MOM Art Annex: Exhibition & Education Center

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12 Days of Gender Studies – The Students of MC

ABOUT THIS BLOG SERIES:

Martha Joy Rose

The holiday season is upon us. You know the song: The Twelve Days of Christmas. This year we’ve got a little twist.

I’ve been teaching “Codes of Gender” at Manhattan College since August and the students have presented a number of ideas, poems, manifestos, and in-class presentations that explain some of their thoughts and interpretations of the work we’ve been engaged with.

This seems like a pretty good opportunity to wrap up the semester and share some of the students’ inspiration. The content is entirely the students’. Some have included their names and some have remained anonymous.

The important thing is that collectively we have been engaged in deep contemplation about the world we live in. Together we’ve explored language, theory, and the media in order to better understand difference as well as to more thoughtfully navigate our families, friendships, workplace, and deeply held belief systems. Sociology teaches us to expand our perspective and to look more honestly at our social and cultural experiences, breaking down privilege, power, and of course the patriarchy. I hope you enJOY reading these as much as I’ve appreciated working with these incredible young minds.

As the song goes:

Day 2: two turtle doves

Day 3: three French hens

Day 4: four calling birds

Day 5: five gold rings

Day 6: six geese a-laying

Day 7: seven swans a-swimming

Day 8: eight maids a-milking

Day 9: nine ladies dancing

Day 10: 10 lords a-leaping

Day 11: 11 pipers piping

Day 12: 12 drummers drumming

And a partridge in a pear tree!

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By Mario Ynfante

A Manifesta for Men Allies of Feminism in 2018

  1. To create a society where women aren’t seen as inferior, and instead are seen as equal. Eliminating derogatory vocabulary and replacing it with positive terms so that instead of bringing down our women, we push them to the forefront.
  2. To disagree with cultural norms and traditions that promote the patriarchy. Fighting against the way media, specifically movies, tv shows, music, and social media depicts women.
  3. To live in solidarity with women of all races, social class, and genders. Men included must help out with the cause.
  4. To act on our analysis and grievances. Only thinking about what’s wrong and analyzing it won’t change anything. A true activist doesn’t only think about what makes them uncomfortable they act on it.
  5. To not be afraid to speak up when women are being disrespected. Eliminating “locker room” talk because once again it promotes the patriarchy we currently live in.
  6. To educate yourself on what is sexual harassment and what is considered rape. Many of the things you say or do are wrong but they are so widely accepted in this androcentric society that they are ignored.
  7. To fight against double standards. Men are seen as “the man” when they have a lot of sexual partners but on the other hand women are seen as “sluts” if they do the same.
  8. Promoting the liberation of women’s bodies. Women can do what they want with their bodies, dress how they want, and most importantly have the right to choose whether they want to reproduce or not.

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By Isabella Bozkent

A Manifesto for a Better Tomorrow :

“In every way, shape, and form, we are at war” and so we must:

  1. Ensure the public is available to proper health care and health education. Regardless of race, class, sexual orientation, or gender.
  2. Make explicit the true nature of what is in the food people eat as well as the true nature of the chemicals in skincare, makeup, and other things absorbed by our bodies.
  3. Liberate those from the social constructs that prohibit them from living prosperous stigma-free lives. In liberating others, we liberate ourselves.
  4. “Pass the Equal Rights Amendment so we can have a constitutional foundation of righteousness and equality upon which future women’s rights conventions will stand.”
  5. Develop a world built off of understanding. To promote and praise curiosity that leads to information consumption. Knowledge is the only way to combat misunderstanding, fear of the “other”, and xenophobia.
  6. Promote the need for better treatment and rights for those who have been oppressed and victimized due to systemic oppression, abusive relationships, or unjust social dynamics. This task must be spearheaded by those with the privilege bestowed upon them from birth. They must recognize their privilege and use it for good as a tool to gain equality.
  7. Emphasize that caring for the environment, is caring for ourselves, and each other. To educate others of the very real issues that surround climate change. How many of these issues will affect the poor and disadvantaged before anyone else. How in many third world countries environmental issues are blamed on women and they are punished and ostracised from communities due to the lack of education and information available to them.
  8. “Work towards a nonviolent art by dedicating ourselves to living nonviolently. In art and life, create flexible and inclusive schemes for living that encompass respect, non-hierarchy, nonviolence, and tolerance. Art making is powerful; and a nonviolent art is a duty. Bodies such as the United Nations can be useful and fair, if: it stops favoring rich nations, it represents Latin America and Africa, not just North America, Europe and Asia, it prohibits the abuse of war in self-defense, veto power is taken away from the most powerful countries, and it enforces labor and environmental laws.” – Manifesto for a Utopian Turn.

