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In Like a Lamb – Out Like a Lion: WOMEN ON THE RISE at the MoM Conference and More…

March at MoM is going to be AWESOME! We are looking forward to our Annual Academic & Arts Conference, BIPOC Allies and Birth Worker event, recap on our visit with Girls Rock St. Pete, gratitude to ABC News for the recent coverage and more at the Museum of Motherhood in March for Women’s Herstory Month!

Our conference kicks off at the end of the month, but first here’s what you can expect:

LINK TO SCHEDULE for the Conference info is ONLINE at MoM, Fri-Sat, March 22-24 in St. Pete.

The conference is OPEN TO THE PUBLIC VIA ZOOM & IN PERSON. If you are interested in attending via Zoom contact us: INFO@MOMmuseum.org / SATURDAY RESERVATIONS IN PERSON @ EVENTBRITE $25 includes lunch with some Friday and Sunday seats available in person as well. Read more about this year’s content below and we hope you’ll join us!

Join a half a dozen artists with a special exhibition at Heiress Gallery, Keynotes by Courtney Kessel and Andrea O’Reilly with a special crochet circle lead by Madison Hendry and international artists present from March 16- 31st. Press Release is here with more info coming….

MoM Conference 2024 Partners

Threads of Connection: Mother (and other) blame, shame and pain, with a focus on resistance and healing. Blame and shame can be self-imposed or projected by dominant social narratives that hyper-focus on the performative nature of m/otherhood as reinforced by unrealistic hegemonic constructions. This can be true for adult children reviewing familial relationships and the world writ large as well.

We encourage presenters to unpack the sociocultural domain of mother (and other) blame and the psychological, personal, professional, and media environment within which this topic is situated. Who is harmed by blame, and whom does it serve? How are oppressive systems reinforced or even sustained? How can we resist or dismantle these systems in large and small ways?

Threads of Connection Conference 2024

Kick Off to Conference With BIPOC Allies & Birth Workers

Welcome to **BIPOC & Allies Birth Worker Speed Dating**! Are you a birth worker looking to connect with others in the industry? Join us at The Factory St. Pete on **Thu Mar 21 2024** at **6:30 PM** for a fun and interactive speed dating event. This is a great opportunity to meet and network with BIPOC and allies in the birth work community. Whether you’re a doula, midwife, lactation consultant, or any other birth worker, this event is for you! Come ready to mingle, make new connections, and potentially find your next collaboration partner. Don’t miss out on this exciting event in **St. Petersburg, FL, USA**! Please get your free ticket here

Join MoM Empowerment facilitator and certified life coach, Sierra M. Clark on her journey to joy.

𝐸𝓂𝒷𝒶𝓇𝓀 𝑜𝓃 𝓉𝒽𝑒 𝒿𝑜𝓊𝓇𝓃𝑒𝓎 𝑜𝒻 𝑅𝑒𝒸𝑜𝓋𝑒𝓇𝓎, 𝒟𝒾𝓈𝒸𝑜𝓋𝑒𝓇𝓎, 𝒶𝓃𝒹 𝐸𝓂𝓅𝑜𝓌𝑒𝓇𝓂𝑒𝓃𝓉 𝓌𝒾𝓉𝒽 𝓊𝓈. 𝒯𝒽𝒾𝓈 𝓉𝓇𝒶𝓃𝓈𝒻𝑜𝓇𝓂𝒶𝓉𝒾𝓋𝑒 𝑒𝓍𝓅𝑒𝓇𝒾𝑒𝓃𝒸𝑒 𝓌𝒾𝓁𝓁 𝒷𝑒𝑔𝒾𝓃 𝑜𝓃 𝓣𝓾𝓮𝓼𝓭𝓪𝔂, 𝓜𝓪𝓻𝓬𝓱 𝟱𝓽𝓱 𝓪𝓽 𝟲𝓹𝓶, 𝓸𝓷𝓵𝓲𝓷𝓮.

𝑅𝑒𝑔𝒾𝓈𝓉𝑒𝓇 𝓃𝑜𝓌 𝒻𝑜𝓇 ‘𝓐 𝓙𝓸𝓾𝓻𝓷𝓮𝔂 𝓦𝓲𝓽𝓱𝓲𝓷: 𝓡𝓮𝓬𝓸𝓿𝓮𝓻, 𝓓𝓲𝓼𝓬𝓸𝓿𝓮𝓻, 𝓔𝓶𝓹𝓸𝔀𝓮𝓻’! Visit Sierra on Fridays at the museum 🙂

𝗥𝗲𝗴𝗶𝘀𝘁𝗲𝗿 𝗵𝗲𝗿𝗲: http://tinyurl.com/AJourneyWithin

May be art of 2 people and text that says 'The Artist Enclave of Historic Kenwood 2024 Artist Studio Tour FREE, SELF-GUIDED AND FREE το THE PUBLIC Saturday, March 16th: 10am-6pm Sunday, March 10am-5pm 9th aRtiSt enclave KENWOOD HISTORIC HISTORIC School KENWOOD Central kenwodatistenav.or/rtis-sudio-our Maps of the Artists Studios will be available online using the QR code after February 15th and physical maps at the Patron' locations'

But, first-pay attention and HOLD THE DATE 📅 AEHK 7th Annual Studio Tour is coming March 16 & 17th! This is a wonderful opportunity to explore local artists studios “Where Art Lives” @historickenwood♥️

Special guest artist in residence MOM ART ANNEX @museumofmotherhood with art onsite by Amy Wolf @wolfcraft360 and Elsie Gilmore @crazysexyelsie @hugmobile

#art#stpete#tampabay#localart#studiotour#aehkstpete

Who Rocks? You Rock!

