, and feelings of longing are all part of this syndrome.

Admitting to gender disappointment can be hard for anyone. A person may feel hesitant to say much about it because they do not want to be judged by others and be seen as ungrateful or neglectful parents. For myself, feeling ashamed was a heavy weight on my shoulders, I love all my boys, but the love did not come at first sight. I had to learn how to love them. Since exploring this topic over the years, I have come to find out that my experiences were not unique. While expressions of gender-fluid behavior are prevalent in contemporary culture, and a mother can still teach her son to sew and a father can teach his daughter how to hunt, some parents continue to experience a lack of connection. They worry that they will never be able to fully bond with their child.

Social pressure on expecting parents can add even more depressive weight. Hearing from a stranger in the grocery store who says things such as “you already have 3 boys, so you should just give up on trying to have a daughter,” makes my blood boil. I have come to assume that these people, in an attempt to make small conversation, just do not really know what to say and they just repeat what has been said in the past, to them.

Other examples, of perhaps well-intentioned individuals wanting to insert themselves into an individual family narrative, can ultimately be unhelpful or even hurtful. A few of these are:

(You do not have any children.) “Oh, when are you going to have children?!”

(You have 1 child.) “Oh, when are you going to have number two?!”

(You have 2 same-gender children.) “Oh, well your next one will be the opposite gender!”

(You have 3 children.) “You are going to have to even those children out!”

(You have 4 or more children.) “Oh goodness! Your hands are full, you should stop having children!”

The comments can hurt. I would always get so bothered when people would tell me, I am a “boy-mom,” no, I am not just a boy-mom, I am fully capable of being a mother to girls too, I am just not one, yet. And, I may never be, but whether I am, or I am not, the deeply personal decision to have a child or not have a child is not something that is up for public scrutiny, nor are the complex feelings many parents grapple with.

Thankfully over the years, there is more support and literature for parents struggling with gender disappointment. We all love and care for our children intensely. But for those of us going through this experience, these emotions might not ever go away. As a mother of boys, I focus on finding ways to bond with my children even if I am not a big fan of dirt, trucks or farts. I also recognize that as humans develop the nuances of sex and gender do not necessarily follow a binary path. I seek moments of abiding joy and acknowledge the importance of seeing every child for who they are, apart from their gendered behavior.

For me, seeking professional help was also very beneficial, Facebook has supporting group pages, there are articles on a variety of websites that share personal experiences. The book Altered Dreams…Living With Gender Disappointment, written by Katherine Asbery, was a source that had helped me at a time when Google had “no related search.” I have come to realize that it is okay to feel gender disappointment, even if it does not feel right to feel that way. Finding others to talk to about these emotions, cultivating a sense of humor, and reaching out for additional resources are all ways to navigate the complicated terrain of motherhood. It is important to not feel alone on this journey. That is why I am sharing my very personal story here.

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MAMA: Issue 38 – Casey Jenkins & Amy Watkins

Issue 38 – October Casey Jenkins – sMother [Performance]

sMother psychological-endurance artwork. Gendered assumptions, judgments and advice – whether meant to protect or to control – bind and confine those perceived to be ‘women of childbearing age’, paralyzing us with fear and shame. Our identities are subdued and mummified in forced acquiescence by community expectations that preserve absurd gender roles.

At nearly 38 and after two miscarriages in the previous year, Casey performed sMother, the final in a trilogy of performances exploring the restrictive nature of gendered expectations on those perceived to be ‘women of child-bearing age’.

Casey knitted daily over the course of a week with yarn drawn from their vagina, linking two common but somewhat conflicting indicators of femininity; the vulva associated with women’s sexuality and reproduction, and knitting associated with elderly asexual women. As Casey knitted, audience members were invited to activate a four-channel, 28 track soundscape of advice and commentary regarding ‘women of child-bearing age’, reflecting the judgments of diverse commentators from lounge-room analysts to Donald Trump. By activating the sound montages, the audience was complicit in mirroring and perpetuating the cacophony of gendered judgments that strengthen patriarchal control.