Student-made Domestic Violence Awareness Brochure By Alia Flanigan & Mario Ynfante

 Download the PDF: Domestic Violence Brochure

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By Laura O’Neil

My Manifesta

  1. I believe all members of a family who have welcomed a new member of society 
should get paid family leave for six months.
  2. I believe all feminists should be a part of the movement in future years. The voting 
block ideally should be 18- 100, you are never too old to make a difference
  3. I believe boys at a young age should be taught the dangers of toxic masculinity. And 
be encouraged to be emotional, sensitive people.
  4. To put an emphasis on young children in school getting involved in politics. Teach 
kids about different political parties and the foundational beliefs each possesses. 
Change will come from the youth.
  5. To have universal healthcare available for all classes and races, regardless of gender.
  6. To be more vigilant in investigations of sexual assault/ harassment whether it takes 
place, at a university, a workplace, or in the military.
  7. To liberate women of all ages from slut-shaming and bullying. This can be more 
harmful than physical violence to someone’s psyche.
  8. Most importantly, to pass the Equal Rights Amendment.

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By Victoria Barreto 

My Manifesta

  1. To stop sluts shaming women for the choices they make when men aren’t slut-shamed for their choices.
  2. To stop blaming the victim in rape cases based on what they might have worn or any other way of blaming.
  3. To stop making excuses for boys’ sexist behaviors during adolescence such as “boys will be boys”. We should be teaching our boys to be more fluid and to respect women and other men.
  4. To make equal pay for women.
  5. To put more women in political office.
  6. To stop telling women what to do with their bodies such as telling women they cannot have an abortion or get access to birth control.
  7. Constitutional equality.
  8. Stereotypes against women and men’s attitudes such as the Kavanaugh case as an example.
  9. Affordable care act and fixing women’s health care.
  10. 4 out of five women are sexually trafficked.
  11. To higher more women in the sciences and technology fields.
  12. Maternity leave in the USA is horrible compared to other countries. Paid family leave and childcare: Behind other countries

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Accept Everybody

By Katie Compton

Over the course of my own childhood, there were various advertisements being made on the daily, whether they be about beauty and dieting, or something so simple as shampoo, the women that were showcased in these commercials were PERFECT. There is no other way to describe it but like as such because there was not a single flaw on their body. So, you can imagine the issues that this caused for me growing up, as I believed that that was how women were meant to look, always. In the video that we were asked to watch, it goes through the “behind the scenes” of the making of the advertisement of a woman who looks beautiful from the beginning, is Photoshopped into something that she is most certainly not.

They tweak her body into making it thinner, making her eyes bigger, her nose narrower, her breasts large, but her butt small; I mean the list just goes on and on. However, in comparison to this video, the Dove campaign did one very similar. They started close up to a woman with her natural face, but then as the video goes on, it shows all of the edits being made to her. By the end of the video, similar to the one we watched for class, the image at the end reflected nothing of the woman from the beginning.

Part of the reason I think I experienced such gender fluidity growing up was that I never thought I could compete with a look such as the one that was so frequently displayed everywhere I looked. The biggest issue with it was not that they were making the woman look like another human, but the fact that we, as a society, were forced to believe that this was how she looked all along. Her appearance was completely fabricated, and the issue that is entailed is how much young girls AND boys look to these advertisements thinking that is the only way they can look to be accepted by society.

Something certainly must change in the very near future if we are going to allow ourselves to start accepting our bodies and appearances for what they are. Because the fact of the matter is, you cannot Photoshop yourself when you are walking down the street. That is when you are completely and utterly, YOU. So, we as a society, are going to have to start making some adjustments in our advertising if we are going to make it a more accepting and body positive environment for ALL.

