Mother of the Forest is one of the tallest trees in Santa Cruz Park. A symbolic womb at her core forms an 8 x 13 foot room, or a hobbit hole, or a sacred space — depending on your perspective. Trees are a testimony to patience and resilience. They offer shelter, contribute to healthy ecosystems, and fight climate change. Redwoods protect and support each other as well as other sapling growth by creating family circles sprouted from the roots of a parent tree. These families may or may not be genetically related. These lessons in cooperation can be a metaphor for humanity in its current fragmented state.
Procreate Project, the Museum of Motherhood and the Mom Egg Review are pleased to announce the 49th edition of this scholarly discourse. Literature intersects with art to explore the wonder and the challenges of motherhood. Using words and art to connect new pathways between the academic, the para-academic, the digital and the real, as well as the everyday: wherever you live, work and play, the Art of Motherhood is made manifest. #JoinMAMA #artandmotherhood
The term ‘maternal’ has been pulsing through the academic and contemporary art worlds. Contemporary art institutions seek to cultivate it; scholars write about it, and artists who become mothers are confronted by the concept.
I am a mixed media artist working mainly in sculpture and installation using a range of techniques that include casting, assemblage, photography, projections & sound. My practice is about the domestic and every day, and the stories of the objects around us – in both our homes and museums. Collecting, collating, documenting and display are key elements in my work as is repetition. I am interested in the dynamics of opposites: domestic and industrial, beautiful and ugly, useful and useless, temporary or permanent. My process has resulted in work that explores the fragility of memory; is rooted in the fabric of the home, yet presented in a historical context.