Casey absorbed the relentless barrage while creating a knitted length that grew over the course of days into a rope that bound and distorted their body – travelling from the popular ‘serene pregnant woman’ fable to something more representative of the lived experience of those perceived to be ‘women of childbearing age’, involving discomfort, fear, frustration and claustrophobia. Each stitch may be seen as a mark of acquiescence to the absurdity of gender expectations – an acquiescence that at first may comfort and shield, but soon distorts, binds and restricts.

Artist Biography: Casey Jenkins (b. 1979, Melbourne, Australia) is currently a Master of Contemporary Art student at the Victorian College of the Arts, University of Melbourne. Jenkins is an installation and durational/community-engagement performance artist. Combining tactility with technology, craft with performance, her work ranges from minimalist solo durational performances to pieces that deliberately toy with (and aim to redefine) power structures via street art and experimental group performance. Recent works have been shown at the Venice International Performance Art Week,  London Science Gallery, and SomoS Art House, Berlin.

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The Mom Egg Review

LEARNING THE HARD WAY

By Amy Watkins

I feel for the door-to-door evangelists,

the Jehovah’s Witnesses, women in long skirts

and blue-gray sweaters, and the pairs

of handsome, clean-cut Mormon boys,

one always more shy than the other, holding

a stack of books and a bicycle helmet

under one arm. They are eager and

lovely, and even I don’t invite them in.

My mother did when I was a child, because

she too felt called to witness. The seventh-day.

The second coming. Everything that made us

strange. She took out her Bible, its leather cover

worn as a pair of work gloves, and listened

to them expound their faith in the kind of earnest voices

movie actors reserve for speeches like, Please believe

me: an asteroid is on a collision course

with Earth. Her response was apologetic,

almost embarrassed; for every verse they quoted,

she knew two. I recognized the doubt soaking in,

the frustration. Still, they squared their shoulders.

No one wants to fall for the smooth sales pitch,

the telemarketer’s call, the good news of the pamphlet

the glassy-eyed woman’s hand. Whatever truth

there is, we want to find it for ourselves

like the ultimate rummage sale bargain.

Believe me, you can’t tell us anything.

Bio: Although she was born in a landlocked state, Amy Watkins grew up in Florida, where one is never more than 70 miles from saltwater. Her poems have appeared in the Apalachee Review, Bayou Magazine and The Glass Coin. She is co-editor and host of the weekly poetry podcast Red Lion Sq.

TWITTER: @AmyWatkinsThe Museum of Motherhood, the ProCreate Project, the Mom Egg Review, and the Mother Magazine are pleased to announce the launch of a bi-monthly international exchange of ideas and art. M.A.M.A. will celebrate the notion of being “pregnant with ideas” in new ways. This scholarly discourse intersects with the artistic to explore the wonder and the challenges of motherhood. Using words and art to connect new pathways between the creative, the academic, the para-academic, the digital, and the real, as well as the everyday: wherever you live, work, and play, the Art of Motherhood is made manifest. Download the Press Release here or read about updated initiatives#JoinMAMA  @ProcreateProj  @MOMmuseum @TheMomEgg

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Sociology Opens Our Eyes to New Ways of Seeing the World!

This summer, extreme weather rocks America and pundits debate while August arrives all too quickly. Since July 1st, accounting majors, economics majors, and students of literature have been increasing their knowledge and vocabulary about important issues that affect us all by studying sociology. These students are hard at work exploring theoretical assertions about race, class, and gender in an online summer intensive Introduction to Sociology course, specifically framed around the Sociology of Family.