Works Cited:

“Dove Evolution.” YouTube, YouTube, 6 Oct. 2006,           www.youtube.com/watch?v=iYhCn0jf46U

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By Christian Munoz

The name of this poem is

As time goes by, women do not forget that easy

Or

The name of this poem is

Pain, suffering, harassment can’t be wiped out. Instead, it becomes scars

Or

The name of this poem is

Women had to endure unjust behaviors!

Or

The name of this poem is

Women having to endure patriarchy system

Or

The name of this poem is

Men as the main focus, while women hoping one day be able to work

Or

The name of this poem is

How being a man it is considered a privilege within society

Or

The name of this poem is

The fight against sexism continues

Or

The name of this poem is

Thanks to Sojourner Truth, for evolving women standards and to inspire others on keeping the battle going

Or

The name of this poem is

Making the world a better place to live

Or

The name of this poem is

Asking equality among all gender, race and cultural

OR

The name of this poem is

Enough is enough!!

Anonymous

Growing up in a house full of women has allowed me to really embrace my identity as a woman especially being the daughter of two very liberal, lesbian, feminists. I have realized that I am very privileged to have two very educated mothers who have supported me throughout my education and helped me look at the world with a very open heart. I do have to admit that I grew up in some kind of a bubble and I realized that before but it really made me realize that after the conversation we had in class the other day about the high schools we attended.

Growing up in my town it was very common for kids to openly express their affection for the same sex. In fact, it was actually very normal. I don’t even think I can count on my two hands the number of friends I had growing up that were openly bisexual or gay. I can remember the first time I realized that growing up in a town that was so accepting of others was as common as I thought. It was when we had planned to take a vacation to the Outer Banks. We ended up not going due to the enactment of the bathroom law that discriminated against transgendered people. Not only did we want to support a state with such awful laws, but we also did not feel safe going to a state with such policies that stand against the LGBTQ community. After learning about Judith Butler and her theory on gender, I realize how everything in this world is essentially based on male or female. With that said I like Butlers belief that gender is not something one is, it is something one does (Butler).

Each and every single day I continue to learn how privileged I am to be a heterosexual living in a world that is based on heteronormativity. I can’t even imagine what it would be like to have a fear of using a public bathroom. Looking at the world through the lens of a symbolic interactionist, I believe that a lot of these stereotypes, inequalities, and injustices are all due to the interactions that people have with society and they are all socially constructed concepts that are easily changeable.

Unlock

By Tiffany Recio 

Who am I?

Can you see me?

Do my curves seduce you?

Does my skin submit me?

Does my bank account show my value?

Does my sexuality make me normal?

Does my faith startle you?

Does my health show my talents?

Does my family intimidate you?

Does my intelligence shock you?

Does my accent alarm you?

Should I like pink?

Should I be silent?

Should I abandon faith?

Should I cover up?

Should I fail math?

Should I lose my accent?

Should I hide my home?

Should I be normal?

No. Nothing is Normal.

You can’t dominate me.

My skin is mine to conquer.

My value isn’t so easy to label.

You can’t shake my faith.

My abilities aren’t my title.

My family is my foundation.

Who cares for your disillusions?

Heteronormativity is archaic.

Sexism is a social disease.

Racism is ignorant.

Genderism is small-minded.

Ableism is cruel. 
Look at yourself, first.

Long Way To Go

By Laura O’Neill

The plight of women has been a long one.

Giving life to men who have no empathy ain’t fun.

The first waves of feminism began in 1820.

But it’s been two hundred years, and we still can’t get equal money.

All women have faced the struggle.

But black women have faced it double.

Sojourner Truth had to plead with her white sisters, to see her as a woman.

Looking back, our history can seem quite inhuman.

The battle is far from won when it comes to binary options
It’s time to throw away all your presumptions.

Radical feminism may seem intense.

But when a man gets paid a $1, Latina women earn just 54 cents.

Heteronormativity can keep people from living their best life.

Most women have big dreams, more than just a wife.

Cis-humans have to make being an ally a priority.

And eventually love and acceptance will be the majority.

What are the consequences of gender norms?

