MOM Art Annex: Exhibition & Education Center

By

The Journal of Mother Studies 3rd Edition 2018, Residencies, and More

JOURMS: The Journal of Mother Studies (JourMS) 2018 is currently published online. Special thanks to Candace Lecco for her work as editor and to all our authors and editorial volunteers. Find out more here: LINK

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

RESIDENCIES AT MOM ART ANNEX 2018: M. Joy Rose has returned to Manhattan College or the 2018/2019 semesters. Therefore, residencies at the MOM Art Annex in St. Pete, Florida are currently paused. Please check back for conference news, updates, and new opportunities which will be posted here. Meanwhile, students of all ages, who are interested in accessing course materials for Codes of Gender curriculum can watch for weekly posts beginning in September on our teaching website.

M. Joy Rose back to teaching at Manhattan College

 

By

M. Joy Rose to Speak at London Event

JUNE 3- 9:30am-5pm: Royal College of Arts.

Read More

By

Spirited Woman Residency At M.O.M – Introducing Dawn Parker and Nancy Mills

Spirited Woman through The Spirited Woman Foundation has created a program with the Museum of Motherhood to honor one courageous unstoppable mother on the next chapter of her journey. The mission of the Spirited Woman Foundation is to help heal and support women through actions of empowerment. The Spirited Woman Residency offers one spirited mom a chance to speak her voice, walk her path, gain time away for reflection and to flourish and thrive through a guided, intensive experience – all within a sacred space, in a creative environment, with the objective of fulfilling her personal dream-goals. Every woman has the right to be heard. Every woman has a voice. Every woman must help another.

THE SISTERHOOD OF THE SACRED SCARVES

– Nancy Mills, Founder of the Spirited Woman and The Sisterhood of the Sacred Scarves – Wearing AWAKENED ENERGY –

A large portion of the Spirited Woman Foundation money continues to be raised through the Sisterhood of the Sacred Scarves program. It is by purchasing these “Spirited Woman Prayer Scarves” that a portion of each scarf’s proceeds is donated by Spirited Woman into the Spirited Woman Foundation.

Purchase a scarf. Assorted colors and intentions! (Click photo)

The Sisterhood of the Sacred Scarves honors women through scarf and ceremony. The Spirited Woman Prayer Scarf is a symbol of spirit, empowerment, and beauty. To date, there have been 18 scarves each with a different theme. 1000s have been sold worldwide, connecting women together energetically. The scarves themselves have been blessed – each carries sacred energy.

Spiritually and socially conscious sisters proudly wear the prayer scarves as a symbol of support at gatherings, marches, retreats and in spirit around the world.

The latest Spirited Woman Prayer Scarf is AWAKENED ENERGY.

The prayer scarves are a Mother’s Day gift for the entire year – filled with meaning – a gift both can share and help others at the same time. By wearing the scarf you will be making a statement of sacred love – together. What a beautiful message to give our daughters, our sisters, our friends, and our divine sacred selves.

PURCHASE A SCARF / SUPPORT SPIRITED WOMAN [LINK]

ABOUT DAWN PARKER – Recipient of Spirited Woman Residency Scholarship

Dawn Louise Parker

Dawn first visited the new Museum Art Annex, which is the personal live/work space of M. Joy Rose in February 2017. There was an instant connection between Dawn’s bright and curious personality and the spirit of the Museum, which had recently relocated to St. Petersburg, Florida from New York. Museum founder, M. Joy Rose and Dawn brainstormed on ways for Dawn to introduce her work at the upcoming annual MOM Conference. That experience quickly evolved into dual participation at the AEHK Art Tour in which Ms. Rose presented new art-works and Ms. Parker dialogued with interested attendees.

“Dawn impressed me from the moment I met her,” says Rose.” I could perceive that she was thinking deeply about her life and was committed to the next stage of her journey, namely that she had dedicated much of her life to raising her child (who is now a successful filmmaker living in California), and that she was ready to come into her own power. She was very focused on the next steps that would help activate her four years of writing, spiritual evolution, and prepare her to successfully launch her new career as an author and inspirational teacher.”

Ms. Parker is a writer, intuitive problem solver, empathetic public relations expert, thought provoker, outdoor beachy sun lover, wildish nature nurturer, and a fiercely independent self-starter. Her current writing project, “Forty-Seven Days of Love,” journals her soulful search to find self-love as a way to heal emotional wounds and heartbreak, anxiety, low self-esteem, negative self-image and relational dysfunction.