Using texts that explore gestation, birth, and caregiving, authors Barbara Katz Rothman, Phyllis Chesler, Patricia Hill Collins, and Keisha Goode (to name a few), explore women’s experiences, racial disparities, and gendered labor. This week, we read the latest media stories on wombs, trans-birth, uterus transplants, and self-identified men as mothers. We have all been scrambling for new definitions and fresh ways of thinking about gestation as well as parenting.

As part of a service-learning portion of an Intro to Sociology class, students were asked to take a piece of construction paper or plain white paper and mark in bold words a minimum of 5 words that best describe “mother” and “father”. We have been complicating those basic notions ever since.

Thinking about the authors we are studying assert about biology and gender, coupled with recent medical and policy developments, motherhood is more complicated than ever! The students were invited to revisit their original posters and articulate some of the information that has influenced their perspective in recent weeks. Some of their notes are below:

Words Added:

–       Gender Neutral:

·      The readings from this week highlighted the problems associated with gendered parenting

·       Mothers struggle with work because of the perception that they are obligated to care for their home and children

·       Men do not feel obligated to do any parenting work but feel an overwhelming obligation to provide economically for their families

·      Both genders are equally capable of parenting in the form of motherhood and fatherhood

·      everyone including children would be better off if parental duties were split equally

·      All other words on the poster represent things my mother, grandparents, and stepfather did and that I wish my father had participated in

·      Not parenting is a personal choice not a gendered choice

–       Parent:

·      Added for reasons listed above

·      Parent should imply the same duties regardless of the parent’s gender

       Present:

·      Being present is an essential part of parenthood that I did not think about until I watched “Glen Henry got his Superpowers Through Fatherhood”

–       Care:

·      “Mothering is most likely done by a female due to our society’s definition of the word ‘mother.’ The action of mothering however is simply caring for another.” [Castaneda and Oware]

–       Guide

–       Educate

·      Guide and educate were both terms I did not think to put until I though in the context of parenthood rather than motherhood

·      Gendered expectations affect us all and are very pervasive

Assertion Statement:

Replace motherhood and fatherhood with parenthood

Father
• Tenderhearted
• Empathetic
• Compassionate
• Honest
• Supportive
• Sacrificing
• Wise
“A healthier masculinity can only be achieved if we acknowledge that “Tough” and “Strong” aren’t the only 2 characteristics men can be.”

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TRACKING THE COURSE OF MUTINY AGAINST THE TYRANNY

Op-ed, Martha Joy Rose May 13, 2019 

Despite headlines and discourse, the most unchanging thing about motherhood is how much it doesn’t change. While parenting narratives in the public arena are more visible than ever, while books on mothers and mothering are written and published at a dizzying pace (see Demeter Press among others), and while activists and bloggers do their best to articulate the realities and difficulties of mothering, the truth will make you mad. Policies ranging from healthcare to human rights in the United States have not changed much at all in the last 50 years, and if anything, they appear to be moving backward at times.

This year’s Mothers’ Day came and went with the usual fanfare of compliments, cards, and lovely acknowledgments. But, the truth of being a woman, or a woman of color in America, can be very scary. Aside from the well-known, repetitive conversation around everything from our as-of-yet still unratified ERA to maternal morbidity rates, we observed a rollback of certain state’s abortion rights, and the constant pressure mothers and caregivers experience as they try to balance unrealistic expectations with work pressures. All of this occurs in the midst of corporate greed and governmental callousness which is reflected in our lack of family-friendly policies.

‘All The Rage’ Isn’t About Moms Having It All — It’s About Moms Doing It All’

NPR: Weekend Edition, May 12, 2019

On why domestic demands on mothers actually increased in the mid-’90s

The expectations for motherhood suddenly … went through the roof. … One of the reasons that academics will cite for why this happened at the same time that [mothers’] labor force participation peaked was because there was a lot of anxiety about what was going to happen to the kids. All these moms are now in the workforce in greater numbers than ever: What’s going to happen to the children? So the standards for mothering kind of ratcheted up. [Link to ARTICLE].