Olivia Warnock writes – Gender norms are perceived behaviors and personality traits surrounding one’s sex. When one acts outside of gender norms within a social setting, others can act out passive aggressiveness or even open hostility. Examples of common gender norms for men are “strong”, “assertive”, and “emotionless”. Common gender norms for women are “sensitive”, “irrational”, and “passive”. People can also assert something called social control which is when one attempts to change the course of the current situation by exerting their own expectations. This includes giving someone a dirty look, replying with a negative remark, earning less money from a job, or losing a promotion. Other discriminatory actions can include excluding individuals or groups from everyday social activities.

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Growing up in a Household Full of Boys

By Melanie Alberto
People always ask me
“What is it like growing up in a household with all boys?”
And I, of course, knew the answer to that.
Growing up in a household full of boys was wild.
We played sports inside the house
Wrestled with each other till we cried
And competed for literally everything
I was the only and youngest girl

But that did not stop me from being one of the boys
I never wore dresses,
Rarely played with dolls and dollhouses
Makeup was nonexistent to me.
I behaved like a boy because I grew up around boys
My father let me dress however I wanted to,
So naturally, I dressed in boy shorts, sneakers, and baggy shirts
It wasn’t until I was in Middle School that I started to see the difference.
Girls my age wore pretty floral dresses,
With flats instead of sneakers and hairpins in their hair
My brothers called them “girly”
And I thought to myself
“Am I not a girl because I’m not girly?”
I felt different because I looked different and acted different
In High School was when I changed
I still played sports and hung around with my brothers
But I dressed differently and
My brothers claimed I acted differently
Which now that I think about it I guess that I did.
It wasn’t that I changed who I was completely
I just welcomed and embraced my “girly” side
I still dressed in baggy clothes whenever I wanted to
Because clothes do not define my gender
Only I can define my gender
No one can.

I Am Black, Black as Night

Victoria Barreto

There, I was black as can be.

Aren’t I a woman too?

Whom should dance and sing,

Like the pale lady’s do?

No, I am black, and have no rights.

I am black, black as night.

I am black I see no light.

Mark of Cain that’s what I have,

My skin gives no privilege.

Instead it takes and takes

For I wish to scream,

“you have no power over me”

But I have to wait for the waves to come.

I have to wait for the first wave,

So, the pale ladies can get the vote,

Then I wait for the second,

So, they can start to work,

My back has scars from the work,

But the pale ladies need equality among pale men.

Then the third wave comes, this is my time.

I only had to wait hundreds of years to catch this wave.

It only took hundreds of years to free my bonds,

It only took blood sweat and tears for them to see,

See my color as good and something to save.

To see my experiences as valid,

To see my children as being worthy of education,

Not immigration.

It only took hundreds of years,

But its because I am black, black as night

And yet still I have no right.

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The Journal of Mother Studies 3rd Edition 2018, Residencies, and More

JOURMS: The Journal of Mother Studies (JourMS) 2018 is currently published online. Special thanks to Candace Lecco for her work as editor and to all our authors and editorial volunteers. Find out more here: LINK

 

 

 

 

 

 

 

 

 

 

 

 

 

RESIDENCIES AT MOM ART ANNEX 2019: M. Joy Rose has returned to Manhattan College or the spring 2019 semester. We anticipate accepting new residencies at the MOM Art Annex in St. Pete, Florida beginning August 2019-December 2019.

Meanwhile, students of all ages, who are interested in accessing course materials for Sociology of Family curriculum can watch for posts on our teaching website.

M. Joy Rose back to teaching at Manhattan College

 

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M. Joy Rose to Speak at London Event

JUNE 3- 9:30am-5pm: Royal College of Arts.

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Spirited Woman Residency At M.O.M – Introducing Dawn Parker and Nancy Mills

Spirited Woman through The Spirited Woman Foundation has created a program with the Museum of Motherhood to honor one courageous unstoppable mother on the next chapter of her journey. The mission of the Spirited Woman Foundation is to help heal and support women through actions of empowerment. The Spirited Woman Residency offers one spirited mom a chance to speak her voice, walk her path, gain time away for reflection and to flourish and thrive through a guided, intensive experience – all within a sacred space, in a creative environment, with the objective of fulfilling her personal dream-goals. Every woman has the right to be heard. Every woman has a voice. Every woman must help another.

