MOM Art Annex: Exhibition & Education Center

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M.A.M.A. Weaving the Past with the Present: Saskia Saunders & Martha Joy Rose

About the Artist:

Saskia Saunders creates minimal constructed artworks, from domestic materials such as parchment paper, string and household linens. These are sensitively woven, wrapped and manipulated, highlighting their simple, functional aesthetic and inherent tactile qualities.

Saunders’ work is strongly linked to a sense of place, the home. Her art is an invitation to experience a calm pause, a moment of contemplation in a world of clutter and noise.

From her travels in Japan, she is inspired by the concepts of negative space (Ma) and embracing imperfections (Wabi-sabi). Creating space in each piece for the mind to focus, notice details and the light between.

Training as a weaver at the University of Brighton has greatly influenced Saunders. The boundaries of art and craft blur as she redefines an ancient craft in contemporary art.

In 2017 Saunders exhibited in London: Leftovers, 198 Gallery and A sense of place, Oxo Gallery, New York: Et tu Arte Brute, Andrew Edlin Gallery and completed a residency in

Buckinghamshire: Evolve, Artist Residency in Motherhood. Saunders is currently working with Four Dots Dubai Art Consultancy. Saunders achieved a First Class degree Woven Textiles at the University of Brighton and has worked with woven textile design companies and social enterprises in New York, China and Cambodia.

 

 

Wither the Leaf

By Martha Joy Rose

Published in the Mom Egg Review Volume 16 April, 2018

They sat together by the pool under the Tuscan sky. One was a fading beauty, the other in the bloom of youth. All eyes were on the youthful one, chatty and charming, while the older woman suffered unaccountable bouts of sadness accompanied by tears.

“Cluck, cluck” her friends fussed. But, there was nothing to do. It was just time wafting in the wind, turning the pages, spinning the wheel. They made jokes and told stories, but the woman hummed softly to herself testing the Italian language. The strange low, slow sounds were a vocal affirmation, a commitment to presence. A moan.

Her daughter, who was approaching the age of twenty-three, tossed her long hair about and dove into the pool where the stone foundations of the fifteenth century house met with the terraced descent of fresh lavender and ancient rock. She was a sleek mermaid, splaying her arms above her head and frolicking. Everything about her tingled and shivered. She was buoyant and light. She played while her mother professed a headache and climbed the long stairs to her room where she was overtaken by a bout of melancholia.

The trip from America to Italy, which had been years in the making, was twofold. The woman’s daughter had recently graduated college. This was a celebratory adventure. The fact that they were staying with the woman’s friend, who had been her lover forty years before when the two of them were in college, was a footnote. Each had married someone else but kept a commitment to remain friends.

While everyone flirted and chatted in the company of weekend guests she wondered where all the time had gone and how little of it she had left. She reflected on her youth, her passions and then how she had become a mother. She recalled the labor of childhood when each was the center of the other’s world. She thought how all her children were grown now, and stared vacantly into the horizon. These thoughts caused her to languish while everyone else drank Campari, toasting the future. She could not help but compare her age to the younger ones among them. She felt spent and exhausted, like every experience had already happened and there was no reason to bother with anything new. The sun did not agree with her and neither did the food. She was pale and bloated, rubbing her swollen ankles by the side of her bed while the others soaked up the afternoon sun. She could hear them laughing and she was jealous.

Falling into a long sleep, she awoke and observed the fading afternoon light turning shades of pink across the distant mountains. She could hear movement in the rest of the house on the floors below and began to dress for another arduous dinner where she would drink more than her share of prosecco before passing out into another dull sleep.

           That night they drove to Cortona. After collecting cashmere and leather, they ordered appertivos and toasted their spoils. This was how their time together unfolded, day after day until a week had passed. Then, on one of their trips, the woman caught sight of a tiny shop on the main square in the hilltop village. The store was etched into a cave and was owned by a man whose father and grandfather, were also jewelers. In the window, a beautiful handmade necklace of heavy silver with a gold coin gleamed against a dark velvet display. While the others in her group argued over the quality of leather in the dark bowels of a biker shop she slipped away to try on the necklace. The kindly clerk fussed over the woman describing the style of craftsmanship, it’s age and the story of the coin of Cortona. This was the way she usually fawned over her daughter and the lavished attention felt good.

           She stood looking at herself in the mirror and thanked the girls. Then, she plunked down one hundred and ninety euros for the chain and seventy-seven for the coin. After, the woman stood on the corner holding the coin in her hand. She felt elegant and proud. Her daughter, who was usually loving and attentive was cross on this night and did not approach her as the others waved towards the restaurant where they had planned to meet.