Feminism & Motherhood

As a woman, I am angry. But as a mother, I’m seething. There’s a robust conversation right now about the historical and present power of female rage as a tool for social change. A number of books, articles, and social media hashtags are pointing out that women are fed up. Instead of being silenced by patriarchal ideas of women’s emotions as “hysteria,” women are embracing their anger as a social and political force to be reckoned with. That is great news for women. But what about mothers as a key subset of women? ~Kimberly Seals Allers for The Washington Post 2019: [LINK to article]

There is a lot to be angry about. Women of color in the USA, who are pregnant, have the most to be worried about. Their prenatal care, birth care, and post-birth care are all persistently worse than their white counterparts. This problematic scenario can be linked to many ongoing issues related to systemic racism, socio-economic status, and the apparent lack of willingness for medical professionals to listen to the voices of these women. [Read more here in the news at this link].

This year’s Museum of Motherhood annual conference focused on “Rewriting Trauma and Birth.” We welcomed keynote speaker Khiara M. Bridges, who is the author of Reproducing Race. Her book smartly explores the social construction of race in medical settings and helps to examine the forces that coerce women into dangerous birth scenarios.

So, whether over-burdened by maternal workloads, subject to a medical crisis of deadly proportions or managing the anger associated with outdated policies that do not support women and families, something has got to shift.

Before we can identify solutions we must notice the problems and call them out. By naming and labeling the issues we have engaged in the first line of offense. Some people will voice objections. They will list the ways in which gender mirrors biology. They will do their best to keep enduring structures of power and privilege intact. However, we just keep raising our voices and turning up the volume.

Kimberly Seals Allers proposes several steps for improving the state of families in America. Some of those include obvious changes to healthcare. Others must focus on policy shifts that recognize unpaid maternal labor, as well as the development of affordable childcare options for working mothers.

So what has been going on for the last 15 years? Below is an article that was written by Jill Brooke for the Chicago Tribune during a burst of notoriety for the Mom Rockers who had set their minds on creating change within the home as well as the world at large. While the emphasis on using art and music for social change has amped up the volume on women’s issues, many of the problems these founding artists sought to address have remained stubbornly ingrained in our institutions, including the “institution of the family.” You can read more on this subject in the book, the Music of Motherhood (Demeter Press 2018).

Course development and educational programming that break the barrier on women’s (and gender) studies in the university and beyond are an important step in disrupting repetitive patterns that keep individuals trapped in hegemonic discourses and force the idealization of parenting roles. Here at MOM, we are striking back by pushing back. Giving a nod to the work of Guerrilla Girl Donna Kaz, we encourage those of you who are seeking some strategies for change to utilize her work to create activist platforms. LINK

” I have heard many people express their own powerlessness as they face threats to their rights and the rights of those they support on a daily basis. Perhaps you agree there is a need to understand how to organize and see results, on a local level. Maybe you search for activist knowledge and are hungry for something to guide you through the steps of creatively supporting a cause. PUSH/PUSHBACK will fill that need.”

The band Housewives On Prozac was championing pushback through music in the late nineties through 2008. Their song “Eat Your Damn Spaghetti” was a rallying cry for overwhelmed and frustrated mothers. You can watch the video below. Meanwhile, the MaMaPaLooZa Festival, which is ongoing in New York City and Sydney, Australia aims to create dynamic change through empowerment, education, and large-scale community events. Other super-important and amazing organizations (to name a very few), include MomsRising, SisterSong, and The Center for Reproductive Rights.

TRACKING THE COURSE OF MUTINY AGAINST THE TYRANNY OF PARENTAL EXPECTATIONS

December 21, 2004,|By Jill Brooke, Special to the Tribune

“I tried to be the perfect mom but then buckled. It’s time for a little liberation, and I want to give moms permission to nourish a piece of themselves and then go back to wiping the kids’ noses, cooking dinner and carpooling.”

And what better way to launch a rebellion than rock ‘n’ roll? Link to ARTICLE.