THE SISTERHOOD OF THE SACRED SCARVES

– Nancy Mills, Founder of the Spirited Woman and The Sisterhood of the Sacred Scarves – Wearing AWAKENED ENERGY –

A large portion of the Spirited Woman Foundation money continues to be raised through the Sisterhood of the Sacred Scarves program. It is by purchasing these “Spirited Woman Prayer Scarves” that a portion of each scarf’s proceeds is donated by Spirited Woman into the Spirited Woman Foundation.

Purchase a scarf. Assorted colors and intentions! (Click photo)

The Sisterhood of the Sacred Scarves honors women through scarf and ceremony. The Spirited Woman Prayer Scarf is a symbol of spirit, empowerment, and beauty. To date, there have been 18 scarves each with a different theme. 1000s have been sold worldwide, connecting women together energetically. The scarves themselves have been blessed – each carries sacred energy.

Spiritually and socially conscious sisters proudly wear the prayer scarves as a symbol of support at gatherings, marches, retreats and in spirit around the world.

The latest Spirited Woman Prayer Scarf is AWAKENED ENERGY.

The prayer scarves are a Mother’s Day gift for the entire year – filled with meaning – a gift both can share and help others at the same time. By wearing the scarf you will be making a statement of sacred love – together. What a beautiful message to give our daughters, our sisters, our friends, and our divine sacred selves.

PURCHASE A SCARF / SUPPORT SPIRITED WOMAN [LINK]

ABOUT DAWN PARKER – Recipient of Spirited Woman Residency Scholarship

Dawn Louise Parker

Dawn first visited the new Museum Art Annex, which is the personal live/work space of M. Joy Rose in February 2017. There was an instant connection between Dawn’s bright and curious personality and the spirit of the Museum, which had recently relocated to St. Petersburg, Florida from New York. Museum founder, M. Joy Rose and Dawn brainstormed on ways for Dawn to introduce her work at the upcoming annual MOM Conference. That experience quickly evolved into dual participation at the AEHK Art Tour in which Ms. Rose presented new art-works and Ms. Parker dialogued with interested attendees.

“Dawn impressed me from the moment I met her,” says Rose.” I could perceive that she was thinking deeply about her life and was committed to the next stage of her journey, namely that she had dedicated much of her life to raising her child (who is now a successful filmmaker living in California), and that she was ready to come into her own power. She was very focused on the next steps that would help activate her four years of writing, spiritual evolution, and prepare her to successfully launch her new career as an author and inspirational teacher.”

Ms. Parker is a writer, intuitive problem solver, empathetic public relations expert, thought provoker, outdoor beachy sun lover, wildish nature nurturer, and a fiercely independent self-starter. Her current writing project, “Forty-Seven Days of Love,” journals her soulful search to find self-love as a way to heal emotional wounds and heartbreak, anxiety, low self-esteem, negative self-image and relational dysfunction.

Speaking at The Academic MOM Conference in St. Petersburg, Florida inspired Dawn to enroll in the SHFT Catalyst Coaching Intensive to become a certified life coach. She is currently a contributing author to their blog on SHFT.us.

Dawn wants everyone to know how blessed she feels to receive the Spirited Woman Residency Scholarship! (thespiritedwoman.com). “This gift,” says Dawn, “will allow me to focus on completing my book while remembering my very spiritual connection to not only my life but the lives of women everywhere. I plan on wearing my scarf while I write and on making it part of my daily ritual. I also plan on conducting one workshop focused on women’s issues here at M.O.M over the summer.”

WHY DAWN IS A SPIRITUAL WARRIOR

“I am a Spirited Woman because my story is a story of transformation. I have not sugar-coated the raw emotion, love, heartache, and pain that were part of this ongoing healing. I want to share my evolution towards a purer heart, focused on compassion, while seeking forgiveness. I celebrate the glimpses of triumphant peace that I am always arriving at. Telling my story comes directly through an intimate connection with divine love, which is the source of light that runs through every human heart. I know we are not meant to do this life alone. I want to share the knowledge that each of us matters, that our hearts are precious, that each person’s story is important, and that feelings are valid. I want each and every one of us to know that we are capable of living in the light and that we are meant to shine.” ~ DLP INSTAGRAM / FACEBOOK

THE MUSEUM OF MOTHERHOOD

The Museum of Motherhood (M.O.M.) is an exhibition and education center dedicated to the exploration of family – past, present, and future with a focus on women, mothers, and families.

