MOM Art Annex: Exhibition & Education Center

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This Year For Mothers’ Day – Buy a Book, Attend a Conference or Gallery, Share Knowledge

Mothers’ Day Week 2016

2016 INDUCTIONS to the Motherhood Hall of Fame; Honor the Call of the Midwife – Join us!

Thursday, May 5 – Motherhood Hall of Fame; Columbia Teacher’s College 7:30-9PM (Free). 525 West 120th Street Milbank Chapel, NYC.

Join us for drinks before at 7PM. RSVP Pleasehttps://mommuseum.org/motherhood-hall-of-fame/

Performances, story-telling, and induction ceremony with co-sponsors:

CONGRATULATIONS TO OUR HONOREES

Ruth Lubic (ED.D. ‘79, M.A. ‘61, B.S. ‘59)

Kimm Sun, is a Certified Nurse Midwife, Nurse Practitioner

MHOF_Header_2016

12th Annual M.O.M. Academic Conference

THEORIZING MOTHERHOOD IN THE ACADEMY

***M.O.M. Conference Panelists and Presenters – See Schedule. Each time slot is 20 minutes (unless I have written to tell you differently)***

Friday, May 6th MORNING OPENING KEYNOTE: Laura Tropp specializes in media and politics and representations of pregnancy, motherhood, and families in popular culture.

Saturday, May 7th MORNING OPENING KEYNOTE: Kimberly Seals Allers whose 5th book The Big Let Down will be published this summer. Kimberly is an award-winning journalist, author and a nationally recognized media commentator, speaker, consultant and advocate for infant health.

MORE at M.O.M./ FULL SCHEDULE

FACILITIES

We will be meeting in the Alumni Room, which is in the lower portion of the library. Look for signs, or take the elevator from the O’Malley Library.

TECH SUPPORT

There is a power point projector, computer, speaker, and screen onsite. Bring your laptop or a zip drive, or post your material in the cloud and you will be able to present using the equipment at our location. There is some limited space for brochures, art, and books as well. Feel free to share your passions.

BAGEL & COFFEE BREAKFAST WILL BE PROVIDED EACH DAY

SOCIAL MEDIA 

Do you have a twitter handle or a Facebook page? Let’s connect!!

  1. @MOMmuseum
  2. https://www.facebook.com/MOMmuseum/

CONFERENCE LOCATION

May 6-7 MOM Conference at Manhattan College, 4513 Manhattan College Parkway, Bronx, NY 10471 (Schedule TBD) – We will updating the schedule in the next few weeks.

TRANSPORTATION

New York City has two major airports: JFK and LaGuardia.

Public transportation is available from both via train, and cab.

The train from JFK is rather straightforward and costs about $7.50. I would encourage you not to be fearful about taking this option if budget is a concern. There are people at the airport who can direct you, and I’ve done this many times. Here is a link to the NYC Subway Map: http://web.mta.info/nyct/maps/subwaymap.pdf

PANELS, CULTURE, and SPECIAL GATHERINGS

New York City is an amazing place. Surely you will want to do a little exploring. We also plan on organizing a few special panels, roundtable discussions, and speakers for you, but will make sure there is time in the evenings to step out, either with conference goers or on your own.

GETTING AROUND

Here is a subway map of Manhattan.

FYI, the subway that best serves Manhattan College is the #1 or #6 train on the West SideLink to more info and directions to MC.

Please do not hesitate to contact me with any questions. We will continue to update the Conference tab.

  • ALSO PLEASE SEE – DEMETER PRESS – NEW RELEASE – NEW MATERNALISMSORDER NOW
  • New_Maternalisms

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Year End Report [CLICK]

Thank You To Our Friends, Supporters, and Partners

This has been a wonderful year for collaboration. M.O.M. saw three new initiatives launch in 2015. They included the Procreate Project along with The Mom Egg Review, Project Afterbirth, and the Jewish Biennale 2015 at Hechel Schlomo Museum in Israel (download press about this Jewish Biennal_Report here).