We love our community collaborators. Thank you to Girls Rock St. Pete for visiting MoM and asking all the great questions as we celebrate Women’s Herstory Month together throughout March this year. We can’t wait for more music, more fun, and more connections!

Girls Rock St Pete

 Flash Feminism –Do you know your ‘women’s herstory’?

https://mommuseum.org/her-story/In order to understand the profound impact women’s history has had on our policies, culture, and world, it is important to discern the multiple waves of feminism, the fight for the freedoms we enjoy today, and the manner in which women’s struggles for equality have been challenged, and continue to be challenged, even in contemporary society. Below is an overly simplified, yet effective overview of the four U.S. feminist waves, for students of all ages! Go to our herstory page to get an idea of where we’ve been and where we hope to go in the journey towards equality for all. [CLICK]

Flash Feminism One

Thank you ABC News and Robert – We THANK YOU!

ST. PETE — March 1 marks the beginning of Women’s History Month, and in St. Petersburg, there’s a museum not just dedicated to women but to moms.. Watch and read the full story here: https://www.abcactionnews.com/lifestyle/things-to-do/womens-history-month-on-full-display-at-museum-of-motherhood

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Activism Art Birth Caregiving Classes Conferences Education Events Featured Feminism Fundraiser International JourMS MOM Art Annex MOM Conference motherhood st petersburg The Factory, St Pete

This Is How We Do It: One Person, One Day At A Time With Inspiration For All – SUPPORT MoM! We NEED YOU NOW.

Can you answer this question? How many people wept tears of gratitude on Saturday at the Museum of Motherhood, either because they felt ‘seen’, ‘heard’, or because they accessed the information they’d been seeking?

The answer is THREE, in addition to the other amazing people we had the pleasure of interacting with. We witnessed the overwhelmed military mom, a traveler from Dallas, and a son who recently lost his mother and was looking for connection. They all dabbed tears from their eyes. Since moving to The Factory in St Pete, we are greeting approximately 1,200 people a month with a mission of informing and inspiring lives while remaining free and open to the public. We are able to do this because of your generous donations.

The non-profit world is hard. It’s a fact that many museums struggle to maintain their collections, buildings and staff. MoM currently has over a dozen community volunteers, a devoted director, a strategic team for infrastructure building and fiscal growth, a commendable collection of mother-made art, and a mission of taking our rightful place in the museum world.

For twenty years, on a shoestring budget, with an unrelenting commitment to thrive, founder Martha Joy Rose has championed the Museum of Motherhood, first through its New York non-profit status with the Motherhood Foundation Inc, to the MaMaPaLooZa Festival, to the streets of Seneca Falls, to Manhattan College, to the Department of Gender and Sexuality at USF in Tampa, to St Petersburg, Florida.

In 2019, the MOM Art Annex 501c3 was approved for Florida non-profit status. Then, the pandemic. MoM pivoted to mentor eighteen interns from around the world with a variety of projects and made its facility available to over a dozen artists in residence supporting mother made art, literature, and performance. Post-pandemic, from 2022-2023, we conducted over 178 in-home tours featuring the artifacts in our permanent collection, hosted healthy community suppers for families in need, and participated in Localtopia. We were able to purchase the Mother Tree for our permanent collection in 2023 and make the transition from the MOM Art Annex office to The Factory in the Arts District of St. Pete.

The Time For MoM’s Sustainability Is Now

We are poised for success. Our ducks are in a row, our noses are clean and our strategy for success is in place. All we need now are the partnerships, dollars, and donors to take this museum production to legacy status. Our goals are to continue to build out community partnerships. This year we added the Fairgrounds St Pete, Heiress Gallery, Girls Rock St Pete, and Naaman Creative to our team of community collaborators.

Our space at The Factory is staffed and ready to greet you. Exhibitions since our opening in September have included Amy Wolf’s wearable collection, and Alexia Nye Jackson’s Mother: The Job. Plans are underway for our annual spring MoM Conference, and future exhibits with Madison Hendry and Christen Clifford.

Please Donate Today

Our Go Fund Me has launched with a goal of raising $30K. (These dollars have already been matched for our 2023 budget). Now we need to raise the rest! We will be using this money to pay our rent, keep our lights and phone on, and to make our website ADA compliant.

Donations can be made by Check and addressed to 538 28th St. N. St Petersburg, FL 33713, through our Go Fund Me, or on our website. Your support is critical to our success. LINK TO OUR GO FUND ME IS HERE.