M.O.M.’s mission is to start great conversations, feature thought-provoking exhibits, and share information and education about women, mothers, and families.

The Museum of Motherhood is made possible by the Motherhood Foundation Inc. – is a certified nonprofit 501c3 that creates, produces and presents artistic, educational and cultural content that studies and supports mothers and their activities. MFI disseminates information about mothers for broad public consumption while paying tribute to mothers (Moms) free of age, race and socio-economic barriers. MFI cares about and acts upon the status of women while celebrating their courage, fortitude, and ingenuity, and while addressing important issues, creating meaningful content, and providing compelling community experiences

SPIRITED WOMAN

Spirited Woman (www.thespiritedwoman.com) is a leading global women’s empowerment community founded close to 20 years ago by Nancy Mills. It is known for celebrating the every woman visionary, who is inspiring and changing the world one Spirited Woman Step at a time.

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OXYTOCIN – Birthing the world: A Symposium On M/otherhood [LINK]

EVENT INFORMATION
Royal College of Art, London – 3rd June 2017
Oxytocin is a one-day symposium and programme of performances about mothers, mother art, maternal health & wellbeing.Supported by LADA and under the umbrella of theProCreate Project, the event is curated together with Dyana Gravina form the Procreate Project, Martha Joy Rose from the Museum of Motherhood (USA), Laura Godfrey-Isaacs, artist, midwife and founder of Home Live Art, Sara Paiola, researcher in Law and Human Rights from the School of Law, Birkbeck University and Sarah Dufayard, artist and producer.Oxytocin is an international research and community event focused on mothers and carers. The panels will analyse current critical practices pushing for new strategies aimed at increasing the visibility and representation of women and mothers in society.The symposium will highlight new ideas whereby infrastructures and creative programs can support and facilitate healthy families thus challenging attitudes towards motherhood, female sexuality, birth, depression and human rights. Oxytocin will encourage conversation and exchange between medical, academic and art sectors with the aim to facilitate collaborations between them and increase awareness on women’s rights, mental, emotional and physical needs during pregnancy, labour and postnatal adaptation.The event opens a community discussion aimed at spotlighting the connection between much-needed support for mothers and new approaches that are designed to encourage mothers’ and childrens’ optimum health, professional and artistic development, ongoing education, and continuing connection.The event will consist of panel discussions lead by three sectors (Artists & Academy, Midwifery, Mental Health and human rights) fused with a day programme of performances, installations and live art.
Contact:
Email info@procreateproject.com
Website:  https://www.oxytocinbirthingtheworld.co.uk 

Special Panel: Saturday, June 3rd 10:30AM Royal College of Art

Making Mother Studies Matter: Academics Advocate Fiercely for Art, Maternal Health, and a Lasting Legacy
The self-identified Mother Movement started roughly 20 years ago. In its early years, American bands began singing about motherhood while Canadian scholars began writing about it. The year was 1997. Roughly eight years before that, a few scholars published books examining the subject of motherhood. Sarah Ruddick wrote Maternal Thinking. Barbara Katz Rothman wrote Recreating Motherhood, and these Western works were preceded by Adrienne Rich, Of Woman Born. The texts examined a society based on patriarchal constructions that constrained and oppressed women who were mothers, as well as their offspring.
It has been said that in order to change the future we must understand the past. Likewise, by studying the rising wave of mother-identity-art-making and scholarly texts, this panel aims to explore the legitimacy of mother studies, advocate for it to be levied within academic institutions, and share some of the ways current academics and artists are championing this legacy for future generations.