The Museum director Martha Joy Rose, also had opportunities to write and teach this year on behalf of M.O.M. She contributed to the M/other Voices Column, Demeter Press‘s forthcoming book on New Maternalisms, and was active teaching courses in Families and Social Change at Manhattan College in New York.

It is necessary and important that collaborations like these thrive. Programs that support mothers in the arts, acknowledge the economic value of caregivers, and promote education in the areas of mother (and father) studies are good for families and society. They help humanity evolve consciously and thoughtfully benefiting all people: they spread joy, they enlighten, lift, and create a communities of shared values.

Together we are creating our future today!

Jewish_Biennal_Report

Read the M/other Voices full essay here (and below).

A M/OTHER MOVEMENT FOR THE MASSES

Standing at the podium, about to begin a lecture to the twenty students in front of me at Manhattan College, I pop on a power point and click through the images of women creating mother-made art. In this particular slide-show there are curated photos from the Procreate Project, Project Afterbirth, m/other voices, Ima Iyla’a: The Art of Motherhood, Mamapalooza, and Demeter Press, as well as striking text from the Mom Egg Review. The students seem interested. The images are provocative, often including everything from menstruation blood to musical instruments. I have known for a long time how important it is for women who are mothers to have an arts movement of their own. And yet, gaining traction has proved to be harder than I thought. For many reasons, social, political, and cultural, women still lag behind globally in the arts world. From filmmakers who reportedly comprise a mere 4.1% of the top grossing directors of major motion pictures,[1] to the Guerilla Girls-inspired rants calling out major contemporary museums for their lack of equal exhibition time, women in the arts still have a lot of catching up to do.[2] Motherhood complicates these inequities further for reasons that are difficult to identify, but let me try.

There are three major forces compounding mother’s visibility in the arts: identity, consensus, and physical dis/ability. Let us first look at identity. Before we can even begin to dive into the idea of a mother-inspired arts movement, we need to clarify what is a mother? You might feel like arguing with me that there is no need, but in fact there is a need. If one is going to create a mother-arts movement one has to know whom one is including, and what the point of your movement is. Are you going to call your arts event a celebration of motherhood? What about those who do not think it is an elation, but rather a great misery heaped on them when they were least prepared? Are you concerned about the procreative act itself? The carrying, and waiting for the development and birth of the future child? What are you going to do with the adoptive mothers who did not birth their babies but are finding their mother-identity through the act of caregiving? And what about the ones who lost their children along the way? Are you going to include parents; meaning the mother and the father? This is a lovely idea, but, if you include parents, what do you do to amplify the unique experience of one who cellularly divides? The one whose body goes through embodied changes? Then, what about the “single” mother, with no likely partner or spouse? What are you going to do with grandmothers, stepmothers, gay couples, and the surrogates? Unlike many other objects or identities, from the very beginning the notion of mother is fraught. She is not a simple creature. She might not even be a woman. Therefore, conceivably a mother might be a he. Likewise, politically speaking, a mother might be a religious, right-minded, anti-abortion, Phyllis Schlafly kind of character, or she might be a forthright, left-leaning feminist. She might be an advocate of something you hate, and therefore you are tempted to hate her, or she might be a killer, a thief, or an addict. She might be absent. Is she one whose story you want to include? Are you going to share your arts movement with her? Herein lies the crux of the number one problem of a m/other based movement. There are so many kinds. I have been masticating on this for the better part of 26 years trying to sort out its complications.

While writing my thesis for graduate school I struggled not only with a definition of mother, but also with a definition of what the academic study of mothers might include. My reasoning for this was twofold. In my experience as the creator of an arts festival, which has aimed to highlight the varying voices, art, comedy, music, theater, and literature of motherhood, I consistently wrestled with what to do with the women who were not mothers but were other-mothers, aunties, and nannies insisting they wanted their experiences to be included. I wrestled with what to do with the caregiving partners, fathers, grandparents, and children of these creative-types, mostly because thy also often inquired about being included. Sometimes mothers wanted to blend their families in their art making and even if they didn’t, non-mothers often wanted to feel they too could exercise their voice. This challenged my vision for mother-made art, if only in the sense that it constantly required me to question whom to include or not include? If the art is about family, what sets these mothers apart from the others they are connected to? What makes them unique, or special, or why should they have a festival, movement, arts-based collection all their own? We all know that historically women’s voices have been silent relatively and mothers even more so. That could be reason enough, but in the end, maybe not. Questions and complications remain. No one, including me, seems satisfied with exclusionary practices.