Another dinner of too much wine and heavy meats meant she did not sleep well. This was often the case. She awoke at four A.M. A mixture of emotions lay just below the surface when the time came to say goodbye. They said farewell to her friend’s wife. Goodbye to the large, vertical empty green mountain just beyond the villa’s border. Goodbye to the wild wet fountain, the trees, and the bay leaves. Then, she said goodbye to her friend of forty years, kissing him lightly on the lips. In that moment, they lingered long enough for all the sweetness to come flooding back, transporting her to the place where time stands still– eternally. Taking her daughter’s hand, she bade them hurry so they would not miss their train._

Message from the author: As I share this story with you, the seasons turn from winter, to spring, and soon again to summer. We begin planting now for the productive months to come. This past week, I celebrated my sixty-first birthday. This time has been filled with a sense of vulnerability and awe. It amazes me that I have continued to thrive, even as a LUPUS survivor and renal transplant recipient.  Eighteen years ago, my beautiful girlfriend, Pam Van Hoesen donated her kidney in an act, which literally saved my life. This has allowed me to be here today, writing these words to you. I am blessed with the ability to prioritize time with my family, share love with my friends, as well as to continue the labor of collecting and disseminating knowledge and information about mothers and motherhood at the MOM Art Annex in Florida. I live every day in gratitude, even as a marvel at my body changing through the years. This looks to be an exciting time both personally and professionally. If you are looking for an opportunity for quiet contemplation away from your usual grind and are a scholar, writer, or artist working on material related to women, mothers, or families, please consider applying for a residency opportunity at the Museum of Motherhood in St. Pete. I would love to support your work. [Link]

Bio: Martha Joy Rose is a musician, community organizer, and museum founder. Her work has been published across blogs and academic journals and she has performed with her band Housewives On Prozac on Good Morning America, CNN, and the Oakland Art & Soul Festival to name a few. She is the NOW-NYC recipient of the Susan B. Anthony Award, her Mamapalooza Festival Series has been recognized as “Best in Girl-Power Events” in New York, and her music has appeared on the Billboard Top 100 Dance Charts. She founded the Museum of Motherhood in 2003, created the Motherhood Foundation 501c3 non-profit in 2005, saw it flourish in NYC from 2011-2014, and then pop up at several academic institutions. Her current live/work space in Kenwood St. Petersburg, Florida is devoted to the exploration of mother-labor as performance art. Recent publications include the edited collection, Music of Motherhood with Demeter Press (2018). Exhibitions include the St. Pete Artist Tour (2017, 2018),  M.A.M.A. in collaboration with Procreate Project and The Mom Egg; a monthly digital expression (2016-ongoing), and the “Ima Iyla’a: Art of Motherhood” as part of the 2015 Jerusalem Biennale exhibit.

MarthaJoyRose.com/ Twitter @MarthaJoyRose /Instagram @MarthaJoyRose /Facebook @MarthaJoyRose

Mom Egg Review: Volume 16 Launches in April:

MOTHERS WORK/MOTHERS PLAY in this issue.

Print – Contributors’ Special Rates     1-4 copies – $12 ea.  5+ copies – $10 ea. (plus shipping). Order online or use the order form attached to order by mail.  Note: Contributors’ Rates are for copies ordered by you, which may be sent to yourself or to others.

Friends and Family –Please feel free to announce your participation in the issue to colleagues, fans, friends and family.  MER Community Rate (friends and family) Print – $15 (reg.  $18)  (plus shipping). Enter code COMMUNITY for a discounted rate.

MAMA_Logo_2015

The Museum of Motherhood, the ProCreate Project, the Mom Egg Review, and the Mother Magazine are pleased to announce the launch of a bi-monthly international exchange of ideas and art. M.A.M.A. will celebrate the notion of being “pregnant with ideas” in new ways. This scholarly discourse intersects with the artistic to explore the wonder and the challenges of motherhood. Using words and art to connect new pathways between the creative, the academic, the para-academic, the digital, and the real, as well as the everyday: wherever you live, work, and play, the Art of Motherhood is made manifest. Download the Press Release here or read about updated initiatives#JoinMAMA  @ProcreateProj  @MOMmuseum @TheMomEgg

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Schedule Your Visit to MOM in January 2018 [Click]

