MOM Art Annex: Exhibition & Education Center

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Women’s History Month at Manhattan College

March is Women’s History Month! Find out more about The American Women’s History Initiative, which aims to “amplify women’s voices to honor the past, inform the present and inspire the future.” (Smithsonian Institution: Discover more online here). It seems we are all working towards the same goals.

Here at the MOM Pop Up, at Manhattan College in the Bronx, we have installed an exhibit in the lobby of the O’Malley Library. The exhibit is in collaboration with the LWGRC promoting Women’s Week, April 1-6th on campus. We are pleased to highlight just a few of the amazing American women who have helped pave the way for the rights, liberties, educational content, and social justice initiatives still relevant in our society today.

The installation will be onsite through April 4th and was coordinated through the Museum of Motherhood internship program. Please meet our newest intern Hannah Rome (in her own words).

Hannah Rome, Manhattan College Internship with the MOM Pop Up

My name is Hannah Rome and I was born in Northampton Massachusetts. I am the daughter of two wonderful mothers and the sister of two amazing sisters. Being from a small town in western Massachusetts, I had always to experience what it was like living in a big city. That is one of the reasons why I decided to attend Manhattan College

Right now, I am a current senior at Manhattan College majoring in Urban Studies and minoring in Sociology and Spanish. I decided to major in Urban Studies because of my interest in cities and people. I became a sociology minor because of the interesting course list offered at my college. Finally, I pursued a Spanish minor so that I could study abroad in Spain during the Spring semester of my junior year.

During my past four years as a student at Manhattan College, I have earned membership into two honors societies. First, I am a member of Epsilon Sigma Pi which is considered to be the highest scholastic honor that can be earned by a Manhattan College student. Second, I am one of the very first two inductees into Upsilon Sigma which is the Urban Studies honors society.

Alongside my academics, I have worked as a student coordinator at the Manhattan College Multicultural Center since my sophomore year of college. I coordinate a number of events such as HerStory, which is a panel discussion composed of women of color in the arts. I also coordinate a week-long leadership summit for undergraduate students to learn about New York City governance.

About Internships with M.O.M.: Each year the Museum of Motherhood (MOM) welcomes interns from a variety of disciplines. Each internship seeks to balance individual goals and needs with those of the museums’. Study labs, online courses, individual projects, visual displays, research, and guest docent opportunities are just a few of the ways MOM has worked with university and graduate students since 2011. Onsite and remote internships are available for the academic year. Write Director, M. Joy Rose: Museum of Motherhood; online, the MOM Pop-Up at Manhattan College in partnership with the LWGRC, and the MOM Art Annex 538 28th St. N. St. Petersburg: info@mommuseum.org, or to find out more about internships, follow this link.

Also, please see the latest media content featured in the Quadrangle Paper about bringing Mother Studies to the Manhattan College Campus with Professor Martha Joy Rose and the Sociology Department. Click on the photo to read the full story:

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M.A.M.A. 35 – Mothers Pride with Natalie Ramus and Katie Manning

Natalie Ramus: Artist statement

With my exploration of the materiality of the body, I attempt to connect with the innately performative body in view of it’s visceral, abject qualities. Through the re-presentation of bodily materials (such as hair or skin), that have universal familiarity through subjective experience, I am interested in how the gap between viewer and artwork or artist can be bridged; the viewer becomes hyper-aware of their own body, therefore having an empathetic, perceived physical experience. I often use my body within my practice as a way of reclaiming space and time. This reclamation is motivated by my desire to challenge, illuminate and confront the expectations of women to exist within a restrictive framework of socially expected behavior in a patriarchal society. I am fascinated with the public-private and appropriate-inappropriate dichotomy that surrounds discussions in relation to the body. My questioning is driven by assumed acceptable modes of behavior in society, specifically when discussing the concept of the female in public space.

As a mother, I feel much conflict between the label of mother and how I feel as a mother, artist, feminist, etc. The notion of what qualities society thinks makes a ‘good’ mother is problematic and I wonder how the role is performed on a day to day basis. Through the juxtaposition of the immediacy of the body as battery of memory, as site and material, and domestic, seemingly nostalgic, memory-imbued objects which often carry immersive qualities through scent, (such as bread, milk or soap) I am interested in how time and memory become elastic; and how meaning is an inherently subjective perspective.