Finally, let us ask the question: Why does America have the least-friendly family policies? The U.S. is the only country in the Organization for Economic Cooperation and Development (OECD) not to offer paid leave on a national basis.

“People think motherhood is inherently overwhelming because we’ve made that idea seem natural,” said Virginia Rutter, a professor of sociology at Framingham State University in Massachusetts and author of “Families as They Really Are.” “We normalize the hardships of motherhood. … This is now what’s familiar.”

LINK to article

We must continue to work together for the kinds of change that will benefit all American families and not just a few. The best way to do this is to advocate for intersectional, interdisciplinary education and activism that affects attitudes, policy, and the private/public sector in ways that support women and men and make the world an easier place for caregivers to navigate.

*Mamava is a company that hopes to normalize breastfeeding and support nursing mothers. One of their lactation spaces in JFK airport is the featured photo on this post. #Mamava #Mothers #MOM #JoinMama

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M.A.M.A. 37- Clipping the Church and a Measure of Grace

Art by Tereza Buskova – ‘Clipping the Church’

In many cultures, even today, new mothers and their infants are subject to a period of physical seclusion or confinement from the rest of the world. During this time, the support of relatives and the local community plays a vital role in sustaining the family by caring for the older children, providing food and completing chores typically carried out by the mother herself. It is hard to imagine now that things were not so different for the generation of our own great-grandmothers.

No longer restricted by this custom, women today enjoy the benefits of improved healthcare, education and childcare options, which grant them greater freedom than ever before. Yet the stigma and judgment that come with pregnancy and early motherhood linger, whereas support of the local community has all but disappeared over time. Today’s society too often adopts a patronizing, utilitarian attitude which blinds it to the particular needs of parents and families. As a consequence, many new mothers experience feelings of loneliness and isolation from their social networks, unknown to them before. Some feel actively ostracised and judged when they should be encouraged and cherished.

Clipping the Church is a project based on an old English tradition in which parishioners ‘clip’ their local place of worship with hands and bodies and sing songs of a celebratory nature. The overarching aspect of this custom is inclusiveness and Buskova married it with the representation of motherhood expressed by the act of baking and sharing baked goods with family, friends and anonymous members of the community.

Dressed in traditional Czech outfits, ornate with sensuous red ribbons and elaborate baked accessories, two women lead a procession via Erdington’s High Street. Their white skirts are decorated with flowery patterns and bunched around their hips, emphasizing the connection with nature and its fertility.  The work subtly harks back to the history of Erdington, which remained a rural area until recent times. Accompanied by two young girls and followed by a simple wooden frame made of celestial crust (sugary pastries based on an old Czech recipe) topped by a small figurine of Virgin Mary and carried on men’s shoulders, the procession was joined by a multinational crowd, old and young. All precincts vanished for the duration of the performance and the lively chatting was underscored by accompanying cello music performed by Bela Emerson, resulting in a festive atmosphere that resonated within the surroundings.

One of the most moving and symbolically saturated moments of the procession took place upon its arrival at St Barnabas Church’s gate. There, Frieda Evans, the parish priest and the artist invited the crowd to ‘clip’ the church. Despite its overarching religious connotations, the act of forming a circle around the church added a universal dimension to this Christian custom. The church, decorated all the way around with sourdough bread in elaborate shapes hanging on red ribbons from the building’s façade, echoed the human bonds created around the church. Prepared by Buskova and the community members, this simple bake became a gesture of kindness and generosity. With the act of sharing and consuming the celestial crust, ‘Clipping the Church’ was finalized. The custom was reinvented, becoming not English, not Czech, but an inclusive community act.

