MOM Art Annex: Exhibition & Education Center

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MAMA: Art Interview with Mother Artist Carla Danes; Poetry by Hannah Brockbank [LINK]

A VISIT WITH CARLA DANES:

I want to share an artist love story. This goes back twenty-something years. When I lived in SoHo, New York in a funky six-flight walk-up loft, there was an amazing woman who took care of toddlers in her home on Crosby Street. After having my first, and then my second baby, I was desperate for some childcare and also I was hungry to network with other neighborhood creative-types. One of my friends put me in touch with Carla Danes of “Crosby Kids” and the rest, as they say, is her-story. Carla and her husband Chris, both artists, continued to live, work, and care for children while making art in Manhattan until empowering their daughter, Claire Danes to move to Los Angeles to pursue work as an actress. Carla and I were now on opposite coasts but we stayed in touch. I was lucky enough to visit her studio recently, which is part of a sprawling collection of gardens, outbuildings, and even a yurt in Santa Monica, California. It was wonderful spending time together again. Carla, Chris and I talked feminism, families, and mother-made art whilst sitting around their kitchen table, sipping juice, and appreciating the beauty of life’s grand arch. Below is a segment from an interview with ARTPOST featuring Carla Danes and a few of the photos I took during my trip.

Carla Danes and Joy Rose

Carla Danes Art

ARTPOST INTERVIEW:

Yes! I see myself as this middle-class lady who was taught by my mother and my grandmother and by every magazine in the house about taste and fashion. So I like to play with that; art about what is fashionable, about what’s tasteful and what is art. This goes back to the idea that women have always been allowed to make art at home. Rich women painted ceramic cups and did needlework. Poor women made mittens, hats or quilts. But women have always been allowed to work at home. My work is an extension of that female territory and expanding on it.

I was in my twenties at the height of the Feminist Movement. Now women are allowed to go to college and they are out of the house. Women will buy a couch— big things for the house like bathroom fixtures. But we don’t buy our own jewelry. Sometimes we buy flowers for ourselves, but certainly, we don’t collect art—the men do. Our opinion is considered, but we are rarely the art buyers in the family. Ultimately, I’d like to make art for women to feel safe with. I mean it’s a joke. We have more women than men in many art departments. We have curators, teachers, art makers—but we don’t buy art? This is crazy. See the full article ARTPOST article here [LINK].

*Carla donated one of her prints to the Museum of Motherhood. Make an appointment today for a tour to see our latest collection. Write: info@MOMmuseum.org

Carla Danes Art

POETRY AT MOM WITH HANNAH BROCKBANK

Since I’ve embraced the opportunity to “go personal” this November, I am also happy to share some of the wonders of hosting poet Hannah Brockbank as part of the Museum of Motherhood’s Residency Program. Hannah has been here for two weeks studying the contents of the museum and making use its library. This has been grand opportunity to spend time engaged in serious discussion about everything mother. We first met briefly in-person at the ProCreate event in London over the summer after he accepted to the Residency. Since that time, we’ve wandered the grounds, explored St. Pete. watched the movie Momz Hot Rocks, perused books about mother studies, and of course Facetimed with her kids. It’s been a blast. I’m going to miss Hannah when she goes back to England! ~ Martha Joy Rose

This from Hannah:

I am a mother, writer, and Ph.D. student from England. My creative Ph.D at the University of Chichester involves the creation of a new book-length collection of matrifocal poems exploring my experience of mothering. Whilst at the Museum of Motherhood (M.O.M.), I’ve been able to research matrifocal narratives, but also use M.O.M’s excellently curated collection of books, exhibits, art, and photographs (including Procreate Project’s Photozine Archive) as inspiration for my writing. Having time to write without the interruption of family life, has meant I have been very productive, and I look forward to spending my last days at M.O.M. focussing on my creative writing.

One of the first poems I wrote was inspired by an exhibit of a breast and uterus offering. The card by the exhibit read, ‘Uterus and breast offering from Fatima, Portugal to be offered to the Virgin Mary.’ I found this to be a very powerful image and I immediately began to consider my experiences of fertility and wanting to conceive.

It took 6 months to become pregnant with my first daughter and during part of that time, my husband and I visited Japan. We saw many temples and shrines, including the Site of Enazuka – a placenta mound which contained the afterbirth of Tokugawa Ienobu (1662-1712) the Sixth Shogun of Japan. There were many white and vivid pink azaleas, elegant buildings, and copper coloured carp in the ponds. Everything was blooming and coming alive. I also remember the many women who walked along the paths between the azaleas, towards a thick plume of incense where they cupped the smoke with their hands and drew it to their bellies and prayed.

Hannah_NotebookI’ve carried this image with me for six years knowing it was a significant one, but wanted to find the right moment, and inspiration to use it. It was wonderful to commit it to paper. For me, most poems begin as a strong image. I then unpick images on the page. This can sometimes take the form of a sketch, a mind-map or sometimes, as in this case, in note form:

As you can see, I pay no attention to neatness, grammar, or punctuation at this stage. It’s really about getting the image committed to paper. I then include as many of the senses as possible, sight, smell, touch etc. Once I’m satisfied with that, I may add research. For example, the phytotomy of an azalea flower. Interestingly, at this point I start to find connections, or what I like to call ‘serendipitous moments’, where relationships between words, images, and idioms make happy alliances. Truthfully, this doesn’t always happen, but when it does, it feels rather special.

