MoM Art Annex Inc. is a certified Florida 501c3 non-profit that serves as an incubator project overseeing the growth of the Museum of Motherhood. Our mission is to establish a permanent structure for a world-class International Museum to promote the new field of mother studies, mother-made art, and the evolution of family while honoring the achievements of women in perpetuity and therefore preserving their legacy.
Museum of Motherhood is the first and only exhibition and education center devoted to elucidating the art, science, and her-story of m/others inclusive of all reproductive identities. MoM is online and working towards expansion of its physical facility. The Museum currently supports online classes, remote internship programs, a robust dedicated online community, annual academic and arts conferences, and the Journal of Mother Studies.
Reproductive Identity is understood as the individual experience of biological, social, and psychological development relative to sexual development, procreation and personal expression. *resource
Our Group Guidelines are “Don’t be hatin’“. Hate is defined by the act of obliteration, oppression, or objectification of another person or group. This is a guiding premise. For many of our activities, we employ feminist consciousness-raising strategies. We share, analyze, and determine action. We practice speaking from our individual perspective and share our experience accordingly without projection. MoM is not a religious organization, we are not a political organization, and we do not support aggression in any form or shape. We do however have opinions. We aim to infuse all our initiatives and activities with love, compassion, equity, and kindness. These are our guiding principles.
The Journal of Mother Studies (JourMS) a peer-reviewed, international, interdisciplinary open-access digital humanities hybrid project that disseminates articles, research, and creativity on the subject of Mother Studies which is a field of interdisciplinary study devoted to the issues, experiences, topics, history, and culture of m/others, mothering, and motherhood:
Within this context, JourMS and the Annual Academic and Arts MoM Conference support Mother Studies as a field of interdisciplinary study devoted to the issues, experiences, topics, history, and culture of m/others, mothering, and motherhood. The field pivots within the humanities and includes the lived experiences of those identifying as mothers. Mother Studies examines postmodern critical theory and praxis, identifying a nexus of m/otherness as a determining force of intellectual and personal expression. While many academic interpretations including psychology and sociology acknowledge the relational status of human beings, Mother Studies focuses on the lived experiences within a variety of circumstance with attention to the procreative connection/disconnection status of pregnancy, birth, adoption, surrogacy, fostering, male-mothering, other-mothering, care-work, reproductive identity, and self-identification.
Paramount to this study is the examination of me=other, or me vs. other, or M/other; from one who another has evolved, or is nurtured. The folkloric, cultural and paradoxical nature of being made and unmade is key to the theory of who and what a mother is. We must ask, how does the concept of m/otherness; one who is part of your, or you; who are part of another, or intrinsically connected to another – motivate action in a world conceived by relational exchange – as opposed to a world of alienation informed by violent, institutionalized, hierarchical constructions? Here we attempt to untangle these theories, ideas, and actions.
Every human being is the result of procreative experience. This creates a relational status that results in being connected psychologically, materially, or organically with another (even if one is disconnected from the day-to-day activities). This connected status is key to the concept of m/otherness or mother-ness.
Finally, the Encyclopedia of Motherhood states: “Motherhood Studies has developed into three interconnected categories of inquiry: motherhood as institution, motherhood as experience, and motherhood as identity or subjectivity” (vol. 2, 831). Here we will explore mother, the noun, the person, the identity and experience, mothering the activity which at least historically has included the procreational labor and care-work, and motherhood the institution, which left in the hands of patriarchal constructions can be organized as a site of control. Differentiating between Mother Studies and Motherhood Studies, both of which examine the institution of motherhood, and the praxis of mothering, Mother Studies keeps the research focused on elucidating the perspectives generated by self-identified m/others as a core tenet.
Mother-made art recognizes the works and endeavors of those making fine and performing arts who are mothers and those whose work is impacted by, or is focused on, experiences of pregnancy, birth, care-work, fertility, loss, adoption, fostering, surrogocy, and m/otherhood inclusive of all reproductive identities. This includes artistic interpretations highlighting the lifespan of makers of maternal experience, action, matrescence, and embodiment, within personal and relationally organized emotions, biologies, technologies, and behaviors.
Submitted, Martha Joy Rose – Working Document 2015-2023