Join our year-end fundraiser for the Museum of Motherhood! We need your support to keep the rent paid and the lights on!
Fundraiser Museum of Motherhood end of year 2023
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Featured

MoM Goes Abroad – Message From the Founder

LONDON ENGLAND – I attended the Procreate Project’s Oxytocin Conference, organized by Dyana Gravina, and team, mid-May for two days of intensely powerful commissioned art, scholarship, and workshop work at Kings College. Scholar, poet, and accelerator Hannah Brockbank and I were scheduled to lead a workshop together.

Inspired by the work of Sierra Clark, the workshop was titled “Repair Work, from Sweet Nothings to Sweet Everything,” the title of her chapter in Repairing the Black Family Anthology, edited by Sister Nayyirah Muhammad. The aim of the workshop was to disrupt narratives in order to facilitate healing, which was indeed the goal of the entire conference.

The power of stories shared and the work we did together to dialogue about contemporary issues facing mothers and the women who labor through this important work could not be denied. Laura Godfrey Issacs shared information about the Birth Cafe (see more at http://www.birth are.org), PhD candidate Anna Horn’s interactive workshop on ‘Inclusive Infant Feeding’ compelled.

The conference itself was funded by the Public Arts Council of England amount others. The Procreate Project, Museum of Motherhood, and MER: The Mom Egg Review have been working together since 2015 to feature the art and literature of m/others. I am looking forward to bringing new knowledge(s) back to Florida when I return. But first, the second portion of my trip takes me on a three hour flight to the island of Malta in the Mediterranean Sea.

Scenes from Oxytocin, London England

XEMXIJA, MALTA with its windswept bay, Mellieha with views that stretch past the isle of Goza, Mostar, with its magnificent dome, Mdina the silent city, and Rabat. Hot, dusty, and international. Roses, cactus, olive trees and lemons. In Malta, we go to see the Goddess temples Hagar Qim and Mnajdra. These two temples comprise one of the three UNESCO Heritage sites on Malta, but together there are seven megalithic temples. So, of the three sites heritage sites, one represents all of the temples combined, plus the city of Valletta, and the Hypogeum. Additionally, located at the island of Gozo are the temples rumored to built by the giants.

These Megalithic temples comprise some of the oldest free-standing structures on earth. Older than the pyramids, they are thought to be Goddess Temples for both fertility and transformation as part of a prehistoric culture that appears to be centered around women and the three spheres, heaven, earth, and the underworld as embodied through the pot, house, temple and tomb. We catch the bus and hold tight swerving up narrow inclines twisting and turning above the sea.

When we get to the temple, I am quivering with excitement. We buy tickets, walk through the small but impactful museum, and head outdoors along a windswept path towards the structure which overlooks the Mediterranean. The breeze is slight. Hagar Qim is crowned with a giant white canvas to lessen the impact of the elements. As one approaches her entrance, the tent fades away and all focus turns to the massive rocks shaping what appears to be her portal beyond the giant curved walls. According to Cultural Anthropologist Veronica Veen, we enter the Goddess’ body through her vagina (Pg. 8 The Goddess of Malta).

Goddesses of Malta

There is so much to write about here. Both portions of my trip have offered so much in terms of knowledge, blessings, friendship, and collaboration. I’ll bring all this newfound knowledge of Goddesses and the art of many m/others back to the Museum of Motherhood with me. It will certainly inform my work moving forward and I look forward to the future conversations, creativity, and future collaborations this will inspire.

Yours in Love, Light, and M/otherhood. I hope my American friends have a great Memorial Day Weekend – Martha Joy Rose

More about my personal perspectives can be found at my blog: MarthaJoyRose.com

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AEHK Art Digital Media Internships Education Events Featured Featured Artists Feminism gender History International Internships JourMS MAMA MOM Art Annex MOM Conference motherhood Residency Sociology Spiritual Motherhood

Final PUSH to 2022 Fundraising Goals and A Big Move!

This is our final countdown to the Mother Tree Fundraiser in 2022. As of now, we are over halfway to our goal of purchasing this one-of-a-kind artwork from world-renowned paper-maker Helen Hiebert, on loan to MoM until June 2023. We have raised $13,300 towards the purchase price of $25,000. That means only $11,700 left to go! Won’t you help us clinch the deal? The Mother Tree is a seven-foot high handmade sculpture installation featuring single strands of thread which have been crocheted by over 400 participants around the world. Helen is an internationally acclaimed artist, author and educator. The Mother Tree is currently onsite at the MOM Art Annex. She is impactful, lovely, and represents the connection we have to the earth, our families, and our community. Any amount, no matter how small, helps us to secure her for our permanent collection. Your name will be added to the webpage and also onsite at MoM. You can write a check, donate through Paypal or go through our GoFundMe. We thank YOU!

Read on to see all our successes in 2022 and see what we hope to achieve in 2023.

This year we commenced with BIG goals at MoM. In addition to branded content, thanks to our summer interns, we revamped our mission statement to maximize inclusivity while staying true to our goals of elaborating on the art, science, and herstory of m/others.

We recommitted to serving up visible, educational, and inspiring offerings by conducting onsite tours on a regular basis. These tours oftentimes included children. We added to our collections and exhibits, built a vestibule to better enable visitors to view our interior space regardless of pandemics, and held postpartum groups and mothers’ playdates in our garden.

