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Mess House at MoM

The Mess We Live In: What Clutter, Kids, and Culture Wars Reveal About Family Life

The notion of a “messy home” might conjure up images of toys strewn across the living room, dishes piling up in the sink, or laundry spilling out of baskets especially at times of duress. But the reality of mess is deeply tied to the internal worlds of families, to stress, identity, and even to the cultural divides that shape our society. At the Museum of Motherhood, exploring the messy intersections of parenting, culture, and mental health can be a powerful lens into what family life really feels like.


Mess Isn’t Just Physical — It’s Psychological, Social and Cultural


Evidence that women experience chronic stress not because the home is messy, but because society holds them responsible for preventing mess is a recognized truth.

Personal values — about lifestyle, morality, and behavior — can become battlegrounds for the debate about parenting styles and what constitutes a “good home”. This can be tricky territory. These debates can reflect broader cultural divides: who is responsible for domestic labor, how children should be raised, and what order or rituals define a “proper” family.

In a sense, the cluttered living room isn’t just a mess — it’s a battleground of values. Who gets to decide what “clean” means? Whose routines are prioritized? And how do power and labor dynamics play out in the seemingly mundane fights over tidying up?

Who cleans, who organizes, and who nags about mess often isn’t neutral territory. There’s emotional labor involved in maintaining a home, and that labor frequently falls disproportionately on women. For some, the answer is to simplify. For others the answer may lie in leaving the mess for another day.

What’s most important is feeling loved, safe and protected. Does your environment do that for you and how much control do ‘we’ actually have? What are the implications when we free ourselves from the mess or conversely embrace the mess?

At its heart, the reality of mess is a story about family, vulnerability, and power. Clutter isn’t just junk — it’s emotional freight, a signal of how we live, what we value, and how we struggle to balance the competing demands of parenting, culture, and self. In exploring mess through a psychological and cultural lens, the Museum of Motherhood can invite deeper conversations: not about being “better” mothers, but about being more honest, more human, and more connected to the complexities of our lived lives.

About the Exhibit

Mess House: A New Photo Exhibition by Martha Joy Rose MA Mother Studies. This exhibit wishes to gratefully acknowledge The Factory LLC organization for the use of wall space in Building 7 to explore archived photos from her personal collection. Exploring the compelling idea of a ‘Mess House’ is a somewhat universal theme. As humans we seek to create order (oftentimes ineffectually), confront our wildness and occasionally find acceptance and peace within the chaos of daily life and family.

Batya Weinbaum received her doctorate in English at University of Massachusetts at Amherst. She founded and edits the journal Femspec available at femspec.org.  She was an artist in residence at the Art Annex of the Museum of Motherhood in St. Pete FL where she installed a mural of a fertility goddess, and she volunteers for the Museum in the winter. She is the mother of one and stays in Gulfport, FL several months in the winter where she shows her art.

From the Chapter Mess House, by Batya Weinbaum- Demeter Press 2025

When are we feral, self-expressive, and untamed to the degree that we throw out the baby with the bathwater so to speak in our revolt against traditional concepts of femininity and motherhood represented in conventional markers and paradigms of domestication—the swept, mopped floor, the uncluttered shining feng shui of spaces, the organized linen cabinets, the bare countertops in the spotless kitchens?

Those born into female bodies get the most pressure from society to meet unrealistic expectations of physical beauty. These unrealistic expectations of their bodies are parallel to the unrealistic expectations women are encouraged to have about their domestic space.[1]

Flo Kennedy noted, in her essay on “Institutionalized Oppression of the Female,” that “Women are dirt searchers; their greatest worth…” being “eradicating rings on collars and tables” (442). In doing so, and maintaining organization, they are keeping wildness at bay. (1. According to Women and Naturism: The Naturist Living Show (Mar 17 2010)

Resources:

Aviv, E., Waizman, Y., Kim, E., Liu, J., Rodsky, E., & Saxbe, D. (2024). Cognitive household labor: gender disparities and consequences for maternal mental health and wellbeing. Archives of Women’s Mental Health, 28(1), 5–14.

  • This study empirically measures the “cognitive labor” (planning, delegating, anticipating) that mothers do, and finds that mothers bear significantly more cognitive labor than their partners (~72% of it) even after controlling for physical tasks.
  • Importantly, the authors show that this disproportionate cognitive labor is strongly associated with higher stress, burnout, depression, and worse overall mental health in women.
  • Relevance: This offers direct evidence for your claim: the stress comes not just from “doing the cleaning,” but from being responsible for organizing and thinking about the household — and society (or their partners) expects women to carry that burden.

Ciciolla, L., & Luthar, S. S. (2019). Invisible Household Labor and Ramifications for Adjustment: Mothers as Captains of Households. Sex Roles, 81(7–8), 467–486.

  • This paper examines how the “invisible labor” (mental, emotional) related to managing the household is disproportionately carried by mothers.
  • They find that mothers who feel solely responsible for organizing schedules, maintaining order, and keeping family routines report role overload, lower life satisfaction, and strain in their relationships.
  • Relevance: Demonstrates that the expectation that women “manage the mess” — not just physical cleanliness but mental oversight — has measurable negative effects on their wellbeing.