I then start to free-write, beginning to shape sentences into lines, carefully considering the placement of line ends, internal rhyme, and structure. As the poem is continually redrafted and workshopped, it becomes tighter and stronger.

Below is my first draft which has been given the work in progress title of ‘Nezu Shrine’. I will let it ‘compost’ for a week before redrafting. After that, the poem will be emailed to my workshop group in England, where I will receive feedback. I will make any amendments necessary and then send it to a publisher for their consideration.

NEZU SHRINE (Work in Progress)

You pinch a lace bug
from the underside

of a white azalea.
Pearls of pollen

drop from its stamen
and fill the creases

of your busy hands.
And later,

you take my hand
and lead me

passed a pond
of copper carp,

(their swollen bellies
visible from the surface),

to a shrine.
You clap

your hands twice
then cup and guide

the blue smoke
from smouldering

incense
to my empty belly.

By Hannah Brockbank

Happy writing!

Hannah

MAMA_Logo_2015

The Museum of Motherhood, the ProCreate Project, the Mom Egg Review, and the Mother Magazine are pleased to announce the launch of a bi-monthly international exchange of ideas and art. M.A.M.A. will celebrate the notion of being “pregnant with ideas” in new ways. This scholarly discourse intersects with the artistic to explore the wonder and the challenges of motherhood. Using words and art to connect new pathways between the creative, the academic, the para-academic, the digital, and the real, as well as the everyday: wherever you live, work, and play, the Art of Motherhood is made manifest. Download the Press Release here or read about updated initiatives#JoinMAMA  @ProcreateProj  @MOMmuseum @TheMomEgg

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The Museum of Motherhood Welcomes Hannah Brockbank to MOM Residency [Click]

The Museum of Motherhood Art Annex in St. Petersburg, Florida welcomes Hannah Brockbank in October, 2017.

Hannah Brockbank

Hannah Brockbank is joint winner of the 2016 Kate Betts Award. Publications featuring her work include Hallelujah for 50ft Women Anthology (Bloodaxe), A Way through the Woods Anthology(Binsted Arts)Full Moon & Foxglove Anthology (Three Drops Press), The London Magazine, Envoi, and When Women Waken Journal. Her poems also featured in the Chalk Poets Anthology as part of the 2016 Winchester Poetry Festival. She has also written feature essays for Thresholds International Short Story Forum. Her first pamphlet, Bloodlines, is due for publication by Indigo Dreams Publishing in 2017. She is studying for a Ph.D at the University of Chichester.

During her residency at M.O.M, Hannah will have access to the Andrea O’Reilly Library and Reading Room, the complete works of Demeter Press, and the latest publications on mothering and motherhood. She will respond creatively to M.O.M’s varied galleries and exhibits which incorporate a range of mothering concepts, and will inspire her to embody her own mothering experience through poetry. Creative work written as a result of her residency at M.O.M, will form part of her Ph.D, which includes writing a publishable book length collection of new matrifocal poems. We welcome Hannah for two weeks beginning the third week of October.

Twitter @hannahbrockbank

Website www.hannahbrockbank.com

Instagram @hannahbrockbankwriter

If you are interested in learning more about the MOM Residency Program or you know someone who would benefit from focused time away, working in a supportive environment, and whose concentration is on the maternal, please find out more here. [LINK].

2017 Residencies:
January – Christen Clifford
Summer – Dawn Parker
July – Christen Clifford
October – Hannah Brockbank

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Visit M.O.M. Today [CLICK]

VISIT MOM: Eight months after re-opening the Museum of Motherhood in St. Petersburg, Florida, the M.O.M. Art Annex has enjoyed visitors from all over the country. To schedule a visit write us: info@MOMmuseum.org. See just a few of our visitors here:

CONFERENCE: Our first “I ❤ MOM” Conference” titled Mothering from the Margins was a truly inspiring two-day event with a packed house that took place during Valentines’ week in February. We are in the process of editing and uploading content from the conference to the Journal of Mother Studies (JourMS), as well as crafting next year’s CFP.
COMMUNITY: The local Historic Kenwood Artist Enclave has been busy organizing of community events, including the Arts Walk last March. Their new enclave motto “where art lives” is particularly salient considering we really do live and work at the museum.