VISIT MOM: Help us celebrate ONE YEAR at our new location in St. Pete! The M.O.M. Art Annex has enjoyed visitors from all over the country. To schedule a visit with us in January 2018 sign up online here or write us: info@MOMmuseum.org

By checking the above box, I agree that I am participating in a tour offered by Motherhood Foundation Inc. at the Museum of Motherhood (MOM) Art Annex at 538 28th St. N. in St. Petersburg, Florida during which I receive information and instruction about mothers, fathers, and families from an interdisciplinary perspective. I recognize that with any activity, unexpected physical injury can occur, and I am fully aware of these kinds of risks and hazards. I agree to assume full responsibility for any risks, injuries or damages, known or unknown, which I might incur as a result of participating on the premises of MOM. I knowingly, voluntarily and expressly waive any claim I may have against owners, volunteers, other participants, and the non-profit Motherhood Foundation Inc. for injury or damages that I may sustain as a result of participating in activities at MOM. I agree that Motherhood Foundation Inc. at the Museum of Motherhood (MOM) Art Annex and its agents may use any image, photograph, voice or likeness, in its promotional materials and publicity efforts without additional compensation. I further understand that by participating in the photography or filming, I release Motherhood Foundation Inc. at the Museum of Motherhood (MOM) Art Annex and its representatives, licensees, employees, photographers, and their designees from any and all liability for any violation of any privacy or proprietary rights. I have read the above release waiver of liability and fully understand its contents. I voluntarily agree to its contents. I voluntarily agree to the terms and conditions stated above.

CONFERENCE: Our second “I ❤ MOM” Conference” takes place on February 16-17th in collaboration with the USF Women’s and Gender Studies Dept. and made possible by a ResearchOne grant. We hope you’ll join us. The event is open to the public through pre-registration. We are excited to feature keynote speaker Andrea O’Reilly and a book launch of the new edited collection, Music of Motherhood by M. Joy Rose, Lynda Ross, and Jennifer Hartman on Friday evening Feb. 16th. Write us at info@MOMmuseum.org.

COMMUNITY: The local Historic Kenwood Artist Enclave has been busy organizing community events, including the Arts Walk coming in March. The new enclave motto “where art lives” is particularly salient considering we really do live and work at the museum.

RESIDENCIES: Thus far, M.O.M. has hosted three residencies. In January, artist and activist, Christen Clifford arrived as our first guest and spent two weeks editing her latest work. She returned again in July. Also, we saw the first summer Spirited Woman Residency with Dawn Louise Parker who has been hard at work on her manuscript titled Forty-Seven Days of Love. In October, we welcomed Hannah Brockbank who joined us for a two week residency. Hannah is a poet hailing from Sussex, England. Her pamphlet Bloodlines will be published by Indigo Dreams in 2017 and she is a Kate Bett’s Award winner (2016). Read more about our residencies here [LINK]

LIBRARY: MOM is proud to announce that it now has the complete Demeter Library onsite!!

EXHIBITS: Try on a pregnancy vest, view anatomically correct dolls, see art from around the world, and experience a new historical display about women’s work in the home.

INTERNSHIPS: We currently have several calls out to local college students for internships for the spring of 2018. Our high school intern, Andres’ has been with us since the spring and is a St. Pete High School senior. He is hard at work cataloging our library and creating a new student exhibit for January 2018. We welcome one new intern in January as well. We’re looking forward to introducing you to her.

ONLINE: In July of 2017, according to our google report 4,239 conducted searches and found us online. We are happy and proud that people are thinking about us. We hope that we can continue to expand in our new location. If you have ideas or want to get on board, please write Museum Director: Martha Joy Rose at MarthaJoyRose@gmail.com Introduction to Mother Studies classes will re-launch with a new partnership sometime within the next six months – stay tuned.

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Visit M.O.M. Today [CLICK]

VISIT MOM: Eight months after re-opening the Museum of Motherhood in St. Petersburg, Florida, the M.O.M. Art Annex has enjoyed visitors from all over the country. To schedule a visit write us: info@MOMmuseum.org. See just a few of our visitors here:

CONFERENCE: Our first “I ❤ MOM” Conference” titled Mothering from the Margins was a truly inspiring two-day event with a packed house that took place during Valentines’ week in February. We are in the process of editing and uploading content from the conference to the Journal of Mother Studies (JourMS), as well as crafting next year’s CFP.
COMMUNITY: The local Historic Kenwood Artist Enclave has been busy organizing of community events, including the Arts Walk last March. Their new enclave motto “where art lives” is particularly salient considering we really do live and work at the museum.