Speaking at The Academic MOM Conference in St. Petersburg, Florida inspired Dawn to enroll in the SHFT Catalyst Coaching Intensive to become a certified life coach. She is currently a contributing author to their blog on SHFT.us.

Dawn wants everyone to know how blessed she feels to receive the Spirited Woman Residency Scholarship! (thespiritedwoman.com). “This gift,” says Dawn, “will allow me to focus on completing my book while remembering my very spiritual connection to not only my life but the lives of women everywhere. I plan on wearing my scarf while I write and on making it part of my daily ritual. I also plan on conducting one workshop focused on women’s issues here at M.O.M over the summer.”

WHY DAWN IS A SPIRITUAL WARRIOR

“I am a Spirited Woman because my story is a story of transformation. I have not sugar-coated the raw emotion, love, heartache, and pain that were part of this ongoing healing. I want to share my evolution towards a purer heart, focused on compassion, while seeking forgiveness. I celebrate the glimpses of triumphant peace that I am always arriving at. Telling my story comes directly through an intimate connection with divine love, which is the source of light that runs through every human heart. I know we are not meant to do this life alone. I want to share the knowledge that each of us matters, that our hearts are precious, that each person’s story is important, and that feelings are valid. I want each and every one of us to know that we are capable of living in the light and that we are meant to shine.” ~ DLP INSTAGRAM / FACEBOOK

THE MUSEUM OF MOTHERHOOD

The Museum of Motherhood (M.O.M.) is an exhibition and education center dedicated to the exploration of family – past, present, and future with a focus on women, mothers, and families.

M.O.M.’s mission is to start great conversations, feature thought-provoking exhibits, and share information and education about women, mothers, and families.

The Museum of Motherhood is made possible by the Motherhood Foundation Inc. – is a certified nonprofit 501c3 that creates, produces and presents artistic, educational and cultural content that studies and supports mothers and their activities. MFI disseminates information about mothers for broad public consumption while paying tribute to mothers (Moms) free of age, race and socio-economic barriers. MFI cares about and acts upon the status of women while celebrating their courage, fortitude, and ingenuity, and while addressing important issues, creating meaningful content, and providing compelling community experiences

SPIRITED WOMAN

Spirited Woman (www.thespiritedwoman.com) is a leading global women’s empowerment community founded close to 20 years ago by Nancy Mills. It is known for celebrating the every woman visionary, who is inspiring and changing the world one Spirited Woman Step at a time.

By

OXYTOCIN – Birthing the world: A Symposium On M/otherhood [LINK]

EVENT INFORMATION
Royal College of Art, London – 3rd June 2017
Oxytocin is a one-day symposium and programme of performances about mothers, mother art, maternal health & wellbeing.Supported by LADA and under the umbrella of theProCreate Project, the event is curated together with Dyana Gravina form the Procreate Project, Martha Joy Rose from the Museum of Motherhood (USA), Laura Godfrey-Isaacs, artist, midwife and founder of Home Live Art, Sara Paiola, researcher in Law and Human Rights from the School of Law, Birkbeck University and Sarah Dufayard, artist and producer.Oxytocin is an international research and community event focused on mothers and carers. The panels will analyse current critical practices pushing for new strategies aimed at increasing the visibility and representation of women and mothers in society.The symposium will highlight new ideas whereby infrastructures and creative programs can support and facilitate healthy families thus challenging attitudes towards motherhood, female sexuality, birth, depression and human rights. Oxytocin will encourage conversation and exchange between medical, academic and art sectors with the aim to facilitate collaborations between them and increase awareness on women’s rights, mental, emotional and physical needs during pregnancy, labour and postnatal adaptation.The event opens a community discussion aimed at spotlighting the connection between much-needed support for mothers and new approaches that are designed to encourage mothers’ and childrens’ optimum health, professional and artistic development, ongoing education, and continuing connection.The event will consist of panel discussions lead by three sectors (Artists & Academy, Midwifery, Mental Health and human rights) fused with a day programme of performances, installations and live art.
Contact:
Email info@procreateproject.com
Website:  https://www.oxytocinbirthingtheworld.co.uk 