RESIDENCIES: Thus far, M.O.M. has hosted three residencies. In January, artist and activist, Christen Clifford arrived as our first guest and spent two weeks editing her latest work. She returned again in July. Also, we saw the first summer Spirited Woman Residency with Dawn Louise Parker who has been hard at work on her manuscript titled Forty-Seven Days of Love. Dawn continues to manage the M.O.M. space while editing her manuscript and we are grateful for her participation. In October, we will welcome Hannah Brockbank who will be joining us for a two week residency. Hannah is a poet hailing from Sussex, England. Her pamphlet Bloodlines will be published by Indigo Dreams in 2017 and she is a Kate Bett’s Award winner (2016). Hannah is a PhD student and will be utilizing the Demeter Library onsite among other things. Read more about our residencies here [LINK]

INTERNSHIPS: We currently have several calls out to local college students for internships for the fall of 2017. Our high school intern, Andres’ has been with us since the spring and is a St. Pete High School senior. He is hard at work cataloging our library and creating a new student exhibit for the fall.

ONLINE: In July of 2017, according to our google report 4,239 conducted searches and found us online. We are happy and proud that people are thinking about us. We hope that we can continue to expand in our new location. If you have ideas or want to get on board, please write Museum Director: Martha Joy Rose at MarthaJoyRose@gmail.com Introduction to Mother Studies classes will re-launch with a new partnership sometime within the next six months – stay tuned.

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MOM Residency Testimonial with Dawn Parker [Click]

Dawn Parker has been living and working at the Museum of Motherhood Art Annex in St. Petersburg, Florida as part of the Spirited Woman Residency Program since June, 2017. The goal of her residency is to complete an edited, book-ready version of a writing project she’s been laboring on for several years now. Since beginning her stay with MOM, Dawn has enrolled in classes to become a certified Life Coach. Joining her for two weeks in July, was New Yorker, Christen Clifford who came the the MOM Residency to work on her manuscript about sexual violence, feminism, and radical transformation. Christen’s visit saw her returning to Florida for a second time this year. Hanna Brockbank looks forward to spending two weeks as part of the residency in October. Hannah hails from England, is a poet, and is earning her PhD while working towards a completed collection of poetry about motherhood. If you are interested in learning more about the MOM Residency Program or you know someone who would benefit from focused time away, working in a supportive environment, and whose concentration is on the maternal, please find out more here. [LINK].

2017 Residencies:
January – Christen Clifford
Summer – Dawn Parker
July – Christen Clifford
October – Hanna Brockbank

MOM Residency Progress Report with Dawn Parker

Four and one half years ago, I started writing. I’ve been writing my story; a heartbreak as catalyst for a breakdown; the realization of the breakdown and heartache being symptoms of a larger history of issues; followed by a plan to learn how to love myself as a way to heal my life. Although it’s been an amazing journey of revelation and unexpected manifestation, I can’t really say I could give you definitive methodology that would help you learn how to love yourself. I have no formula or magic bullet. I do not have an article I’ve penned called, “The Top 10 Ways to Learn How Love Yourself”, that would give you any answers. 

From my experiential expertise, self love, it’s actualization and the resulting personal manifestations, are as uniquely individual as a fingerprint. No one person has an architectural design that can build an internal structure to house generic self love that has the ability to stand strong in every individual. Our emotional bodies are put together with different parts, influenced with different histories, and spoken in different languages. Self love is our intimate relationship with ourselves. No one way will work for everyone. Our differences deserve honor and respect.

What I can tell you, is my story.

Late last year, I’d gained sufficient trust in my intuition to make a much needed geographic life change. With barely an outline of a plan, I made a decision to move away from the town I’d called home for 20 years. I was going “back home” to roots, to family. I was nervous and a little scared, but I leaned in and made a leap of faith. Self love replaced insecurity and doubt with the confidence necessary for me to trust the intuition in my gut to override the fear.

Once I took action, that one leap of actionable faith, everything in my life flowed seamlessly into place in ways that I hadn’t even imagined. My bare bones outline of a plan fell apart, so that, as the cliche says, “Things could fall together in a better way”. Self love was providing me the courage to be brave enough to live an expression of unprecedented personal freedom. It was the manifestation of a long held desire. It was the feeling of a dream come true.

Four months from my arrival back home, I was still unsure of what I was doing or where I was going. Nothing had happened as I’d thought but I was still siding with faith and I kept leaping. On one fortuitous night an Airbnb listing titled, “Spend a Night at the Museum” caught my eye. It was in a cottage at The Museum of Motherhood. I was intrigued.

My first meeting with Martha Joy Rose aka Joy, proved an instant connection. She’s… well, I don’t have sufficient space on this page to give who she is the description she deserves. Fast forward five months and I am the current Writer in Residence/House Mother of the Museum of Motherhood. Self Love healed my pain, sorrow and self loathing into a place of non existence so that I could shine a bright light, from my inside out; a light bright enough for others to see. Joy saw that light. She took a chance. She gave me an opportunity that has changed my life.

Now, armed with love, light, courage, confidence and complete humility it’s time for another leap. I understand now, that when we feel better, when we “love” ourselves and feel good in our skin; when we have the strength to feel good all the way into the marrow of our bones, it’s time to give back. It’s time to serve. I know with the deepest of reverence that it is our charge to help our fellow humans. I believe beyond contestation that it is our obligation to do no harm. It is our imperative to educate and do good works. There’s more, but for now, this is what “Self Love” feels like to me. True story. www.dawnlouiseparker.com