Easy QR MoM Donation with Stripe (Secure Payments)

New team members came on board. Specifically, we welcomed legal advice from local lawyer Larry Dillahunty, and are most pleased to be working with Deborah Gelch in the position of Strategic Advisor, Elena Rodz in website development, Marcile Powers as Arts Facilitator, and Connie Burgess as our new Membership Director and Community Laison.

We continued with our Residencies both remote and onsite, as well as our internship program, adding four new interns poised to start work in the new year. Our international relationship with MAMA collaborators continued, bringing online art exhibits from around the world.

We heartily thank the neighborhood of Historic Kenwood and the Artist Enclave for their great work on the Studio Tour as well as Winter in the Woods, and Bohemia Night at (Kenwood Gables) which MoM participated in, and also want to shout out to SPACEcraft for including us in their latest round of installations in St. Pete, and St. Pete High School for inviting MoM to present at the Art & Feminist Club.

One piece of big news is that our director, Martha Joy Rose took up permanent residence in Florida this year, relinquishing her NY-based teaching job at Manhattan College and further cementing her commitment to MoM locally in St. Petersburg.

We thank you Living Board 2022, Zabrina Shkurti, Nicole Musselman, and two-term Residency Coordinator Tracy Sidesinger. The Annual MoM Conference and the Journal of Mother Studies (JourMS) are ongoing with this year’s hybrid conference scheduled for March 24-26. (Join us online or in person).

This year, we wrote two grants: one was denied and we are waiting to hear on the second one. We received one anonymous foundation award in the amount of $1,000, and we thank all our new members and donors! While our needs are great, as is the case with many non-profits, we have persevered through geographic moves, personnel changes, pandemics, and great and we have SURVIVED and THRIVED!

MoM belongs to you – the public, our members, and our community. Please consider getting involved or making a donation today. Use our donation link or checks can be sent to 538 28th St. N St Petersburg, Florida 33713. Help us GROW!

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Art Birth breastfeeding Classes Featured Featured Artists Feminism History Residency Spiritual Motherhood st petersburg

Batya Weinbaum, Goddesses, and the Season of Light

‘Tis the season of grace and friendship. Let us shine our lights brightly and wide. Let us reflect on the past as we approach the new year. Let that include in our reflections a little understood, often neglected vast herstory of Goddess-wisdom from within the pagan evolutions of this holiday season rooted in mystical wisdom and earth worship.

As the director of the MoM for almost twenty years, I have met with academics, artists, and m/others from around the world. They often share elaborative perspectives on women’s issues, family studies, and feminism. I often meet people who have lived experiences vastly different than my own. They always inspire.

For example, artist, scholar, and Femspec editor, Batya Weinbaum arrived onsite at MoM for a month of mural-making and herstory speaking at the beginning of December. Everyday, there is some new story. Beginning with her early years in Manhattan as a young feminist participating variety in consciousness-raising collectives to her systematic sharing of stories of art-making and land-living. Batya regularly teaches college coursework, hosts online art circles, and speaks at international gatherings. For me, she has become a wise, welcome daily fixture onsite at MoM, where young families regularly visit to hear her stories and where we collaborate on some art-sharing circles.

Batya is a graduate of Hampshire College and a mosaic muralist acclaimed for an eight year art installation project on Isla Mujeres, Mexico, where images of fertility goddesses from around the world and across cultures were assembled in large figurines in order to lend strength to the Maya fertility goddess, IxChel. Her work elaborates on the Neolithic period, influenced by the works of Marija Gimbutas, Riane Eisler, Monica Sjoo (The Great Cosmic Mother) and Elizabeth Barber (Women’s Work: The First 20,000 Years), who discuss periods of human history when motherhood was not a liability but something to be revered.

While visiting the MOM Art Annex, she will be constructing a fertility goddess mural from 6000 BCE. She believes women need to get in touch with origin myths in order to be strong women today. I agree!

This energy is significantly meaningful for students of all ages. Beyond contemporary celebrity icons, it is important to channel the power of the little studied leaders of a more female-friendly, woman-centric world.

Dr. Weinbaum’s contributions to MoM will serve up inspiration as well as a powerful legacy of connection to community members touring the MOM Art Annex as we build together towards our vision of a Museum of Motherhood here in St. Pete.

“Batya’s work hits on so many different levels for women, whether or not they’re mothers or feminists… And even in our current political climate, I think all women can and will find a unique resonance with this booming goddess that she’s installing at MOMMuseum. For me personally, as someone who has always struggled with balancing humility and pride, Batya’s raw, bold work inspires bravery and pride in addition to capturing the colorful joys that mothers contribute to a community.” – Dannie Snyder, Artivist & Educator 

BIO: Batya Weinbaum is a visionary artist whose works have been sold at the American Visionary Art Museum in Baltimore, the Oberlin Art Museum, and many galleries in NY, Boston, VA, OH, Hawaii and Michigan as well as Mexico. She has been active in the Association for the Study of Women in Mythology. Some of her work can be seen at goddess vibe.org. Dr. Weinbaum teaches online at Boston College in the Lynch School of Education and Human Development, and American Public University. She earned her doctorate at UMass Amherst, her Master’s at SUNY Buffalo, and her Bachelor’s at Hampshire College. She has published numerous creative and critical works, including award-winning essays, fiction and poetry. She was a cofounder of the Feminist Mother’s and Their Allies Caucus and Task Force in National Women’s Studies Association, where she petitioned for child care, and has published extensively about the impact of motherhood on grassroots political organizing in Palestine/Israel, in numerous journals and anthologies. 