Credit Jassy Earl – Mothers Pride

Artist Bio
Natalie Ramus is a multidisciplinary artist based in the Welsh borders. Using her body as material to explore public/private dichotomies produced by societal conventions of the appropriate and inappropriate, Natalie seeks to dismantle and illuminate, challenge and provoke that which she faces as a female with a performative, visceral, abject body. Natalie’s practice was seeded in a fine art background and as her practice evolved it has become increasingly action based; concerned with the notion of installation. Natalie has performed in London, Cardiff, and Manchester and has exhibited works throughout the UK, most recently at MAC Birmingham. She graduated from Master of Fine Art at Cardiff School of Art and Design with distinction in 2016.
Instagram: natalie.ramus.artist
Twitter: @nat_ramus
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Mothers Pride
Mothers Pride is a durational performance. It is a space which, like the body itself, is autonomous. Evolving over a period of nine hours it becomes a site of meditation through action. It considers the maternal female within public space. As a mother, I feel much conflict between the label of mother- what society perceives that to be, and how I feel as a mother, artist, feminist, etc. The notion of what qualities society thinks makes a ‘good’ mother is problematic and I wonder how the role is performed on a day to day basis. I am asking myself- where do my performance of the label of mother end and my true embodiment of being a mother begin? Using Mothers Pride bread and milk, materials evocative of comfort and a nostalgic memory of happy nuclear families that never really existed, I will reclaim space. I will reclaim my right to define my own borders, my own edges, my own limits and ultimately I will move closer to understanding what these are/where they lie.
Materials: 350 loaves Mothers Pride Bread, 120L Milk, 10m Red Shibari Rope, Mop, Buckets x 5.
9-hour performance.
Performed at Buzzcut Festival, Glasgow, 2017

Credit Julia Bauer – Mothers Pride

My practice is predominantly concerned with using the body as material to explore both the physical and psychological boundaries associated with both the body and gender. http://www.natalieramus.com

Which Way Do You Want to Go?
By Katie Manning

I ask this question more than you might think, mustering my best Muppet voice every time. And now my 4-year-old watches Labyrinth as I did at his age, and I am becoming you: shuffling around the kitchen in the same style of open-toed house slippers that you always wore, baking chocolate rolls or biscuits. Yes, which way? The blue hands insist on an answer. Sometimes I look down at my hands and see yours kneading the dough.
I would choose this if I had a choice.

Originally published in Mom Egg Review vol. 16

Katie Manning is the founding Editor-in-Chief of Whale Road Review and an Associate Professor of Writing at Point Loma Nazarene University in San Diego. She is the author of Tasty Other, which won the 2016 Main Street Rag Poetry Book Award, and four chapbooks, including The Gospel of the Bleeding Woman. Her poems have appeared in Fairy Tale Review, New Letters, Poet Lore, Verse Daily, and many journals and anthologies. Find her online at http://www.katiemanningpoet.com

Credit Beth Chalmers – Mothers Pride

MAMA_Logo_2015

The Museum of Motherhood, the ProCreate Project, the Mom Egg Review, and the Mother Magazine are pleased to announce the launch of a bi-monthly international exchange of ideas and art. M.A.M.A. will celebrate the notion of being “pregnant with ideas” in new ways. This scholarly discourse intersects with the artistic to explore the wonder and the challenges of motherhood. Using words and art to connect new pathways between the creative, the academic, the para-academic, the digital, and the real, as well as the everyday: wherever you live, work, and play, the Art of Motherhood is made manifest. Download the Press Release here or read about updated initiatives#JoinMAMA  @ProcreateProj  @MOMmuseum @TheMomEgg

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The End & The Beginning, Gallery Show with Sarah Irvin, NYC

Sarah Irvin, mother-artist, curator, and founder of the Artist/Parent Index, is part of a two-person show titled “The End & The Beginning” on birth and death, January 11th- February 17th at Massey Klein Gallery in New York City.
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The show features a 2400+ page sculptural book/card catalog that documents every time Irvin breastfed. Details are here. See more details in the Artnet’s- do not to miss list.
Massey Klein 124 Forsyth Street New York, NY 10002 masseyklein.com