While onsite at the MOM Art Annex, Batya Weinbaum will be constructing a fertility goddess mural from 6000 BCE. Her work elaborates on the Neolithic period, influenced by the works of Marija Gimbutas, Riane Eisler, Monica Sjoo (The Great Cosmic Mother) and Elizabeth Barber (Women’s Work: The First 20,000 Years), who discuss periods of human history when motherhood was not a liability but something to be revered.
In this online exhibit with the museum, Polly articulates the significance of trees within her own vision of the sacred feminine.She writes: “Trees are symbolic, metaphoric providing relationship, meaning and inspiration. Cross-culturally, trees are associated with the feminine principle, as well as with knowledge, life, cycles, time, and the connecting matrix between earth, water and sky.”
She explains, the relationship between trees and the ways in which “trees are deeply embedded in human consciousness and, physiologically, embodied within the womb of pregnant mothers.”
Her descriptions of the manner in which the placenta is “the only organ a human grows when needed – in order to support, nourish and sustain a human life.” Images of the “umbilical cord representing the trunk, and the exposed blood vessels acting as branches,” are included in these early presentations.