Great Cosmic Mother

As Batya writes, “A museum dedicated to the study of motherhood deserves a message from the past via an image of a goddess, a fat fecundity image seated on a throne flanked by lions from Catal Huyuk now in Turkey, conjuring up shrines where goddesses were revered for giving birth.”

Ms. Weinbaum splits her time between Floyd VA and Cleveland Hts, OH, is happy to grant interviews about the project. Her art, publications, workshops and adventures can be followed on IG #divinefemimineartworkshops

More on Goddesses Brooklyn Museum [here].

Yours in Affirmations for World Peace, Feminist Equalities, and Friendship,

Martha Joy Rose, Director

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Caregiving Featured Feminism gender International Internships motherhood Queering Parenting

‘UNFIT’ MOTHERS: THE BURDEN OF STEREOTYPES

By Srilagna Majumdar

During everyday conversations and discourses, we come across labels given to mothers that are burdened by stereotypes and fraught with sky-touching expectations limited by narrow definitions. Aimed at the welfare of others, this focus is seldom targeted towards women’s wellbeing. There have been so less frequent moments when fathers, and children, or people, in general, look at mothers as separate and independent human beings. Writing as an Indian student, engaged in feminist studies, it appears that the stereotypes that mothers are often corralled into can be organized into three main categories: Mothers as (a) primary caregivers, (b) teachers or role models, and (c) household workers or homemakers (Tessier, Gosselin, 2018). It would be safe to say that these categories are most often applied to biological mothers.

As a college student, contemplating the subject of motherhood, it appears that media depictions as well as the general tenure of social expectation dictate women caregivers must give exclusive priority to their children. Certainly, babies require much care and mothers are often the primary sources for expressions of love as well as providers of food and shelter. Being a good caregiver involves balancing many roles, including that of nurturer and a disciplinarian (as required). These qualities are highlighted in society with the expectation that mothers put everything on hold to be more available to their children and devote all of themselves to motherhood as the primary obligation. This belief reflects a deep internalization of an intensive mothering ideology. The mothers I know see themselves as purveyors of wisdom, important teachers- not exclusively in the academic sense- but as a source of information about how to get along in the world, which contemporary women are often encouraged to do.

But, within the home, many mothers are managers of the household. Women who are mothers are seen by some to embrace this duty to family almost exclusively. Many of the mothers I studied perceived themselves as very loyal toward their families. The chores associated with maintaining a stable home were a signifier of demonstrated loyalty. While divorced mothers might be perceived as failures: cowards, frivolous, weak for not persevering or enduring in the marriage (even whoreish, and easy-prey for free sex), promiscuous, irresponsible, selfish, not trustworthy, lacking courage, incapable of maintaining a family, alone and without protection, disrespectful of God’s rules, and without moral values – a heavy burden to contemplate, indeed (Aneja, Vaidya, 2016).

Outside the home, working mothers, portrayed by the media, or judged generally through a negative lens by society as well, are accountable not only to themselves but to the public at large. It is presumed that a mother, who works outside the home, would be incapable of managing the necessities of her children. If a mother keeps her child in the custody of a nanny, or a crèche, while she goes for work, society apprehends that it will affect the upbringing of the child and that full responsibility of any perceived outcome, is to be taken on solely by the working mother.

As in the previous two examples, mothers have a difficult time performing in the “correct” manner expected of them. Deviations from perceived “norms” are prone to accountability and assessment. Lesbian mothers, i.e. same-sex mothers are viewed as unfit, by society, in cases that I have read about or heard of. These negative conceptions appear particularly rooted in religious doctrine. Stereotypes regarding lesbian mothers as not normal are promoted by entrenched beliefs that children should be raised by a mother and a father, not by two mothers. The argument for this lack of a male parent, doctrine asserts, might confuse children, especially regarding their own sexual preference when they become teenagers (Tessier, Gosselin, 2018). Participants of interviews conducted by Vadiya, in 2016, reported different cultural norms influencing their attitudes. This included coming from a conservative Catholic religious background, uncontested and unchecked concepts of machismo, and the fact that interviewees did not know any lesbian parents personally, further polarizing them from actions outside of hegemonic ideals and further entrenching erroneous assumptions about “good” parenting.

The themes of deficiency and lack, good and bad mothers, the burden of care, and the valorization of the mothering role that have been explored here acquire a new dimension when we take into account a different kind of embodiment, namely, disability. When the mother in question is a disabled woman, the discourse of motherhood becomes even more complicated. Sexuality, conjugality, and motherhood are associated with normative, desirable, fertile bodies, whereas the disabled body is regarded as defective, undesirable, and thus, devalued (Aneja, Vaidya,2016). Motherhood denotes caregiving, while disability suggests a person in need of care herself, and thus, being unfit to assume the caring role for another, especially of one as vulnerable as an infant. We can certainly see how difficult it is for mothers to avail themselves of additional scrutiny.