The second part of the dilemma is, if we could identify the specificities of what mother is, how do we gain consensus on whether she is worth studying or whether her art is specifically noteworthy and deserving of its own category? Considering that we have left the first question somewhat unanswered, then the second question of cooperation creates its own challenges. The status or category of mother is often fraught. She does not represent all good things despite the fact that we have expected her to be everything: creator, collaborator, connector, and caregiver, for free, forever, unconditionally? Mothers manifest their fair share of resentment, both for socially constructed reasons and for psychological ones. Feminist movements reluctantly embrace motherhood if at all, and even mothers themselves seem unsure whether they care more about activism, equal wages, or getting dinner on the table. There is not enough time in this essay to adequately address this, although many have tried including Adrienne Rich[3] and Phyllis Chesler[4] for example. Let us for the purposes of this article simply say that it is extremely difficult to get people to agree on a consensus regarding mothers, mother-art, and motherhood.

Finally, leaving the answers to the first two issues ambiguous, we can now move to the very real challenges most mothers face, which include ability, time, and perspective. As any mother of a young one will attest to, creating anything other than limited cleanliness, order, income, and edible food can be a full-time occupation. Mix in the ephemeral nature of art and challenges arise. How does one find the hours in the day (or night)? The space? Some regularity? Should one buy paints or food? Make music or buy shoes? Natalie Loveless claims in her curated exhibit titled New Maternalisms that “mama-artists [need] to find creative ways of integrating their practices as mothers, artists, curators, writers, and teachers. By taking seriously the need to create from local and embodied conditions, these practices bring visibility and value to the maternal in and as art.”[5] I agree with her. But, as I have articulated, distinct challenges remain.

Ultimately, the notion of exactly what makes a mother, be it birth, caregiving, egg donation, or identity can all be debated. However, we define what a mother is and what the art-movement looks like, it must include relational aspects. Words like m/other, m/otherness, or mother-ness attempt to describe this. Any idea of mother must include the concept of transformation, inclusion, and evolution. Both the personal and relational status of me + other = m/other proposes an examination of how m/otherness or mother-ness is the experience of being connected, or disconnected, to one who is part of you. Or, of being a person who, as part of another and also linked to another (genetically, through caregiving, or by association), might inform action in a world conceived as relational. This view differs from our current social system. Current systems have been motivated by alienation, and by violent, external, institutional, and hierarchical social constructions. Herein’ lies the call for change. As Rothman asserts in the Book of Life, “The world that I live in, and the world that I want for my children, is not a world of scattered isolated individuals, and not a world of walls. It is a world of communities, of social solidarity, of connectedness between individuals and between communities, a world in which people and communities grow from and into each other.” (p.233). She explains that motherhood is “otherhood.” Or, as I theorize here: a mother is one who who divides, yet through that division he/she is paradoxically increased. Therefore, the division is also a multiplication. A theory of mother-ness privileges the conversation of difference (or division) and insists on tolerant engagement (connection) as well as intense intellectual curiosity as a fundamental practice. Therefore, as we make art, explore motherhood, and find ways to move forward, let us lift each other up. Let us continue to explore our victories as we lament our losses. Let us speak not with one voice, but with many voices and most of all – let that be okay.

BIO: ART, RESEARCH, THEORY: In the December column we are pleased to feature Martha Joy Rose, (USA), a New York-based performance artist, scholar, and the mother of four young adults ages 21-26. Having been named as “God Mother of Mom Rock” by the CNN, Joy has been making music since the early 1980’s in New York City. With the birth of her first child she created the Housewives On Prozac band, which has enjoyed international success and spawned a mother-made music movement. In 2002, seeking to identify the unique expressions of women who are mothers and to amplify their voices, Joy founded the Mamapalooza Festival, currently being administrated each May through the New York Parks Department. In 2009, she directed the film The Motherhood Movement: You Say You Want a Revolution, which promotes, showcases, and makes visible maternal discussion, disseminating information on the subject of Feminist/activist Mothers and the missions of International Maternal agencies. Working together with a team of academics and activists, Joy opened the first-ever Museum of Motherhood (M.O.M.) on the Upper East Side of Manhattan in 2011. Currently she is teaching “Families and Social Change” at Manhattan College. Joy’s Master’s Degree in Mother Studies is a herstoric first, and she has written for Sage Press, Demeter Press, and assorted literary journals.

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CONGRATULATIONS TO OUR ACCEPTED CONFERENCE PRESENTERS

MOM_logo_SM

THEORIZING MOTHERHOOD IN THE ACADEMY

VIEW NEWSLETTER

– THIS YEAR’S CONFERENCE –

2016 INDUCTIONS Honor the Call of the Midwife

Thursday, May 5 Motherhood Hall of Fame; Columbia Teacher’s College 7:30-9PM (Free). 525 West 120th Street Milbank Chapel, NYC.

Join us for drinks before at 7PM. RSVP Pleasehttps://mommuseum.org/motherhood-hall-of-fame/

Performances, story-telling, and induction ceremony with co-sponsors:

CONGRATULATIONS TO OUR HONOREES

Ruth Lubic (ED.D. ‘79, M.A. ‘61, B.S. ‘59) has championed community-based birthing by listening to the needs of the people she serves. It’s an approach she honed at TC. Lubic is considered among the mothers of the American midwifery movement. The recipient of a MacArthur “genius award,” she co-founded the National Association of Childbearing Centers, has inspired creation of more than 300 free-standing birth centers and is an American Academy of Nursing “living legend.”

Kimm Sun, is a Certified Nurse Midwife, Nurse Practitioner who attends home births in New York City.  Previously a photographer, she started her midwifery career as a labor and delivery nurse over ten years ago and then worked in a community hospital as a staff midwife.  She received her Midwifery and Nurse Practitioner degree from the University of Pennsylvania. Born in Malaysia and of Chinese heritage, she speaks five languages and has taught birth attendants in Micronesia, Haiti, Nepal, Vietnam and Kenya. Besides caring for her much loved “mama clients”, she is currently developing a different approach to birth education that is more accurate to the woman’s actual internal experience.

MHOF_Logos_2016

12th Annual M.O.M. Academic Conference

THEORIZING MOTHERHOOD IN THE ACADEMY

(I expect to have the final schedule posted online over the weekend. Through the date of your presentation will not change, some time slots may be adjusted.)

LauraFriday, May 6th MORNING OPENING KEYNOTE: Laura Tropp specializes in media and politics and representations of pregnancy, motherhood, and families in popular culture. She teaches courses in communication theory, media history, campaigns and elections, media law and motherhood studies. Her books include: Womb With A View and Deconstructing Dads.

KimSaturday, May 7th MORNING OPENING KEYNOTE: Kimberly Seals Allers whose 5th book The Big Let Down will be published this summer. Kimberly is an award-winning journalist, author and a nationally recognized media commentator, speaker, consultant, and advocate for infant health. A former senior editor at ESSENCE and writer at FORTUNE magazine. Kimberly is widely considered a leading voice in the counterculture movement in infant feeding. Kimberly’s fifth book, The Big Let Down—How Medicine, Big Business and Feminism Undermine Breastfeeding will be published by St. Martin’s Press this summer.

MORE at M.O.M.

FACILITIES

There is a power point projector, computer, speaker, and screen onsite. Bring your laptop or a zip drive, or post your material in the cloud and you will be able to present using the equipment at our location. There is some limited space for brochures, art, and books as well. Feel free to share your passions.

BAGEL & COFFEE BREAKFAST WILL BE PROVIDED EACH DAY

SOCIAL MEDIA 

Do you have a twitter handle or a Facebook page? Let’s connect!!

  1. @MOMmuseum
  2. https://www.facebook.com/MOMmuseum/

CONFERENCE LOCATION

May 6-7 MOM Conference at Manhattan College, 4513 Manhattan College Parkway, Bronx, NY 10471 (Schedule TBD) – We will updating the schedule in the next few weeks.

TRANSPORTATION

New York City has two major airports: JFK and LaGuardia.

Public transportation is available from both via train, and cab.

The train from JFK is rather straightforward and costs about $7.50. I would encourage you not to be fearful about taking this option if budget is a concern. There are people at the airport who can direct you, and I’ve done this many times. Here is a link to the NYC Subway Map: http://web.mta.info/nyct/maps/subwaymap.pdf

PANELS, CULTURE, and SPECIAL GATHERINGS

New York City is an amazing place. Surely you will want to do a little exploring. We also plan on organizing a few special panels, roundtable discussions, and speakers for you, but will make sure there is time in the evenings to step out, either with conference goers or on your own.

ACCOMMODATIONS

Manhattan is divided into the West and East sides, with subway trains that operate separately on either side of the city. It can be a 40 minute trek from the West to East side, either by bus, or foot, or crosstown subway. TRY to stay on the WEST SIDE IF POSSIBLE, anywhere from Times Square to the north: West 40th Street, 50s, 70’s, all the way to Harlem etc. Included here is a subway map of Manhattan.

FYI, the subway that best serves Manhattan College is the #1 or #6 train on the West SideLink to more info and directions to MC.

Mother Studies is a field of interdisciplinary study devoted to the issues, experiences, topics, history, and culture of mothers, mothering, and motherhood. How else can we identify and define this new and emerging field? Some proposed concepts include “me” and “otherness” or m/otherness interpretations, procreation, caregiving, maternal health, motherhood as experience and institution, and relational theory as navigated within social and cultural constructions. What are its key elements, its compliments, and how can we theorize motherhood in the academy? How can mother and/or father studies be introduced in more formal ways within classrooms, including high school? Do we need an interdisciplinary degree in mother or father studies on the undergraduate or graduate level? If you are already teaching motherhood or mothering studies, or fatherhood, fathering studies, from what perspective or discipline do you approach the work? Please share your ideas. This is the forum to put this field into place.

WE HOPE TO SEE YOU AT THIS YEAR’S EVENTS

Questions: Info@MOMmuseum.org

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The Status of Mother Art Around The World [LINK]

ProCreate Project is due to launch at the Women´s Art Library at Goldsmiths University in London, England on the 15th of December, 2015. Over 100 featured ‪#‎motherartists‬. #JoinMama Book your free ticket here [LINK]

Here is my personal statement regarding the current status of mother-art around the world by M. Joy Rose:

(Martha) Joy Rose

(Martha) Joy Rose

I’ve been organizing the Mamapalooza Festival (worldwide) since 2002, which was inspired by the adventures of my mom-rock band, Housewives on Prozac (1997-2008). The intention was to support a mother-made-arts-movement and to activate social change for women who were mothers because: a) mother-made art was not being encouraged, b) venues for maternally-inspired artistic expression were non-existent. Motherhood generates its own reasons for celebration as well as illuminating a unique set of challenges. It was my very strong feeling that women who were artists should not ignore the procreative and caregiving aspects of their new-found embodied existence and that opportunities for mother-made-art should flourish.

By creating an inclusive, large-scale platform, I licensed the festival to event organizers ultimately reaching four countries and twenty-five cities. Hoping to open the portals to individual (and family) creativity as well as call attention to the specific issues women who are mothers and caregivers face. The festival garnered millions of followers through media stories generated by local events. The issues we tackled were broadly related to everything from acknowledging the liberating power of creative self-expression amidst the self-sacrificing nature of motherhood, to enhancing community engagement, as well as educating families at risk in the health, economic, and the reproductive justice arena.

ProCreateAfter years of organizing and promoting Mamapalooza through our non-profit Motherhood Foundation Inc. (2003-2010), the focus shifted to the long-term goal of having a physical location for the Museum of Motherhood. We procured a donated space in New York City from 2011-2014 where 60,000 people from around the world enjoyed our collaborative location. M.O.M. is currently online and conducts international academic conferences on the topic of mother studies (2005-ongoing). I got my graduate degree in mother studies in 2015 and am teaching through the museum portal, conducting classes in “families and social change” at Manhattan College, and writing about my experiences. Goals include continued international partnerships and a next-level space for exhibitions, classes, and archiving the science, art, and history of mothers, fathers, and families. The Mamapalooza Outdoor Extravaganza Festival continues to host approximately 10,000 families on the third Sunday of May each year in partnership with the New York Parks Department at Riverside Park South in Manhattan, USA.

I am thrilled to collaborate with the Procreate Project! Please stay in touch through MOMmuseum.org. See also Mamapalooza.com #JoinMama @MarthaJoyRose @MOMmuseum @Mamapalooza

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Annual Academic M.O.M. Conference 2015

10 YEARS AND GOING STRONG
Greetings Annual Academic M.O.M. Conference Participants –
See you on Thursday, April 30th at The Graduate Center in NYC room 9205 which is adjoined to room 9206, and May 1-2 Friday-Saturday at Manhattan College.
We hope you are as excited as we are about this year’s conference.
There are presenters attending from all over the globe, and we look forward to welcoming local students and community members to the presentations.
Thursday morning:
10a: Conference Introduction: Martha Joy Rose
4:45-5:45 Keynote: Barbara Katz Rothman: Women as Fathers
Presenters: If you have not yet paid at this point – please do! It will make the registration process go much smoother. Payment link is:MOMmuseum. We welcome donations too.
The event is free and open to the public for the purposes of more widely disseminating information about Mother Studies. So, feel free to invite friends, family, and your students.
At this point, programs have been ordered, breakfast has been planned (Friday only), and promotions are ongoing.
RADIO & SOCIAL MEDIA
We are pleased to announce that an experimental digital humanities online radio project is underway and we have hopes of launching it with a full day of broadcasting during the conference on Friday April 30th. We are hoping people will be able to tune into CUNYcast.net and access a live broadcast of the conference if they are not able to attend.
We will also be tweeting @MOMmuseum @CUNYcast and FB-ing
Regarding the following items:
Book Sales * Power Points * Microphones * Room Set Up
Please go ONLINE and READ carefully everything that is posted.
You should find answers to most questions there!
PROGRAM AND PRESENTATION INFO

FULL PROGRAM INFO: Including continental breakfast on Friday at MC and parking pass if you are driving.

We do NOT have an official book seller. If you wish to bring books to sell, then you will be responsible, although we will do our best to provide help at the registration desk. If you have flyers or CFPs you are welcome to bring those too.
You can bring books to sell all 3 days.
We will provide a table?
You do not need to mind your books the whole time- honor system usually works.
We do not take a cut of your sales.
Don’t bring too many- you’ll be miserable schlepping them around the city. Maybe a dozen?
You are also welcome to bring postcards, flyers and CFPs.
Presentations take place within a typical classroom, with power point capabilities, etc: Zip drive, online presos, and computer plug in should all work, but I encourage you to bring BACK UP just in case. (For example. Post your presentation online at a place where you can access it, just in case.)
TRANSPORTATION
New York City has two major airports: JFK and LaGuardia.
Public transportation is available from both via train, and cab.
The train from JFK is rather straightforward and costs about $7.50. I would encourage you not to be fearful about taking this option if budget is a concern. There are people at the airport who can direct you, and I’ve done this many times. Here is a link to the NYC Subway Map: http://web.mta.info/nyct/maps/subwaymap.pdf
CONFERENCE LOCATION
Mid-Town MANHATTAN – Thursday, April 30, the conference this year will take place at The Graduate Center; 365 5th Ave. (at 34th St)
BRONX (a Borough of Manhattan) Friday & Saturday, May 1-2, at Manhattan College, 4513 Manhattan College Parkway, Bronx, NY 10471
(These two institutions are about a 40 minute subway ride w/brief walk from each other) We are starting registration each day at 9:00 giving people more time for travel :-))

MORE
The Graduate Center is across the street from the Empire State Building, and very centrally located. There are many hotels in the area. I recommend staying in Manhattan, as the hotels are all easily linked by mass transit, which is not the case in the Bronx.
Manhattan is divided into the West and East sides, with subway trains that operate separately on either side of the city. It can be a 40 minute trek from the West to East side, either by bus, or foot, or crosstown subway. It might be easier to stay on the WEST SIDE IF POSSIBLE.
FYI, the subway that best serves Manhattan College is the #1 or #6 train on the West SideLink to more info. Even more info.
 
READ MORE ABOUT THE CONFERENCE HERE [CLICK]
 
With Great Warmth – 
M. Joy Rose on behalf of the MOM Academic Committee

 

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Join Us For Our 2015 Conference, “New Maternalisms”

Joy Rose, Laura Tropp, Barbara Katz Rothman

Joy Rose, Laura Tropp, Barbara Katz Rothman

As we move into April and welcome spring, we also get closer to our annual conference. As you may have seen on other locations on the website, this year, our 2015 conference is titled “New Maternalisms: Tales of Motherwork (Dislodging the Unthinkable)”. The conference will be held over three days, April 30, May 1-2, Thursday-Saturday. Thursday’s program will be held at the CUNY Graduate Center, located at 5th Ave and 34th St. in Manhattan. Friday and Saturday’s program will then be held at Manhattan College, located on Manhattan College Parkway in the Riverdale section of the Bronx.

This year’s theme, the concept of “New Maternalisms” is intended to expose the “fissures and cracks between the ideological representation of motherhood and the lived experience of being a mother” (Klein 2012). Through a series of lectures, panels, keynotes, art, and bridging opportunities, the program seeks to bring increased visibility to motherhood and the labor of “motherwork.” We’re so excited to share this year’s program content and how it brings this to life. The conference will feature a wide range of topics on motherhood, including: “Expanding Theory on Motherhood and Caregiving”, “Visual and Popular Depictions of Mothers”, “Extending/Erasing Motherhood”, a panel on “Intimate Labor: Doulas and Motherwork”, “Motherhood, Identity, and Attachment”, “The Personal Journey and Maternal Storytelling”, a panel on “Interconnected Maternalisms: Examples of Everyday Languages”, “Institutional and Systemic Barriers of Motherhood: Femivores, Foster Care, and Things”, “Motherwork, Culture, and Patriarchal Societies”, “Work-Life Balance, Motherhood and Meaning”, a panel on “Making the Invisible Visible: Valuing Motherwork in Society’s Economy and Institutions”, “Motherwork Bodies, Birthing, and Breastfeeding”, “Mothering, Disability, and Motherless Daughters”, a film screening of MIMI and DONA, “Self-Help Theory and Motherhood”, and a panel titled “To the Moon and Back: Why Mothers March, Motherless Children”.

This year’s keynote address will be delivered by Barbara Katz Rothman in room 9205 of the CUNY, GC at 4:45p. a motherwork warrior who is near and dear to our heart here at the Museum of Motherhood. Dr. Katz Rothman is a Professor of Sociology, Public Health, Disability Studies, Women’s Studies, and the Food Studies concentration at the CUNY Graduate Center (and advisor to our own Martha Joy Rose, no less!). She has done extensive work in the areas of midwifery and reproductive technologies. Her scholarship covers new genetics, medical sociology, bioethics, issues in disability, adoption, race, and food studies. The author of works such as In Labor, The Tentative Pregnancy, Recreating Motherhood, The Book of Life, Weaving a Family: Untangling Race and Adoption, Laboring On, and the upcoming book, Bun in the Oven: Crafting an Artisanal Midwifery Movement, she has also published numerous articles and curated several academic journals in her fields. In recognition of her contributions to the movement, Dr. Katz Rothman was named to our very own Motherhood Hall of Fame in 2014. Her keynote address will be “Women as Fathers,” how our new technologies and practices are recreating motherhood in the image of an old-fashioned patriarchal fatherhood.

Written by: Jenny Nigro, M.o.M. Online Intern