I am a mixed media artist working mainly in sculpture and installation using a range of techniques that include casting, assemblage, photography, projections & sound. My practice is about the domestic and every day, and the stories of the objects around us – in both our homes and museums. Collecting, collating, documenting and display are key elements in my work as is repetition. I am interested in the dynamics of opposites: domestic and industrial, beautiful and ugly, useful and useless, temporary or permanent. My process has resulted in work that explores the fragility of memory; is rooted in the fabric of the home, yet presented in a historical context.
You’ve heard that Elon Musk wants to settle Mars. Well, at the Museum of Motherhood we’d like to finish making earth better for its inhabitants first. Love you MOTHER EARTH and you mother first please.
Perhaps social support does improve women’s feelings about motherhood. However, recent articles, during the time of COVID, for example, would indicate that the fundamental challenges for women who are mothers remain fundamentally unchanged. A recent New York Times article, This Is a Primal Scream, depicts the frustration of America’s maternal mental health crisis, as does this article by Kimberly Seals Allers in the Washington Post titled Female Rage is All The Rage (2018). Cathi Hanauer and friends have an updated version of this book called The Bitch Is Back: Getting Older, Wiser, and Happier. The original Bitch in the House is part of MOM’s library.
Feeling an ungodly pain in her lower back and abdomen, she was more terrified than she’d ever been in her life. Somehow, despite her panic, she still remembered the list: photo ID, health insurance card, outfit for the next day, outfit for the baby. She called a cab to the hospital. It felt like the longest she’d ever waited for anything in her life, even though it actually couldn’t have been more than 20 minutes.