Disability has historically been viewed as a ‘problem’ or aberration in need of fixing or remediation, suggesting that something is missing or lacking. The personhood and agency of women who are deemed ‘the other’ on account of their bodily differences are denied in the context of their reproductive needs and rights. Women with disabilities are regarded either as asexual beings incapable of becoming sexual companions or as hyper-sexual and unregulated ones (Aneja, Vaidya, 2016). In some cases, disabled mothers were abandoned by husbands, who later got married to able-bodied women at the behest of the man’s family. Many times, it is revealed that disabled mothers experience violence within the family, both emotional as well as severe physical violence in some cases. It can be imagined, how these disabled mothers also have to explain to their children why they can’t participate in an activity, attend a field trip, or use the same door [as their children do]. They might even have to spend a great deal of time explaining themselves or educating other people, and that can wear a person down (Scroll,2018).

In most societies, the predominant image of the family is represented by a middle-class, first-marriage nuclear family with two heterosexual parents, including a working father, a stay-at-home mother, and biological children (Routledge, “Marriage and Family review”, 2018). Social institutions, including mass media, language, legal systems, and religion, convey the message that this family configuration is the norm. As a student who wants to arrive at a finer feminist perspective, I feel this is how agency over the body and consent for the things done to it are appropriated by medical, legal, and social practices that challenge the very personhood and humanity of the mothers who want to break away from the society generated idea of how a mother should be.

Citations:

A Literature Review of Cultural Stereotypes Associated with Motherhood and Fatherhood, Sophie-Claire Valiquette-Tessier, Julie Gosselin, Kristel Thomassin, 2018

EMBODYING MOTHERHOOD-Perspectives from Contemporary India, Anu Aneja and Shubhangi Vaidya, Yoda Press, 2016

‘Your priority is your baby’: Why does India have a culture of demonizing working mothers?, Article by Scroll, 2018

Edited by M. Joy Rose

About Srilagna:

Srilagna Majumdar is a student of History, third Year in Jadavpur University, Kolkata, India. She is a keen student of social sciences and wants to pursue her future in Museology. She is currently working with 1947 Partition Archive and Stanford University for a project regarding interviewing Partition witnesses. She is also a Digital Content writer and editor at the same Archive. She wrote papers on Redefining gender roles to get a wider perspective of gender relations in the Global South. Srilagna Majumdar lives in Kolkata, West Bengal, India. She is also working for developing the proper ways of editing Partition witness’s stories and preparing them for digitization. She is also working with the Partition Museum to archive Partition history and find how women were affected during the same. She interns with Daak, a nonprofit organization for promoting lesser-known artworks and artists of South Asia. Srilagna is also the research authenticator at India Lost and Found, a heritage conservation initiative by Amit Pasricha. She is an oral histories and research intern at Kashmir Untold, an initiative to archive stories of Kashmiri migrants and is also working for exploring various aspects of motherhood in society and trying to arrive at a finer feminist lens by being an intern at the Museum of Motherhood, Florida.

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Art Education Feminism Media MOM Art Annex motherhood motherhood hall of fame

HAPPY 100 YEARS OF THE VOTE FOR WOMEN IN AMERICA

Today is the 100 year anniversary of WOMEN GETTING THE VOTE in America. This is such a big deal!

Hard to believe, I was born only 37 years after this law was enacted.

Suffragette Sitting Room, MOM, NYC

At the Museum of Motherhood in NYC, we had an area called the Suffragette Sitting Room, where mothers would come and gather with their infants under the banner of these fearless warriors who marched, protested, and even starved for the right to be considered equal citizens.

I always find a way to include these foremothers of the feminist waves in the college classes I teach and remember fondly

Housewives On Prozac Band

the days when my band, Housewives On Prozac, was privileged to play the great city of Seneca Falls, New York, raising awareness about many of the issues mothers in America face. Those outstanding problems continue to include a continued lack of federally mandated paid parental leave, affordable childcare, accessible & adequate healthcare, as well as the issue of those who are home caring for loved ones without pay or social security in America today.

Let us not forget also, the simple willingness to declare “All people are created equal” according to the as-of-yet unratified ERA Amendment.
Thankfully, the fight for equality, access, and respect are continuing. From the Women’s March in Washington in 2016 thru the present, I  am so grateful to those worthy and peaceful activists at work in the #MeToo and #BLM movements who also see goals worth striving for. Let freedom ring.
~ Martha Joy Rose, Founder MOM
Categories
Conferences Feminism MAMA motherhood

M.O.M. Conference Feb. 10-11th St. Pete, Florida

Thanks to those of you who have completed your payment confirmation for the M.O.M. Conference Feb 10-11, 2017 in St. Pete! If you are interested in attending the conference please write us. Space is extremely limited. RSVP only: info@MOMmuseum.org

Each Year the Museum of Motherhood works with academic partners and collaborators to create the Annual Academic M.O.M. Conference (2005-2016). 