Image credits: 

Erdingtonia Series, Tereza Buskova 2016
Image Size 21×15 cm
Archival inkjet print with gold screenprint overlays
Edition number 20 + 4AP’s

More about the artists: 

Tereza Buskova (b.1978, Prague) completed her Fine Art Printmaking MA at the Royal College of Art in 2007. Her intuitive practices capture and renew Czech folk traditions through a combination of film making, screen printing and performance. Buskova’s work has been exhibited at Rituals, David Roberts Art Foundation, London (2008);  A Tradition I Do Not Mean To Break, Zabludowicz Collection, London (2009);  Rituals Are Tellers Of Us, Newlyn Art Gallery, UK ( 2013); and Reality Czech: the Czech Avant-Garde, Whitechapel Gallery, London, 2015. She has exhibited, performed and lectured in a broad range of different spaces including Lincoln’s Chambers Farm Wood (2010), Kunstnernes Hus, Oslo (2014), and Erdington High Street, UK (2016).

The Mom Egg Review – Words
Measure of Grace
by Caitlin Grace McDonnell

The longest person’s eyelashes were ten inches,
or maybe six. I think 8. She lived in China,
my daughter tells me, who is nine, like the youngest soccer coach, in Barcelona, which,
she says, is the best. The length of your integrity
is directly correlated to your forearm in prayer.
If you want to be seen as a woman, wear a string
of pearls. If you want to be seen as everything,
make yourself scarce. Math is comforting, my
daughter says, because the answers are clear.
Meanwhile, the length of time between school
shootings decreases at a rate comparable
to the disappearance of the words “climate change”
from government documents. Or the disappearance
of ice in the Arctic sea, or honeybees from warm
habitats. Yesterday, Sudan, the last Northern White
Rhino was put down in Kenya. The buds that bloom
beneath my daughter’s breasts are harder than
I remember on my own body, my own breasts,
whose alveoli no longer make milk. If you squint
at two women, they can almost be one.

Caitlin Grace McDonnell was a New York Times Poetry Fellow at NYU, where she received her MFA. She has published a chapbook, Dreaming the Tree (belladonna books, 2003) and a book, Looking for Small Animals (Nauset Press, 2012). Her poems, essays and book reviews have appeared in numerous print and online publications, including Salon, Washington Square, Chronogram and more. She teaches writing in Brooklyn, NY, where she lives with daughter, Kaya Hope.

MAMA_Logo_2015

The Museum of Motherhood, the ProCreate Project, the Mom Egg Review, and the Mother Magazine are pleased to announce the launch of a bi-monthly international exchange of ideas and art. M.A.M.A. will celebrate the notion of being “pregnant with ideas” in new ways. This scholarly discourse intersects with the artistic to explore the wonder and the challenges of motherhood. Using words and art to connect new pathways between the creative, the academic, the para-academic, the digital, and the real, as well as the everyday: wherever you live, work, and play, the Art of Motherhood is made manifest. Download the Press Release here or read about updated initiatives#JoinMAMA  @ProcreateProj  @MOMmuseum @TheMomEgg

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News From Around the World with MoM Partners in ART

Ruchika Wason Singh  
Visual Artist- Independent Researcher

Ruchika is the founder of A.M.M.A.A., Asia’s first platform for Mother Artists. She is a visiting professor at Ashoka University in Sonipat, India. We are sharing the Book of Drawing Marathon here in PDF Format. Please go to Ruchika’s website to find out more:

Ruchika Wason Singh

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Also, the Procreate Project in England is proud to present a group exhibition featuring twenty short-listed artists of the Mother Art Prize 2018, the only international prize for self-identifying women and non-binary visual artists with caring responsibilities. The exhibition at Mimosa House, London will be curated by independent curator Marcelle Joseph, Zabludowicz Collection director Elizabeth Neilson, and Whitechapel Gallery curator Laura Smith. Find out more at Procreate Project online.
Mimosa House
12 Princes Street
London W1B 2LL

Events are May 3- May 16th

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The Mom Egg Review is hosting the MER launch at Poet’s House on May 18th from 4-6 PM in New York City, NY. Link for more information is here.