Special Panel: Saturday, June 3rd 10:30AM Royal College of Art

Making Mother Studies Matter: Academics Advocate Fiercely for Art, Maternal Health, and a Lasting Legacy
The self-identified Mother Movement started roughly 20 years ago. In its early years, American bands began singing about motherhood while Canadian scholars began writing about it. The year was 1997. Roughly eight years before that, a few scholars published books examining the subject of motherhood. Sarah Ruddick wrote Maternal Thinking. Barbara Katz Rothman wrote Recreating Motherhood, and these Western works were preceded by Adrienne Rich, Of Woman Born. The texts examined a society based on patriarchal constructions that constrained and oppressed women who were mothers, as well as their offspring.
It has been said that in order to change the future we must understand the past. Likewise, by studying the rising wave of mother-identity-art-making and scholarly texts, this panel aims to explore the legitimacy of mother studies, advocate for it to be levied within academic institutions, and share some of the ways current academics and artists are championing this legacy for future generations.

Martha Joy Rose: Martha Joy Rose is a musician, concert promoter, museum founder, and fine artist. Her work has been published across blogs and academic journals and she has performed with her band Housewives On Prozac on Good Morning America, CNN, and the Oakland Art & Soul Festival to name a few. She is the NOW-NYC recipient of the Susan B. Anthony Award, her Mamapalooza Festival Series has been recognized as “Best in Girl-Power Events” in New York, and her music has appeared on the Billboard Top 100 Dance Charts. She founded the Museum of Motherhood in 2003, created the Motherhood Foundation 501c3 non-profit in 2005, saw it flourish in NYC from 2011-2014, and then pop up at several academic institutions. In 2015, she received a Masters in Mother Studies from CUNY, The Graduate Center of New York. This is believed to be the first individualized MALS Degree in this specialty. She then taught Sociology of Family at Manhattan College before moving to her current live/work space in Kenwood St. Petersburg, Florida, which is devoted to the exploration of mother-labor as performance art. She is a contributing author the The Encyclopedia of Motherhood (Sage Press, 2011), The Twentieth Century Motherhood Movement (Demeter Press, 2011), New Maternalisms (Demeter Press, 2015), and the forthcoming book, Music of Motherhood (Demeter Press, 2017).

Sarah Black -In 2016 a presentation by Sarah Black called “Mother As Curator” at the Annual Academic M.O.M. Conference described her home environment as a video, art, installation, and inter-generational family experience. Her treatise declared that as an artist, she “blurs the boundaries of art, and the personal, family and audience, narrative and auto-biographic practices.” She states that as a “performance maker, she explores the home as both a physical and a metaphysical structure to house the work.” In this way, spaces are informed and co-created by those who participate in its interiors, but similarly, its interiors also hold a template for studying the things it contains from a distance.

Paula Chambers – Paula Chambers has exhibited widely, with a back catalogue of solo shows including most recently “Transcendental Housework” at Stockport Art Gallery, and “Domestic Pirate” at Show Space, London. Paula studied under Griselda Pollock at the University of Leeds for the MA Feminist History, Theory, Criticism and Practice in the Visual Arts. Paula is Principal Lecturer (Sculpture) on BA Fine Art, at Leeds College of Art. She is undertaking a practice‐led PhD at Middlesex University.

Rosiland Howell – Rosalind Howell is a Registered Dance Movement Psychotherapist with the Association of Dance Movement Psychotherapy UK (ADMPUK) with a particular interest in Maternal Subjectivity and Perinatal Mental Health. Her recent publications include: Writing Maternal Ambivalence (and how we love to hate it). MaMSIE.org/blog 2016 A Chorus, a Gaggle, or a Consternation of Mothers. Mommuseum.org 2015 The Loneliness of Parenting Decisions. Juno Parenting Magazine 2014, Love and Hate in Childbirth. MaMSIE.org/blog 2015.

Roberta Garrett – Roberta Garrett is a senior lecturer in the School of Arts and Digital Industries at the University of East London. She has published widely on gender representation in film and literature. She is the author of Postmodern Chick-Flicks: The Return of the Woman’s Film (Palgrave, 2007). Other publications include ‘Female Fantasy and Post-Feminist Politics in Nora Ephron’s Screenplays’ Journal of Screenwriting, 2011, and the forthcoming ‘Gendering the Post 9/11 Movie: Love, Loss and Regeneration in Julie and Julia’, in Mary Harrod (ed.) Women and Genre (University of Illinois Press, 2016). She is currently working on popular representations of the neo-liberal family in literature and film, and has published: ‘Novels and Children: “Mum’s Lit” and the Public Mother/Author’, Journal of Maternal Studies, 2013; and ‘We Need to Talk About Kevin: The Monstrous Child as Feminist and Anti-American Allegory’, in Peter Childs, Sebastian Groes and Claire Colbrook (eds.) Women’s Writing Post 9/11 (Lexington Press, 2014). Her essay, ‘ Cavorting in the Ruins? Truth, Myth and Resistance in Contemporary Mumoirs’, appears in Roberta Garrett, Tracey Jensen and Angela Voela (eds.) We Need to Talk about Family: Essays on Neoliberalism, The Family and Popular Culture (Cambridge Scholars, forthcoming 2016). She is also writing a monograph entitled Writing the Modern Family: Neoliberalism and Representation of Parenting in Contemporary Novels and Memoirs.

By

Disruptions, Extrusions, and Other Chaotic Consequences by M. Joy Rose

mama-22PRODUCTION SITE

MOTHERING THE WORLD

This project started after I moved to the Artist Enclave of Historic Kenwood.

I’ve spent the better part of the last ten years championing other women’s work. Prior to that, I focused musically on “performance” art. During years of songwriting and concert-making ideas are projected outward in a noisy fashion. The work I’m engaging in now is very intimate and is more of a reflection than a projection.

I am interested in exploring my body is a site of production and reproduction. It is (and has been) a site of concept making and conception-formation. Through the years it has belonged to many people, including children, partners, governments, societies, country, state, church, and home. Some of these places are unique, and some are not. However, this basic premise is clear – my body has been a site of production and “making.”

As I began editing my thoughts for this project, I realized that I never said my body belongs to me. So, more than ever this fact becomes a justification for this work, which in so many ways, mirrors what so many women have been taught to feel –namely, that women’s bodies belong to others more than they belong to themselves. Now, in the era of the new Trump administration, this may be true more than ever. It is especially important to share the truth of what it is to bring forth another human, to nurture them, and to make my body a site of visible production and labor. I want to disrupt the “nice,” “perfectly groomed,” woman-mother-persona. Here she is. Stripped down: naked, bloody, imperfect, and old but still a work of art.

Martha Joy Rose, January 29, 2017

marthajoyrose_body_art

Joy Rose is part of the Artist Enclave of Historic Kenwood. Sheis a musician, concert promoter, museum founder, and fine artist. Her work has been published across blogs and academic journals and she has performed with her band Housewives On Prozac on Good Morning America, CNN, and the Oakland Art & Soul Festival to name a few. She is the NOW-NYC recipient of the Susan B. Anthony Award, her Mamapalooza Festival Series has been recognized as “Best in Girl-Power Events” in New York, and her music has appeared on the Billboard Top 100 Dance Charts. She founded the Museum of Motherhood in 2003, created the Motherhood Foundation 501c3 non-profit in 2005, saw it flourish in NYC from 2011-2014, and then pop up at several academic institutions.

Art Show in March: Rose’s current live/work space in Kenwood St. Petersburg, Florida is devoted to the exploration of mother-labor as performance art.The upcoming date for the next Kenwood Artist Tour is March 18th and 19th, 2017 noon-5pm. See map and find out more and to tour the studios of participating St. Pete, Fla craftspeople: [LINK]

The Disruptions, Extrusions, and Other Chaotic Consequences exhibit begins with an enhanced chest of drawers. Says Rose, “we are always trying to put everything in a box….Make it neat. Or, hide things away. Here is your chance to pick a secret or leave a secret behind.” There are also photographs of body parts, paintings, and mixed media with emerging dolls. You can visit the MOM Art Annex during the Kenwood Artist Tour.

Poem for Canvas Squat

I went out to the studio and sat on a canvas

I don’t know why except that everything that has sprung from my loins is fantastic.

Four amazing kids- now adults: Brody, Blaze, Ali, Zena.

Before that, lots of painful blood. Since them – ART!

If art is like giving birth, then let the creations be fantastic too. This is my pop squat.

Everything truly great has come from between my legs. Occasionally my throat, but, mostly from between my legs…. What have you got down there? Show the world.

https://m.soundcloud.com/electric-mommyland-1/electric-pussy

Sources:MoMA:https://www.moma.org/learn/moma_learning/themes/investigating-identity/the-body-in-art

The human body is central to how we understand facets of identity such as gender, sexuality, race, and ethnicity. People alter their bodies, hair, and clothing to align with or rebel against social conventions and to express messages to others around them. Many artists explore gender through representations of the body and by using their own bodies in their creative process.

The 1960s and 1970s were a time of social upheavals in the United States and Europe, significant among them the fight for equality for women with regards to sexuality, reproductive rights, the family, and the workplace. Artists and art historians began to investigate how images in Western art and the media—more often than not produced by men—perpetuated idealizations of the female form. Feminist artists reclaimed the female body and depicted it through a variety of lenses.

Around this time, the body took on another important role as a medium with which artists created their work. In performance art, a term coined in the early 1960s as the genre was starting to take hold, the actions an artist performs are central to the work of art. For many artists, using their bodies in performances became a way to both claim control over their own bodies and to question issues of gender.

See also:

By

SPEAK OUT ! [CLICK]

Last month we shared our first residency at the new M.O.M. Art Annex with Christen Clifford who stayed at the Florence Joy Greist Memorial Guest Cottage editing a book about sexual assault. Christen’s unvarnished, honest approach to everything serves as inspiration for us all.

In February, Christen returns with her Feminist Peep Show performance as part of the “Mothering From the Margins” Conference in St. Pete. You can read a little more about that here, and also more about SPEAKING OUT courtesy of the WordPress “Daily Post.”

Museum of Motherhood founder, M. Joy Rose looks forward to presenting prominent women’s voices on a regular basis at the new Art Annex. She has been SPEAKING UP AND OUT on motherhood, feminism, and the arts since 1997 with her band Housewives On Prozac as well as at lecturing at colleges and conferences across North America. She will be presenting on the topic of “Disruptions” during the conference. More at Joy-Rose.com

– ALSO –

Andrea O'Reilly, Motherhood Hall of Fame, NYC (2014)

Andrea O’Reilly, Motherhood Hall of Fame, NYC (2014)

Dr. Andrea O’Reilly – Delivers the Keynote as part of the Mothering From the Margins Conference on Friday, Feb. 10th at 5 PM. Her presentation, titled “The baby out with the bathwater: The disavowal and disappearance of motherhood in feminism,” is sure to enlighten and inspire! Andrea O’Reilly Ph.D. is a writer on women’s issues and currently a Professor in the School of Women’s Studies at York University in Toronto, Ontario, Canada. She is the author and editor of eighteen books on motherhood and founder of MIRCI, and Demeter Books.

The M.O.M. Conference takes place Feb. 10-11 at 538 28th St. N. St Pete, Florida 33713. By RSVP only. “Feminist Peep Show” performance is Saturday, Feb. 11th 1:15-2:15 PM.

FIND A FULL SCHEDULE FOR THE CONFERENCE ONLINE HERE
TO ATTEND: RSVP info@mommuseum.org

Previously performed at The New Museum in New York, Judith Charles Gallery, and AUNTS, “Feminist Peep Show” is an explicit tour of a post-maternal body.
cd_don_cesar

Christen Clifford in St. Petersburg, FL 2017

“Clifford’s (art) is intended to serve as a call to arm’s when women’s reproductive rights are increasingly under attack.” Women in the World, The New York Times
“Christen Clifford has made it her mission to fight the patriarchy with art and a little irreverence.” NYLON magazine
Christen Clifford is a mother, feminist performance artist, writer, curator, and professor. She was an artist and curator for the recent Nasty Women exhibit that raised almost $50k for Planned Parenthood. Hyperallergic called her protest “We Wish Ana Mendieta Was Still Alive” one of the best Art and Activism pieces of 2014. The script of her solo BabyLove, which she performed at The Museum of Motherhood in Manhattan,  is in the permanent collection of theNew York Public Library. She lives and works in New York and online @cd_clifford

Get inspired by those who speak out. Whether through blogging or marching, make your voice heard.

via Speak Out — The Daily Post
Speak Out