Systematic Review: Gendered Mental Labor

  • Review article: Gendered Mental Labor: A Systematic Literature Review on the Cognitive Dimension of Unpaid Work Within the Household and Childcare.
  • This review analyzed 31 peer-reviewed studies and found a consistent pattern: women perform a significantly larger share of mental labor (planning, scheduling, organizing) and this labor is associated with stress, lower life satisfaction, and negative career impacts.
  • Relevance: Supports the broader claim that this kind of labor is well-recognized in academic literature as gendered, burdensome, and harmful — not just “messy house, messy brain.”

Applied Research in Quality of Life:

  • Study: Is Paid Inflexible Work Better than Unpaid Housework for Women’s Mental Health? (2022)
  • The authors argue and provide evidence that unpaid housework (which includes domestic tasks and more than just physical chores) is negatively linked to women’s mental health, partly because these efforts are culturally undervalued and invisible.
  • Relevance: This supports the idea that society often fails to recognize or reward invisible domestic labor — reinforcing that the stress women feel is not just from physical mess but from societal expectations.

Offer, S. (via summary in Smithsonian article).

Relevance: Demonstrates that the stress is not about amount of time thinking about family, but about how that thinking is gendered and emotionally taxing for women.

According to research by Shira Offer (Bar-Ilan University) reported in the Smithsonian, women and men spend equal time thinking about family matters, but women report significantly more negative emotional effects (stress, depression) from that cognitive labor.

How Do You Identify? Passion, Protest, Reproductive Identity, Mess & More? Submit Your Ideas, project, paper, art, proposal, research now thru 12/1/25. Don’t Be Afraid – Put Your Ideas Into the World w/MoM at USF.

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OPEN CALL: SUBMISSIONS for a special online publication at MoM for our Mothers’ Day Blog.

For a limited time only, OPEN CALL : SUBMISSIONS for a special online publication at MoM for our Mother’s Day May Blog. But first, about the photo here at the top of the page. We inherited an ugly cement wall. What did we do? Make it beautiful! Thank you Batya for your gorgeous residency and ongoing mural work, now viewable in the annex gardens. Read more at the bottom of the blog!


Submit a story about your mother. 1,500-2,000 words or poem (any length).

Our team will review all entries and we will select one special story, one runner up, and one poem for publication online for our May Mother’s Month Blog, social media and Newsletter issue.

The prize is $50 first place only / Poem is a separate award $25

We know you are ALL winners and we are excited to hear your creativity and legacy productions.

Submit by April 30th midnight via email by midnight. Include Title and Bio with Submission in word document: INFO@MOMmuseum.org

THE MONTH OF MARCH RECAP

Community is where it’s at – even as technology rises, we must remember our humanity, our earth bodies, and our mother planet. HAPPY EARTH DAY IN APRIL!

March was busy with gatherings focused on food health, motherhood, sisterhood, meditation, poetry, and outdoor mural making. Thanks to Jeff Herman, Leslie Culbertson, and Yusuke Ouchie from Creative Grape, and gratitude to Localtopia, Winter in the Woods, AEHK Studio Tour, Tombolo Books, YesChefVillage, Gloria Muñoz, our Conference Attendees, Mothers’ Group and MoM Facilitators: Its been a GREAT season for MoM.

Over the course of the past year, we have joined in events with direct engagement opportunities equalling 40,000 + people.

We have partnered with groups from ages 1-80 yrs old that include people in recovery, local high school students, housing insecure individuals, and those seeking education on the subject of healthy food to feminist studies. Those smaller groups, have totaled in the hundreds.

What Next?

Where are the women’s stories and spaces? We are only 10 % of school text books and 13% of museum exhibits.

Our lives are an inspiration. They are a miracle. They are each and everyone great. How can we illuminate the vacuum, fill the voice, reverberate with intention?

Help us honor these stories. Help us keep going. Help us be Visible, Solvent, and Celebrated. We Thank you! We are you! We need you to thrive! Together we are strong, together we rise, together we love. Help us continue our work by becoming a legacy donor.

THE ANNUAL ACADEMIC & ARTS CONFERENCE ROCKED!

REPRODUCTIVE LANDSCAPES– The conference saw participants from England, Australia, South Africa, Canada, USA, Poland, South America, Israel, Spain, and Ireland. Videos and papers to come. Find out more by accessing the Journal of Mother Studies (JourMS) and upcoming announcements about these scholarly works. The CFP for the Journal of Mother Studies is open through April 30th. SUBMIT.