RESIDENCIES: Thus far, M.O.M. has hosted three residencies. In January, artist and activist, Christen Clifford arrived as our first guest and spent two weeks editing her latest work. She returned again in July. Also, we saw the first summer Spirited Woman Residency with Dawn Louise Parker who has been hard at work on her manuscript titled Forty-Seven Days of Love. Dawn continues to manage the M.O.M. space while editing her manuscript and we are grateful for her participation. In October, we will welcome Hannah Brockbank who will be joining us for a two week residency. Hannah is a poet hailing from Sussex, England. Her pamphlet Bloodlines will be published by Indigo Dreams in 2017 and she is a Kate Bett’s Award winner (2016). Hannah is a PhD student and will be utilizing the Demeter Library onsite among other things. Read more about our residencies here [LINK]

INTERNSHIPS: We currently have several calls out to local college students for internships for the fall of 2017. Our high school intern, Andres’ has been with us since the spring and is a St. Pete High School senior. He is hard at work cataloging our library and creating a new student exhibit for the fall.

ONLINE: In July of 2017, according to our google report 4,239 conducted searches and found us online. We are happy and proud that people are thinking about us. We hope that we can continue to expand in our new location. If you have ideas or want to get on board, please write Museum Director: Martha Joy Rose at MarthaJoyRose@gmail.com Introduction to Mother Studies classes will re-launch with a new partnership sometime within the next six months – stay tuned.

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OXYTOCIN – Birthing the world: A Symposium On M/otherhood [LINK]

EVENT INFORMATION
Royal College of Art, London – 3rd June 2017
Oxytocin is a one-day symposium and programme of performances about mothers, mother art, maternal health & wellbeing.Supported by LADA and under the umbrella of theProCreate Project, the event is curated together with Dyana Gravina form the Procreate Project, Martha Joy Rose from the Museum of Motherhood (USA), Laura Godfrey-Isaacs, artist, midwife and founder of Home Live Art, Sara Paiola, researcher in Law and Human Rights from the School of Law, Birkbeck University and Sarah Dufayard, artist and producer.Oxytocin is an international research and community event focused on mothers and carers. The panels will analyse current critical practices pushing for new strategies aimed at increasing the visibility and representation of women and mothers in society.The symposium will highlight new ideas whereby infrastructures and creative programs can support and facilitate healthy families thus challenging attitudes towards motherhood, female sexuality, birth, depression and human rights. Oxytocin will encourage conversation and exchange between medical, academic and art sectors with the aim to facilitate collaborations between them and increase awareness on women’s rights, mental, emotional and physical needs during pregnancy, labour and postnatal adaptation.The event opens a community discussion aimed at spotlighting the connection between much-needed support for mothers and new approaches that are designed to encourage mothers’ and childrens’ optimum health, professional and artistic development, ongoing education, and continuing connection.The event will consist of panel discussions lead by three sectors (Artists & Academy, Midwifery, Mental Health and human rights) fused with a day programme of performances, installations and live art.
Contact:
Email info@procreateproject.com
Website:  https://www.oxytocinbirthingtheworld.co.uk 

Special Panel: Saturday, June 3rd 10:30AM Royal College of Art

Making Mother Studies Matter: Academics Advocate Fiercely for Art, Maternal Health, and a Lasting Legacy
The self-identified Mother Movement started roughly 20 years ago. In its early years, American bands began singing about motherhood while Canadian scholars began writing about it. The year was 1997. Roughly eight years before that, a few scholars published books examining the subject of motherhood. Sarah Ruddick wrote Maternal Thinking. Barbara Katz Rothman wrote Recreating Motherhood, and these Western works were preceded by Adrienne Rich, Of Woman Born. The texts examined a society based on patriarchal constructions that constrained and oppressed women who were mothers, as well as their offspring.
It has been said that in order to change the future we must understand the past. Likewise, by studying the rising wave of mother-identity-art-making and scholarly texts, this panel aims to explore the legitimacy of mother studies, advocate for it to be levied within academic institutions, and share some of the ways current academics and artists are championing this legacy for future generations.