SEE FULL SCHEDULE ONLINE HERE

In 2017 the Museum relocated to St. Petersburg, Florida.  We are excited to host our first I <3 M.O.M. Conference. In addition, conference participants are invited to publish with JourMS (the Journal of Mother Studies) for dynamic, digital peer-reviewed content in the field of Mother Studies. The goal of the conference is to develop interdisciplinary approaches to Mother Studies and encourage information exchanges between thought-pioneers, activists, artists, academics, students on the subject of Motherhood, Fatherhood, and Family Life. [LINK]

Manhattan College MOM Conference
Manhattan College MOM Conference

Flights – Tampa International Airport. There are some great discount flights being offered now because of the holidays!

Hotel – Block Rate through January 15th

There are currently rooms on hold at the rate of $149.00 plus 13% tax. The room type for that rate will be One King Nonsmoking or you can request 2 Doubles Non Smoking. The rate includes a full breakfast daily from 6am-10am and complimentary Wi Fi and there is a swimming pool. The hotel is an easy walk, .9 miles from the M.O.M. Art Annex. Please use DISCOUNT CODE: Museum of Motherhoodto access this discount, or you can try your luck with one of the discount websites, like Hotels.com Website: Hampton Inn

Keynote

The keynote will be given on Friday evening by Andrea O’Reilly “BABY OUT WITH THE BATHWATER: DISAVOWAL & DISAPPEARANCE OF MOTHERHOOD IN 20-21ST CENTURY ACADEMIC FEMINISM.” For those who do not know Dr. O’Reilly, she is the foremost feminist author and academic on motherhood, and a Professor in the School of Women’s Studies at York University in Toronto, Ontario, Canada. She is the author and editor of eighteen books on motherhood and founder of Demeter Press. [LINK]

Special Guest Artist Announcement

We are very excited to announce that guest artist Christen Clifford will be bringing her “Feminist Peep Show” performance as part of the conference in February. Christen Clifford, a feminist writer, performance artist, curator, professor, actor, and  mother artist whose performances and writing use her experiences of maternal sexuality, menstruation, rape, and the female body as material, has launched a new project called Pussy Bow. Read more about Christen HERE.

Agenda

The conference agenda will commence as follows:

  • Thursday evening cocktail party at M.O.M. from 7-8:30PM. RSVP.
  • Presentations Friday- 1:00 PM -5:00 PM.
  • Keynote Friday – 5-6 PM
  • Saturday –  9:45AM-5:00 PM
  • Feminist Peep Show 1:00 – 2 PM w/Christen Clifford
  • We will also host a Friday evening in Kenwood, and there are several museums and sights to see as well as excellent dining while you are in town.

Residencies

The residency program has launched. M.O.M. will be hosting students, authors, artists, and academics onsite beginning January 1, 2017. The M.O.M. Art Annex Residency Program is open to those students, artists, and scholars engaged in the study of women, mothers, fathers, and families. This live/work space in the heart of downtown St. Petersburg, Fl is an opportunity for those wishing to focus for an extended period of time on research, writing, or art-making in a quiet setting, close to amenities, in a supportive environment. This opportunity is offered at no charge to applicants in exchange for some commitment to the M.O.M. facility each week [Link].

More about M.O.M.

The Museum of Motherhood (M.O.M.) is an exhibition and education center dedicated to the exploration of family – past, present, and future with a focus on mothers, fathers, and families.

M.O.M.’s mission is to start great conversations, feature thought-provoking exhibits, and share information and education. Our aim is to collect, preserve, and disseminate articles, books, artifacts, images, and research on the science, art, and history of all aspects of procreation, birth, and caregiving. We care about those engaged in these activities, and actively promote members of the community interested in the emerging areas of Mother and Father Studies. [LINK]

 

Please RSVP if you are interested in attending any portion of these events: info@MOMmuseum.org

 

Categories
Featured

On My Experience of Motherhood Studies

PatriciaHillCollinsYou may have seen some of my blog posts over the last several weeks that came from the response papers I wrote for the Introduction to Mother Studies course offered through the museum. With a capstone paper using research on current topics related to reproductive technology, the class culminated three weeks ago last Sunday afternoon. I promised myself that I would not begin watching the newest season of Orange is the New Black until the course finished, and I have since been relishing these moments of TV consumption.

Other than satisfying my Netflix addiction, I have been able to reflect back on the course since finishing it. I was a Sociology major in college but took a lot of classes in the Women’s Studies department. Adrienne Rich and Patricia Hill Collins contributed foundational texts to our study in Introduction to Mother Studies. The names and works of these scholars were familiar to me from undergrad. However, studying them in the context of Introduction to Mother Studies, I began to see them in a new light…as mothers. Because of the strength of their words and power of their knowledge, I had always identified them as feminist first, whatever else second. But in a movement where “the personal is political” has been a rallying cry, perhaps for them, they would see themselves as mother/sister/self first, feminist second.