Here are a few concepts to mull over (from my notes):

Can we mother a ghost? Rebecca Marcelina Gimeno

Not every pregnancy results in the birth of a child – Laura Bissell

Human care is anchored in communal activities – Sara Sudhoff

Mothering is invisible – Kate Golding


Batya Weinbaum, b. 1952, is a Jewish American visual artist and award-winning writer from Cleveland Heights, OH and Floyd, VA, and artist-in- residence at MOM Dec 3 2022-Mar 31, 2023. Her first mosaic art project was a feminist installation of fertility and warrior goddesses, Feminina Sube, Isla Mujeres, 2013-2020. A film about this magical shrine to the goddess can be seen on YouTube by typing in Dr. Batya Weinbaum. She got her doctorate at University of Massachusetts at Amherst, founded the journal Femspec, and has spoken frequently at Radical Feminist Perspectives of Women’s Declaration International. More of her art can be seen at goddessvibe.org.


Special Shout Out to Brittany DeNucci & All Our Fab Volunteers!

Special shout out to Brittany DeNucci who stepped in to run tech for us a MoM during the conference. She’s also been hard at work editing the conference videos. We are so grateful for all Brittany’s contributions. THANK YOU to all our incredible interns, volunteers & team members!

KEEP ROCKIN’ IT!

Love, Love, Love,

Martha Joy Rose, Director

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Batya Weinbaum, Goddesses, and the Season of Light

‘Tis the season of grace and friendship. Let us shine our lights brightly and wide. Let us reflect on the past as we approach the new year. Let that include in our reflections a little understood, often neglected vast herstory of Goddess-wisdom from within the pagan evolutions of this holiday season rooted in mystical wisdom and earth worship.

As the director of the MoM for almost twenty years, I have met with academics, artists, and m/others from around the world. They often share elaborative perspectives on women’s issues, family studies, and feminism. I often meet people who have lived experiences vastly different than my own. They always inspire.

For example, artist, scholar, and Femspec editor, Batya Weinbaum arrived onsite at MoM for a month of mural-making and herstory speaking at the beginning of December. Everyday, there is some new story. Beginning with her early years in Manhattan as a young feminist participating variety in consciousness-raising collectives to her systematic sharing of stories of art-making and land-living. Batya regularly teaches college coursework, hosts online art circles, and speaks at international gatherings. For me, she has become a wise, welcome daily fixture onsite at MoM, where young families regularly visit to hear her stories and where we collaborate on some art-sharing circles.

Batya is a graduate of Hampshire College and a mosaic muralist acclaimed for an eight year art installation project on Isla Mujeres, Mexico, where images of fertility goddesses from around the world and across cultures were assembled in large figurines in order to lend strength to the Maya fertility goddess, IxChel. Her work elaborates on the Neolithic period, influenced by the works of Marija Gimbutas, Riane Eisler, Monica Sjoo (The Great Cosmic Mother) and Elizabeth Barber (Women’s Work: The First 20,000 Years), who discuss periods of human history when motherhood was not a liability but something to be revered.

While visiting the MOM Art Annex, she will be constructing a fertility goddess mural from 6000 BCE. She believes women need to get in touch with origin myths in order to be strong women today. I agree!

This energy is significantly meaningful for students of all ages. Beyond contemporary celebrity icons, it is important to channel the power of the little studied leaders of a more female-friendly, woman-centric world.

Dr. Weinbaum’s contributions to MoM will serve up inspiration as well as a powerful legacy of connection to community members touring the MOM Art Annex as we build together towards our vision of a Museum of Motherhood here in St. Pete.

“Batya’s work hits on so many different levels for women, whether or not they’re mothers or feminists… And even in our current political climate, I think all women can and will find a unique resonance with this booming goddess that she’s installing at MOMMuseum. For me personally, as someone who has always struggled with balancing humility and pride, Batya’s raw, bold work inspires bravery and pride in addition to capturing the colorful joys that mothers contribute to a community.” – Dannie Snyder, Artivist & Educator 

BIO: Batya Weinbaum is a visionary artist whose works have been sold at the American Visionary Art Museum in Baltimore, the Oberlin Art Museum, and many galleries in NY, Boston, VA, OH, Hawaii and Michigan as well as Mexico. She has been active in the Association for the Study of Women in Mythology. Some of her work can be seen at goddess vibe.org. Dr. Weinbaum teaches online at Boston College in the Lynch School of Education and Human Development, and American Public University. She earned her doctorate at UMass Amherst, her Master’s at SUNY Buffalo, and her Bachelor’s at Hampshire College. She has published numerous creative and critical works, including award-winning essays, fiction and poetry. She was a cofounder of the Feminist Mother’s and Their Allies Caucus and Task Force in National Women’s Studies Association, where she petitioned for child care, and has published extensively about the impact of motherhood on grassroots political organizing in Palestine/Israel, in numerous journals and anthologies. 

Great Cosmic Mother

As Batya writes, “A museum dedicated to the study of motherhood deserves a message from the past via an image of a goddess, a fat fecundity image seated on a throne flanked by lions from Catal Huyuk now in Turkey, conjuring up shrines where goddesses were revered for giving birth.”

Ms. Weinbaum splits her time between Floyd VA and Cleveland Hts, OH, is happy to grant interviews about the project. Her art, publications, workshops and adventures can be followed on IG #divinefemimineartworkshops

More on Goddesses Brooklyn Museum [here].

Yours in Affirmations for World Peace, Feminist Equalities, and Friendship,

Martha Joy Rose, Director