Martha Joy Rose: Martha Joy Rose is a musician, concert promoter, museum founder, and fine artist. Her work has been published across blogs and academic journals and she has performed with her band Housewives On Prozac on Good Morning America, CNN, and the Oakland Art & Soul Festival to name a few. She is the NOW-NYC recipient of the Susan B. Anthony Award, her Mamapalooza Festival Series has been recognized as “Best in Girl-Power Events” in New York, and her music has appeared on the Billboard Top 100 Dance Charts. She founded the Museum of Motherhood in 2003, created the Motherhood Foundation 501c3 non-profit in 2005, saw it flourish in NYC from 2011-2014, and then pop up at several academic institutions. In 2015, she received a Masters in Mother Studies from CUNY, The Graduate Center of New York. This is believed to be the first individualized MALS Degree in this specialty. She then taught Sociology of Family at Manhattan College before moving to her current live/work space in Kenwood St. Petersburg, Florida, which is devoted to the exploration of mother-labor as performance art. She is a contributing author the The Encyclopedia of Motherhood (Sage Press, 2011), The Twentieth Century Motherhood Movement (Demeter Press, 2011), New Maternalisms (Demeter Press, 2015), and the forthcoming book, Music of Motherhood (Demeter Press, 2017).

Sarah Black -In 2016 a presentation by Sarah Black called “Mother As Curator” at the Annual Academic M.O.M. Conference described her home environment as a video, art, installation, and inter-generational family experience. Her treatise declared that as an artist, she “blurs the boundaries of art, and the personal, family and audience, narrative and auto-biographic practices.” She states that as a “performance maker, she explores the home as both a physical and a metaphysical structure to house the work.” In this way, spaces are informed and co-created by those who participate in its interiors, but similarly, its interiors also hold a template for studying the things it contains from a distance.

Paula Chambers – Paula Chambers has exhibited widely, with a back catalogue of solo shows including most recently “Transcendental Housework” at Stockport Art Gallery, and “Domestic Pirate” at Show Space, London. Paula studied under Griselda Pollock at the University of Leeds for the MA Feminist History, Theory, Criticism and Practice in the Visual Arts. Paula is Principal Lecturer (Sculpture) on BA Fine Art, at Leeds College of Art. She is undertaking a practice‐led PhD at Middlesex University.

Rosiland Howell – Rosalind Howell is a Registered Dance Movement Psychotherapist with the Association of Dance Movement Psychotherapy UK (ADMPUK) with a particular interest in Maternal Subjectivity and Perinatal Mental Health. Her recent publications include: Writing Maternal Ambivalence (and how we love to hate it). MaMSIE.org/blog 2016 A Chorus, a Gaggle, or a Consternation of Mothers. Mommuseum.org 2015 The Loneliness of Parenting Decisions. Juno Parenting Magazine 2014, Love and Hate in Childbirth. MaMSIE.org/blog 2015.

Roberta Garrett – Roberta Garrett is a senior lecturer in the School of Arts and Digital Industries at the University of East London. She has published widely on gender representation in film and literature. She is the author of Postmodern Chick-Flicks: The Return of the Woman’s Film (Palgrave, 2007). Other publications include ‘Female Fantasy and Post-Feminist Politics in Nora Ephron’s Screenplays’ Journal of Screenwriting, 2011, and the forthcoming ‘Gendering the Post 9/11 Movie: Love, Loss and Regeneration in Julie and Julia’, in Mary Harrod (ed.) Women and Genre (University of Illinois Press, 2016). She is currently working on popular representations of the neo-liberal family in literature and film, and has published: ‘Novels and Children: “Mum’s Lit” and the Public Mother/Author’, Journal of Maternal Studies, 2013; and ‘We Need to Talk About Kevin: The Monstrous Child as Feminist and Anti-American Allegory’, in Peter Childs, Sebastian Groes and Claire Colbrook (eds.) Women’s Writing Post 9/11 (Lexington Press, 2014). Her essay, ‘ Cavorting in the Ruins? Truth, Myth and Resistance in Contemporary Mumoirs’, appears in Roberta Garrett, Tracey Jensen and Angela Voela (eds.) We Need to Talk about Family: Essays on Neoliberalism, The Family and Popular Culture (Cambridge Scholars, forthcoming 2016). She is also writing a monograph entitled Writing the Modern Family: Neoliberalism and Representation of Parenting in Contemporary Novels and Memoirs.

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Disruptions, Extrusions, and Other Chaotic Consequences by M. Joy Rose

mama-22PRODUCTION SITE

MOTHERING THE WORLD

This project started after I moved to the Artist Enclave of Historic Kenwood.