Martha Joy Rose: Martha Joy Rose is a musician, concert promoter, museum founder, and fine artist. Her work has been published across blogs and academic journals and she has performed with her band Housewives On Prozac on Good Morning America, CNN, and the Oakland Art & Soul Festival to name a few. She is the NOW-NYC recipient of the Susan B. Anthony Award, her Mamapalooza Festival Series has been recognized as “Best in Girl-Power Events” in New York, and her music has appeared on the Billboard Top 100 Dance Charts. She founded the Museum of Motherhood in 2003, created the Motherhood Foundation 501c3 non-profit in 2005, saw it flourish in NYC from 2011-2014, and then pop up at several academic institutions. In 2015, she received a Masters in Mother Studies from CUNY, The Graduate Center of New York. This is believed to be the first individualized MALS Degree in this specialty. She then taught Sociology of Family at Manhattan College before moving to her current live/work space in Kenwood St. Petersburg, Florida, which is devoted to the exploration of mother-labor as performance art. She is a contributing author the The Encyclopedia of Motherhood (Sage Press, 2011), The Twentieth Century Motherhood Movement (Demeter Press, 2011), New Maternalisms (Demeter Press, 2015), and the forthcoming book, Music of Motherhood (Demeter Press, 2017).

Sarah Black -In 2016 a presentation by Sarah Black called “Mother As Curator” at the Annual Academic M.O.M. Conference described her home environment as a video, art, installation, and inter-generational family experience. Her treatise declared that as an artist, she “blurs the boundaries of art, and the personal, family and audience, narrative and auto-biographic practices.” She states that as a “performance maker, she explores the home as both a physical and a metaphysical structure to house the work.” In this way, spaces are informed and co-created by those who participate in its interiors, but similarly, its interiors also hold a template for studying the things it contains from a distance.

Paula Chambers – Paula Chambers has exhibited widely, with a back catalogue of solo shows including most recently “Transcendental Housework” at Stockport Art Gallery, and “Domestic Pirate” at Show Space, London. Paula studied under Griselda Pollock at the University of Leeds for the MA Feminist History, Theory, Criticism and Practice in the Visual Arts. Paula is Principal Lecturer (Sculpture) on BA Fine Art, at Leeds College of Art. She is undertaking a practice‐led PhD at Middlesex University.

Rosiland Howell – Rosalind Howell is a Registered Dance Movement Psychotherapist with the Association of Dance Movement Psychotherapy UK (ADMPUK) with a particular interest in Maternal Subjectivity and Perinatal Mental Health. Her recent publications include: Writing Maternal Ambivalence (and how we love to hate it). MaMSIE.org/blog 2016 A Chorus, a Gaggle, or a Consternation of Mothers. Mommuseum.org 2015 The Loneliness of Parenting Decisions. Juno Parenting Magazine 2014, Love and Hate in Childbirth. MaMSIE.org/blog 2015.

Roberta Garrett – Roberta Garrett is a senior lecturer in the School of Arts and Digital Industries at the University of East London. She has published widely on gender representation in film and literature. She is the author of Postmodern Chick-Flicks: The Return of the Woman’s Film (Palgrave, 2007). Other publications include ‘Female Fantasy and Post-Feminist Politics in Nora Ephron’s Screenplays’ Journal of Screenwriting, 2011, and the forthcoming ‘Gendering the Post 9/11 Movie: Love, Loss and Regeneration in Julie and Julia’, in Mary Harrod (ed.) Women and Genre (University of Illinois Press, 2016). She is currently working on popular representations of the neo-liberal family in literature and film, and has published: ‘Novels and Children: “Mum’s Lit” and the Public Mother/Author’, Journal of Maternal Studies, 2013; and ‘We Need to Talk About Kevin: The Monstrous Child as Feminist and Anti-American Allegory’, in Peter Childs, Sebastian Groes and Claire Colbrook (eds.) Women’s Writing Post 9/11 (Lexington Press, 2014). Her essay, ‘ Cavorting in the Ruins? Truth, Myth and Resistance in Contemporary Mumoirs’, appears in Roberta Garrett, Tracey Jensen and Angela Voela (eds.) We Need to Talk about Family: Essays on Neoliberalism, The Family and Popular Culture (Cambridge Scholars, forthcoming 2016). She is also writing a monograph entitled Writing the Modern Family: Neoliberalism and Representation of Parenting in Contemporary Novels and Memoirs.

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MOM Conference, St. Pete a Wonderful Success

Thanks to everyone who made this first conference in St. Petersburg such a wonderful success. Conference presentations were on a diverse range of topics including, “The politics of mothering,” by Meredith L. Clements, Ariane Anderson, Lindy Davidson, & Grace Peters,“Next time follow your dreams a little closer to home,” by Patti Ashley,  “‘Peer breast milk sharing as resistance to patriarchal control,” by Shannon K. Carter & Beatriz M. Reyes-Foster, and “The New Momism in Judicial Decision,” by Michelle Hughes Miller to name a few. To see a complete list of presentations go to our Conference Schedule page.

