MAMA 47: Henny Burnett & Sarah Freligh w/Procreate and MER

I am a mixed media artist working mainly in sculpture and installation using a range of techniques that include casting, assemblage, photography, projections & sound. My practice is about the domestic and every day, and the stories of the objects around us – in both our homes and museums. Collecting, collating, documenting and display are key elements in my work as is repetition. I am interested in the dynamics of opposites: domestic and industrial, beautiful and ugly, useful and useless, temporary or permanent. My process has resulted in work that explores the fragility of memory; is rooted in the fabric of the home, yet presented in a historical context.

Hey Beautiful

PLEASE HELP US GROW! Until the Museum of Motherhood, no place on Earth collected, preserved, and disseminated information and artifacts about the many roles of mothers, and the many types of family. Many museums are well presented, educational, and entertaining. Yet, in addition, how many discuss the historical contributions of women’s labor, the breakthrough science of procreation, and art made from the maternal perspective. Our scope is uniquely comprehensive and focused.

Bitch In The House – Has Anything Changed?

Perhaps social support does improve women’s feelings about motherhood. However, recent articles, during the time of COVID, for example, would indicate that the fundamental challenges for women who are mothers remain fundamentally unchanged. A recent New York Times article, This Is a Primal Scream, depicts the frustration of America’s maternal mental health crisis, as does this article by Kimberly Seals Allers in the Washington Post titled Female Rage is All The Rage (2018). Cathi Hanauer and friends have an updated version of this book called The Bitch Is Back: Getting Older, Wiser, and Happier. The original Bitch in the House is part of MOM’s library.