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Blog Caregiving Education Featured Artists gender Residency

Meet the Newest Artist Resident at MoM: Marin Sardy

We are excited to announce our newest Guest Artist in Residence, Marin Sardy! Marin is a critically acclaimed author who is currently working on her second novel.

Headshot of Marin Sardy

Q: What is your connection to m/otherhood as an artist?

A: I love the way this question is phrased, with the word that highlights both “motherhood” and “other-hood.” I’m a writer of memoir, personal essays, and other forms of creative nonfiction, and my connection to both of the above concepts centers on my explorations of mental health, caregiving, and disability justice. As the daughter and sister of two people who struggled with serious, chronic mental illness, I wrote my first memoir, The Edge of Every Day, to examine the ways that I have strived to understand their experiences, worked to help them, and been shaped by loss. My current work is more focused on dismantling the deeply ingrained cultural attitudes that continue to prevent people from seeking and receiving effective, respectful mental health care. I’d like to add too that, while I haven’t written about it, I am also a stepmother. In both of these roles, I am and have been “mother-adjacent” in ways that I believe ought to be honored and valued in the face of the too-narrow box that motherhood has often been confined to.

Q: What do you hope to accomplish during your residency?

A: I plan to make as much progress as I can on my second book, which folds together stories from the lives of two very different women who lived with long-term psychosis: an art photographer whose work I admire, and my mother. I am currently focused on completing a full draft of the portions that relate to my mother, and my role as a daughter who was pushed into, and later embraced, acting as a caregiver for her. I’m interested in questions such as: What does it mean to be a caregiver in a mental health context, when the work involved is so often intangible? What kind of support might have helped both of us to live our lives more fully and safely? And what does this mean for me, as a daughter who spent so much time mothering a mother who had, in my youth, so dramatically failed to mother me? What (if anything) did my mother owe me, and what was it fair or unfair to ask of her?

Q: What led you to MoM and the residency program here?

A: I discovered Mom when I saw former MoM resident Tracy Sidesinger’s post on Instagram announcing that she had been accepted for the residency! Having never heard of the organization, I did a bit of research and quickly decided to apply myself. I was inspired by the museum’s desire to promote community and to both explore and support motherhood in all its facets. It just felt like it made sense for me to try to connect with the organization. Tracy in fact had been a student in an online nonfiction writing course I taught through Catapult a few years ago, and I’m grateful that I stayed in touch with her through social media—partly because her fascinating, thoughtful Instagram account is so  full of wisdom and depth, and partly because she led me to reach out to MoM. 

Continue reading to find out more about Marin.

Marin Sardy is the author of the critically acclaimed memoir The Edge of Every Day: Sketches of Schizophrenia (2019). Sardy’s essays have appeared in the New YorkerTin House, Guernica, the Paris Review Daily, the Missouri Review, and many other journals, as well as in two award-winning photography books. A Pushcart Prize nominee, Sardy has three times had her work listed as “notable” in the Best American series, and she has been awarded residency fellowships at Hawthornden Castle and Catwalk Institute. She holds an MFA from Columbia University and teaches nonfiction writing for Pace University and Authors Publish.

If you are interested in applying for a guest residency here at MoM, please go to our website HERE: https://bit.ly/3uRgugm  to find out more. BE SURE TO HURRY! Spots have been filling FAST! We hope that future tours of the space will be available soon, but they are by appointment only in Artist Enclave Historic Kenwood: “where art lives.”

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Blog Caregiving Education Featured Artists gender Residency

Meet the Newest Artist Resident at MoM: Amanda Watson

We are excited to announce our newest Guest Artist in Residence, Amanda Watson! To gain more insight into who Amanda is as a mother-scholar and to better understand her goals here during her residency, Amanda shared the following:

Headshot of Amanda Watson
Headshot of Amanda Watson

Q: What do you hope to accomplish during your residency?

A: For the past few years of pandemic-era mothering, my research and writing have been conducted sporadically, in piecemeal ways, and in stressful conditions. I hope to make space for my research and writing in this residency in order to analyze new data with fresh eyes and write about it with renewed vision for my purpose as a writer, scholar, and mother.

Q: What led you to MoM and the residency program here?

A: I shared research on motherhood at the MoM in Manhattan nearly a decade ago as a graduate student before becoming a parent myself. The cozy space and warm interactions with community members and diverse scholars and practitioners made an impression on me I have always been interested in returning to MoM. On a recent visit to New York City, I found out about the residency in Florida and applied immediately. It seems like the perfect offering for artists and academics who need to make space for their creative ideas and practices to flourish, particularly as mothers coming out of pandemic isolation having spent so much time doing caregiving.

Continue reading to find out more about Amanda.

Dr. Amanda Watson’s research explores how caregivers and community activists navigate complex institutional settings in their efforts to effect social change. Her interests include care, labour, disability, media representation of motherhood. She teaches on politics of family, global problems and the culture of capitalism, and power and conflict in Canadian society. Watson is an Associate Member of the Department of Gender, Sexuality, and Women’s Studies. She serves on the editorial board of Gender & Society.