In “Beyond Mothers and Fathers,” Barbara Katz Rothman, a pioneer to the movement, said: “Mothering is an activity, a project…[M]otherhood…is not just a physical or emotional relationship – it is also an intellectual activity.” Scholars and writers have known this and have been doing Mother Studies work for a long time. Whether we have seen it as such or not, the personal has always been political. When women gave birth in their homes attended by practiced midwives, and then again when slander campaigns saw the shift to in-hospital births, Mother Studies was in action. When white middle-class housewives’ alienation derived from raising children in suburban America gave way to the rise of second-wave feminism, Mother Studies was in action. When the eugenics movement created a legacy of racist and anti-poverty sterilization policies, Mother Studies was in action. When images of the super-mom were contrasted with social commentary on the decline of the American family, Mother Studies was in action. When feminists came to the defense of Mary Beth Whitehead, a surrogate who refused to give up her baby, questioning what makes a mother, Mother Studies was in action. We are not recreating the wheel. Our Introduction to Mother Studies is the first time that we are calling it such and the first time we are carving out a space for it as a legitimate discipline. We are making the personal political…and academic.

Find out more about classes in Mother Studies online here.

By: Jenny Nigro, MoM Online Intern

Categories
Art Feminism

M.A.M.A. – Mothers ARE Making Art – New Installation(s)

WHAT: The ProCreate Project, the Museum of Motherhood and the Mom Egg Review are partnering for bi-monthly on-line presentations featuring M.A.M.A. – Mothers are Making Art.
WHEN: The 1st and the 15th of each month words and images will highlight the joy and the challenges of being both a mother and an artist.
WHERE: Online is the place! We will host works of art about mothers and mothers-to-be; featuring academic and creative writing in order to promote women internationally and generate cultural exchanges and opportunities.

WHY: We are determined to explore the extraordinary experiences of mothers and how, by means of channeling these new and powerful energies a person can cultivate both motherhood and art. However, support is needed and awareness must be raised to facilitate this process and to finally empower it.

We strive to give voice to all women, make acceptable room for “feelings,” sensations, and interpretations without judgment; we want to make space for mothers in the arts to display their work and move a conversation about “the art of motherhood” forward. DOWNLOAD THE PRESS RELEASE.

@ProcreateProj  @MOMmuseum @TheMomEgg #JoinMAMA

slide5This month features Lynn Lu (Pictured on homepage and above here) and Beck Tipper, whose writing is highlighted on the M.A.M.A. page here.

Paradoxes for the Virtual collaborative Skype performance with Birgitta Hosea on YouTube [LINK].
Lab451LONDON; Camden Image Gallery; London, UK. 2015
In a game of Exquisite Corpse, Lynn Lu (live) and Birgitta Hosea (projected from SKYPE) explore intimacy and the generation of interpersonal closeness across a virtual divide through a scored series of shared confidences.

-PREGNANCY AND AFTER MOTHERHOOD INSPIRED SEVERAL OF THE LYNN LU PERFORMANCES AND INSTALLATIONS-

Lynn Lu received a BFA from Carnegie Mellon University with a major in Sculpture and a minor in Graphic Design in 1999. In 1998, she studied with Christian Boltanski at the École Nationale Supérieure des Beaux-Arts in Paris, and at the École Marchutz in Aix-en-Provence. She earned her MFA in New Genres at the San Francisco Art Institute in 2002, and completed a PhD program (ABD) at Musashino Art University in Tokyo in 2008, on a full scholarship from the Japanese Ministry of Foreign Affairs. In 2010 she was awarded the degree of Doctor of Philosophy by the University of Newcastle in Australia.

Since 1997, Lynn has exhibited and performed extensively in the United States, Singapore, Japan, China, Korea, Thailand, Vietnam, Philippines, Indonesia, Cambodia, Australia, New Zealand, UK, France, Switzerland, Germany, Austria, Denmark, Finland, Sweden, Estonia, Poland, Belarus, Czech Republic, Turkey, Greece, Argentina, and Canada.

See more about Lynn at ProcreateProject.com

MAMA_Logo_2015

To read Andrea O’Reilly’s piece on Feminist Motherhood go to our link here, and read her piece also live online at ProCreate Project.

Art and Performance by Nicola Canavan
Art and Performance by Nicola Canavan: Raising the Skirt

Raising the Skirt: ‘La mar es posa bona si veu el cony d’una dona’, is a Catalan belief in the vagina, translated as ‘the sea calms down if it sees a woman’s cunt’. (Images by Dawn Felicia Knox)
The gesture of lifting the skirt has been translated across the world. It is known as Anasyrma or Ana-Suromai (Ancient Greek), Anlu (Kom Communities) and many others. A flash of the cunt has been known to calm other forces of nature too, in Madras (India) women were known to subdue storms by exposing themselves. In other folklore Women could drive away the devils, evil spirits and warriors as seen in Fontaine’s ‘Nouveaux Contes’, all through the power and beauty of their cunts. ‘Raising the Skirt’ has influenced my practice for many years (www.nicolacanavan.com); by questioning notions of beauty and the status of women socially and culturally across many religions, and how this affects how the female body is translated across mass media; I feel it would be an important step back to go forward, to reclaiming the cunt as a powerful tool in assertion.