As always, the collaboration, and community formed through our time together were a significant highlight.

Christen Clifford’s “Feminist Peep Show” and invocation served as a point of connection for all participants. Her performance explored aspects of the maternal body, challenged cultural taboos, and educated conference goers about the last thirty years of feminist performance art including the early work of Annie Sprinkle. (Keep reading below image for more information).

mom_conference_2017

Exhibits are ongoing at the new MOM Art Annex as are residency opportunities. To find out more about residencies go to the information page [LINK] or write M. Joy Rose: info@MOMmuseum.org

Next up is the Art Walk in Historic Kenwood on March 18 & 19th. Museum founder, M. Joy Rose will have current works included as part of this tour. A downloadable map is available at www,kenwoodartistenclave.org

Recent press on the Art Walk appeared in the Boston Globe [LINK]:

Kenwood is an official “artist enclave,” a municipal designation that allows artists in the neighborhood to teach classes and sell artwork from their homes. There are about 60 artist members, most working in home studios in renovated historic buildings. Several times a year these artists open their studios to the public. The next Historic Kenwood Artist Tour is March 18-19.

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SPEAK OUT ! [CLICK]

Last month we shared our first residency at the new M.O.M. Art Annex with Christen Clifford who stayed at the Florence Joy Greist Memorial Guest Cottage editing a book about sexual assault. Christen’s unvarnished, honest approach to everything serves as inspiration for us all.

In February, Christen returns with her Feminist Peep Show performance as part of the “Mothering From the Margins” Conference in St. Pete. You can read a little more about that here, and also more about SPEAKING OUT courtesy of the WordPress “Daily Post.”

Museum of Motherhood founder, M. Joy Rose looks forward to presenting prominent women’s voices on a regular basis at the new Art Annex. She has been SPEAKING UP AND OUT on motherhood, feminism, and the arts since 1997 with her band Housewives On Prozac as well as at lecturing at colleges and conferences across North America. She will be presenting on the topic of “Disruptions” during the conference. More at Joy-Rose.com

– ALSO –

Andrea O'Reilly, Motherhood Hall of Fame, NYC (2014)

Andrea O’Reilly, Motherhood Hall of Fame, NYC (2014)

Dr. Andrea O’Reilly – Delivers the Keynote as part of the Mothering From the Margins Conference on Friday, Feb. 10th at 5 PM. Her presentation, titled “The baby out with the bathwater: The disavowal and disappearance of motherhood in feminism,” is sure to enlighten and inspire! Andrea O’Reilly Ph.D. is a writer on women’s issues and currently a Professor in the School of Women’s Studies at York University in Toronto, Ontario, Canada. She is the author and editor of eighteen books on motherhood and founder of MIRCI, and Demeter Books.

The M.O.M. Conference takes place Feb. 10-11 at 538 28th St. N. St Pete, Florida 33713. By RSVP only. “Feminist Peep Show” performance is Saturday, Feb. 11th 1:15-2:15 PM.

FIND A FULL SCHEDULE FOR THE CONFERENCE ONLINE HERE
TO ATTEND: RSVP info@mommuseum.org

Previously performed at The New Museum in New York, Judith Charles Gallery, and AUNTS, “Feminist Peep Show” is an explicit tour of a post-maternal body.
cd_don_cesar

Christen Clifford in St. Petersburg, FL 2017

“Clifford’s (art) is intended to serve as a call to arm’s when women’s reproductive rights are increasingly under attack.” Women in the World, The New York Times
“Christen Clifford has made it her mission to fight the patriarchy with art and a little irreverence.” NYLON magazine
Christen Clifford is a mother, feminist performance artist, writer, curator, and professor. She was an artist and curator for the recent Nasty Women exhibit that raised almost $50k for Planned Parenthood. Hyperallergic called her protest “We Wish Ana Mendieta Was Still Alive” one of the best Art and Activism pieces of 2014. The script of her solo BabyLove, which she performed at The Museum of Motherhood in Manhattan,  is in the permanent collection of theNew York Public Library. She lives and works in New York and online @cd_clifford

Get inspired by those who speak out. Whether through blogging or marching, make your voice heard.

via Speak Out — The Daily Post
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