Current projects include Politics of Birthstrike, exploring how young adults reconcile their desires for ethical family life with resurging population control initiatives to reduce their climate footprint by having fewer children; Imagine Kin Project, investigating how young adults talk about their future relations in the context of interlocking crises; and Politics of Social Justice Parenting, new research exploring the experiences of parents of young children through pandemic closures and trends in parenting.

If you are interested in applying for a guest residency here at MoM, please go to our website HERE: https://bit.ly/3uRgugm  to find out more. BE SURE TO HURRY! Spots have been filling FAST! We hope that future tours of the space will be available soon, but they are by appointment only in Artist Enclave Historic Kenwood: “where art lives.”

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Art Caregiving Featured Feminism home MAMA Media

M.A.M.A Issue 49: Thatiana Cardoso words by Lisa DeSiro

Procreate Project, the Museum of Motherhood and the Mom Egg Review are pleased to announce the 49th edition of this scholarly discourse. Literature intersects with art to explore the wonder and the challenges of motherhood. Using words and art to connect new pathways between the academic, the para-academic, the digital and the real, as well as the everyday: wherever you live, work and play, the Art of Motherhood is made manifest. #JoinMAMA #artandmotherhood

June 2021: Art by Thatiana Cardoso words by Lisa DeSiro

Art by Thatiana Cardoso

The images show the artist´s intentionality of constructing images that confuse the visual perception of the viewer. In the images, household items suggest parts of the human body. For the artist, object and human are in symbolic equivalence. Her photographic work aims to problematise the object as a living entity and investigate the way in which the viewer’s organism responds to these images.

Since 2013, I have explored the tension between strangeness and familiarity of everyday objects through photography, video, performance, and drawing. I investigate the approximations between the body and domestic utensils, showing the similarity with the human body. In her artwork, objects breath, pulsate, and are tortured. The process of torturing household items speaks of veiled, symbolic violence in relation to women.  My early research focused on some of the unusual aspects of the living objects, and on the intentionality of constructing images that confuse the visual perception of the viewer. I investigate deception as a poetic resource to create images that ask the viewer to be part of this aesthetic experience.

Words by Lisa DeSiro

Hooded

At the top step above the family room my mother appears, floating in mid-air, as if seated on an invisible chair. What she’s telling me is important. But her head is covered by a dark cloth, her face hidden. Please take that off, it’s distracting. No. She doesn’t have permission.

More about Lisa:

Lisa DeSiro is the author of Simple as a Sonnet (Kelsay Books, 2021), Labor (Nixes Mate Books, 2018), and Grief Dreams (White Knuckle Press, 2017). Her poetry has been widely published in anthologies and journals, nominated for the Pushcart Prize, and set to music by several composers. Lisa is also an accomplished pianist and founder/host of the Solidarity Salon performance series. Read more about her at thepoetpianist.com.

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Conferences

MOTHERS, MOTHERING, MOTHERHOOD IN TODAY’S WORLD: GALA CONFERENCE CELEBRATING MIRCI’S 20TH ANNIVERSARY

pantagesCONGRATS TO ALL WHO ATTENDED! IT WAS A WONDERFUL WEEKEND…. If you are interested in connecting again soon, please consider joining us in St. Petersburg, Feb 10-11 for the Mothering From The Margins Conference with M.O.M. [LINK]

Martha Joy Rose attends MIRCI Gala Conference in Toronto on behalf of M.O.M. She will be discussing music, activism, and scholarship in the arena of mother studies. See full conference schedule here [LINK]

This is an international conference on “Mothers, Mothering, Motherhood in Today’s World: Experience, Identity, Agency, and Institution,” with an embedded conference focusing on “Mothers, Mothering, and Motherhood in Canada.” The event will celebrate Canada’s 150th year in 2017 by examining why mothers, arguably more so than women in general, remain disempowered despite forty years of feminism. The conference also celebrates the 20th anniversary of the Motherhood Initiative for Research and Community Involvement (MIRCI), its 50th conference, and the 10th anniversary of Demeter Press.

Motherhood is the unfinished business of feminism. Motherhood scholars argue that motherhood, as it is currently perceived and practiced in patriarchal societies, is disempowering, if not oppressive, for a multitude of reasons: the societal devaluation of motherwork, the endless tasks of privatized mothering, the incompatibility of waged work and care work, and the impossible standards of idealized motherhood. Many of the problems facing mothers—whether social, economic, political, cultural, or psychological—are specific to their role and identity as mothers. What is needed therefore is matricentric feminism: a feminism that is fashioned from and for women’s particular identity and their work as mothers. This conference positions mothers’ needs and concerns as the starting point for a new politic and theory of feminism to empower mothers in Canada and around the world and explores what mothers in the 21st century need to adequately care for their children while living full and purposeful lives. Over the last forty years, motherhood research has focused on the oppressive and empowering dimensions of mothering and the complex relationship between the two. Stemming from the above distinction, the conference will examine 21st century motherhood under four interconnected themes of inquiry: motherhood as experience, identity, agency, and institution.

The three-day conference features 7 plenary panels with leading scholars on motherhood from Canada and the United States and a keynote address by internationally acclaimed New Zealand writer Marilyn Waring. The conference considers what changes are needed in public-social policy, health, education, the workplace, the family, and the arts to effect full and lasting gender equality for mothers in the 21st century.
More on Facebook [LINK]
info@motherhoodinitiative.org