I’ve spent the better part of the last ten years championing other women’s work. Prior to that, I focused musically on “performance” art. During years of songwriting and concert-making ideas are projected outward in a noisy fashion. The work I’m engaging in now is very intimate and is more of a reflection than a projection.

I am interested in exploring my body is a site of production and reproduction. It is (and has been) a site of concept making and conception-formation. Through the years it has belonged to many people, including children, partners, governments, societies, country, state, church, and home. Some of these places are unique, and some are not. However, this basic premise is clear – my body has been a site of production and “making.”

As I began editing my thoughts for this project, I realized that I never said my body belongs to me. So, more than ever this fact becomes a justification for this work, which in so many ways, mirrors what so many women have been taught to feel –namely, that women’s bodies belong to others more than they belong to themselves. Now, in the era of the new Trump administration, this may be true more than ever. It is especially important to share the truth of what it is to bring forth another human, to nurture them, and to make my body a site of visible production and labor. I want to disrupt the “nice,” “perfectly groomed,” woman-mother-persona. Here she is. Stripped down: naked, bloody, imperfect, and old but still a work of art.

Martha Joy Rose, January 29, 2017

marthajoyrose_body_art

Joy Rose is part of the Artist Enclave of Historic Kenwood. Sheis a musician, concert promoter, museum founder, and fine artist. Her work has been published across blogs and academic journals and she has performed with her band Housewives On Prozac on Good Morning America, CNN, and the Oakland Art & Soul Festival to name a few. She is the NOW-NYC recipient of the Susan B. Anthony Award, her Mamapalooza Festival Series has been recognized as “Best in Girl-Power Events” in New York, and her music has appeared on the Billboard Top 100 Dance Charts. She founded the Museum of Motherhood in 2003, created the Motherhood Foundation 501c3 non-profit in 2005, saw it flourish in NYC from 2011-2014, and then pop up at several academic institutions.

Art Show in March: Rose’s current live/work space in Kenwood St. Petersburg, Florida is devoted to the exploration of mother-labor as performance art.The upcoming date for the next Kenwood Artist Tour is March 18th and 19th, 2017 noon-5pm. See map and find out more and to tour the studios of participating St. Pete, Fla craftspeople: [LINK]

The Disruptions, Extrusions, and Other Chaotic Consequences exhibit begins with an enhanced chest of drawers. Says Rose, “we are always trying to put everything in a box….Make it neat. Or, hide things away. Here is your chance to pick a secret or leave a secret behind.” There are also photographs of body parts, paintings, and mixed media with emerging dolls. You can visit the MOM Art Annex during the Kenwood Artist Tour.

Poem for Canvas Squat

I went out to the studio and sat on a canvas

I don’t know why except that everything that has sprung from my loins is fantastic.

Four amazing kids- now adults: Brody, Blaze, Ali, Zena.

Before that, lots of painful blood. Since them – ART!

If art is like giving birth, then let the creations be fantastic too. This is my pop squat.

Everything truly great has come from between my legs. Occasionally my throat, but, mostly from between my legs…. What have you got down there? Show the world.

https://m.soundcloud.com/electric-mommyland-1/electric-pussy

Sources:MoMA:https://www.moma.org/learn/moma_learning/themes/investigating-identity/the-body-in-art

The human body is central to how we understand facets of identity such as gender, sexuality, race, and ethnicity. People alter their bodies, hair, and clothing to align with or rebel against social conventions and to express messages to others around them. Many artists explore gender through representations of the body and by using their own bodies in their creative process.

The 1960s and 1970s were a time of social upheavals in the United States and Europe, significant among them the fight for equality for women with regards to sexuality, reproductive rights, the family, and the workplace. Artists and art historians began to investigate how images in Western art and the media—more often than not produced by men—perpetuated idealizations of the female form. Feminist artists reclaimed the female body and depicted it through a variety of lenses.

Around this time, the body took on another important role as a medium with which artists created their work. In performance art, a term coined in the early 1960s as the genre was starting to take hold, the actions an artist performs are central to the work of art. For many artists, using their bodies in performances became a way to both claim control over their own bodies and to question issues of gender.

See also: