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Meet the Newest Artist Resident at MoM: Marin Sardy

We are excited to announce our newest Guest Artist in Residence, Marin Sardy! Marin is a critically acclaimed author who is currently working on her second novel.

Headshot of Marin Sardy

Q: What is your connection to m/otherhood as an artist?

A: I love the way this question is phrased, with the word that highlights both “motherhood” and “other-hood.” I’m a writer of memoir, personal essays, and other forms of creative nonfiction, and my connection to both of the above concepts centers on my explorations of mental health, caregiving, and disability justice. As the daughter and sister of two people who struggled with serious, chronic mental illness, I wrote my first memoir, The Edge of Every Day, to examine the ways that I have strived to understand their experiences, worked to help them, and been shaped by loss. My current work is more focused on dismantling the deeply ingrained cultural attitudes that continue to prevent people from seeking and receiving effective, respectful mental health care. I’d like to add too that, while I haven’t written about it, I am also a stepmother. In both of these roles, I am and have been “mother-adjacent” in ways that I believe ought to be honored and valued in the face of the too-narrow box that motherhood has often been confined to.

Q: What do you hope to accomplish during your residency?

A: I plan to make as much progress as I can on my second book, which folds together stories from the lives of two very different women who lived with long-term psychosis: an art photographer whose work I admire, and my mother. I am currently focused on completing a full draft of the portions that relate to my mother, and my role as a daughter who was pushed into, and later embraced, acting as a caregiver for her. I’m interested in questions such as: What does it mean to be a caregiver in a mental health context, when the work involved is so often intangible? What kind of support might have helped both of us to live our lives more fully and safely? And what does this mean for me, as a daughter who spent so much time mothering a mother who had, in my youth, so dramatically failed to mother me? What (if anything) did my mother owe me, and what was it fair or unfair to ask of her?

Q: What led you to MoM and the residency program here?

A: I discovered Mom when I saw former MoM resident Tracy Sidesinger’s post on Instagram announcing that she had been accepted for the residency! Having never heard of the organization, I did a bit of research and quickly decided to apply myself. I was inspired by the museum’s desire to promote community and to both explore and support motherhood in all its facets. It just felt like it made sense for me to try to connect with the organization. Tracy in fact had been a student in an online nonfiction writing course I taught through Catapult a few years ago, and I’m grateful that I stayed in touch with her through social media—partly because her fascinating, thoughtful Instagram account is so  full of wisdom and depth, and partly because she led me to reach out to MoM. 

Continue reading to find out more about Marin.

Marin Sardy is the author of the critically acclaimed memoir The Edge of Every Day: Sketches of Schizophrenia (2019). Sardy’s essays have appeared in the New YorkerTin House, Guernica, the Paris Review Daily, the Missouri Review, and many other journals, as well as in two award-winning photography books. A Pushcart Prize nominee, Sardy has three times had her work listed as “notable” in the Best American series, and she has been awarded residency fellowships at Hawthornden Castle and Catwalk Institute. She holds an MFA from Columbia University and teaches nonfiction writing for Pace University and Authors Publish.

If you are interested in applying for a guest residency here at MoM, please go to our website HERE: https://bit.ly/3uRgugm  to find out more. BE SURE TO HURRY! Spots have been filling FAST! We hope that future tours of the space will be available soon, but they are by appointment only in Artist Enclave Historic Kenwood: “where art lives.”

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Blog Caregiving Education Featured Artists gender Residency

Meet the Newest Artist Resident at MoM: Amanda Watson

We are excited to announce our newest Guest Artist in Residence, Amanda Watson! To gain more insight into who Amanda is as a mother-scholar and to better understand her goals here during her residency, Amanda shared the following:

Headshot of Amanda Watson
Headshot of Amanda Watson

Q: What do you hope to accomplish during your residency?

A: For the past few years of pandemic-era mothering, my research and writing have been conducted sporadically, in piecemeal ways, and in stressful conditions. I hope to make space for my research and writing in this residency in order to analyze new data with fresh eyes and write about it with renewed vision for my purpose as a writer, scholar, and mother.

Q: What led you to MoM and the residency program here?

A: I shared research on motherhood at the MoM in Manhattan nearly a decade ago as a graduate student before becoming a parent myself. The cozy space and warm interactions with community members and diverse scholars and practitioners made an impression on me I have always been interested in returning to MoM. On a recent visit to New York City, I found out about the residency in Florida and applied immediately. It seems like the perfect offering for artists and academics who need to make space for their creative ideas and practices to flourish, particularly as mothers coming out of pandemic isolation having spent so much time doing caregiving.

Continue reading to find out more about Amanda.

Dr. Amanda Watson’s research explores how caregivers and community activists navigate complex institutional settings in their efforts to effect social change. Her interests include care, labour, disability, media representation of motherhood. She teaches on politics of family, global problems and the culture of capitalism, and power and conflict in Canadian society. Watson is an Associate Member of the Department of Gender, Sexuality, and Women’s Studies. She serves on the editorial board of Gender & Society.

Current projects include Politics of Birthstrike, exploring how young adults reconcile their desires for ethical family life with resurging population control initiatives to reduce their climate footprint by having fewer children; Imagine Kin Project, investigating how young adults talk about their future relations in the context of interlocking crises; and Politics of Social Justice Parenting, new research exploring the experiences of parents of young children through pandemic closures and trends in parenting.

If you are interested in applying for a guest residency here at MoM, please go to our website HERE: https://bit.ly/3uRgugm  to find out more. BE SURE TO HURRY! Spots have been filling FAST! We hope that future tours of the space will be available soon, but they are by appointment only in Artist Enclave Historic Kenwood: “where art lives.”

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Featured

A Look Back

As January ramps up, Americans and indeed, people around the world, are experiencing a kind of deadening whiplash that feels deeply problematic. From pandemics to earth shattering social events, our planet seems to be pushing back in unprecedented ways. Are we going to listen?

Here at the Museum of Motherhood our aim is to inspire as well as to educate. How do we balance dire predictions, and unrelenting reality, with uplifting content? Do we pretend, making conscious decisions to ignore what is right in front of our faces, like the movie Don’t Look Up? Or, do we create small changes through everyday actions by staying vigilant, practicing tolerance, and also heeding the call to make amends, offer support, or reach out to someone in need?

What does change even look like anyway? How can we possibly have any affect on anything when everything feels bigger than us as individuals?

In my experience, it is the little things that count. It is the everyday actions of many people doing one brave, smart, or kind action that inspires connection, healing, and hope. I think our lives are made up of little moments. Those individual moments can be transformative: One football play can win a Super Bowl. One song can reach millions of ears with a message of encouragement (or laughter). One person, holding someone’s hand in a hospital can mean the difference between fear and comfort.

At MOM, we are comprised of the individual academics, artists, and students who gained insight during their time with us, the visitors who told us their secrets and asked for help, and the strangers who have connected through the years– who are not strangers anymore.

We are a small museum with big dreams. But, more than the big dreams, we aim to touch hearts and minds individually. We aim to offer a safe space of illumination and awe. I’m excited to introduce some new initiatives in the coming months that include an online community, our upcoming conference, and a newly launched storefront that will feature guest artists.

When a friend wrote me recently, and included a note (along with a check), that stated my/ OUR museum was wonderful – I realized a simple dream of mine – the dream that others would want to take MOM on as their own. It was never intended to be ‘my’ museum, even though I have been nursing it along all these years.

As we look back, let us also look forward. Let us rally against the darkness by joining our individual lights into a collective of lights, each bright, each different, and all connected. Let us remember the souls we have lost, while lifting our own spirits in unity and appreciation of this brief, difficult, and tenuous life we share on this planet and try to ‘do better’.

I send you peace in the New Year.

Martha Joy Rose, Founder/Director