MOM Art Annex: Exhibition & Education Center

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M.A.M.A. 30 – Ching Ching Cheng & Jennifer Stewart Fueston [LINK]

Art by Ching Ching Cheng

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About the artist:

Ching Ching Cheng was born in Taiwan and immigrated to the United States fifteen years ago. She received her BFA from Art Center College of Design. Ching had co-curated an exhibition “The Lanuguage of Perpetual Conditions” at California State University Los Angeles in 2016. Ching exhibited at LACMA Rental and Sales Gallery, Chinese American Museum, Craft and Folk Art Museum, 21c Museum, colleges, universities and art fairs through out the United States, and also had solo exhibitions in Taiwan and China. She attended an artist-in-residency program at 943 Studio in Kunming, China in 2011. She taught lectures and workshops at college, University, museum, non-profit organization, and private art center. She received grants in 2011, in 2015 from art and cultural center in Taiwan, and in 2018 from the city of Los Angeles Department of Cultural Affairs. Ching currently lives and works in Altadena, California. https://www.chingchingcheng.com

Letting go series and Build series

In my work, I am interested in the relationship between identities and spaces. The physical environment and location, along with the cultural, social, economic and political aspects of space fascinate me. In my own practice, I question how identities are defined through space, and what the notion and ideology of identity means in relation to space.

Letting Go series

As a first generation immigrant from Taiwan, married with two young mixed-race children, I am often being judged by the look and color of my kids in relation to mine, and this made me question my identity as well as my children’s identity in relation to its space. Space is the product of relations, and is always in the process of becoming. How I perceive my own identity in the space I created, versus how others perceive my identity in their space. In my most recent photography series, I have included my children as part of my process and practice where I explore “mothering spaces”. I started to create different environmental spaces as sculptures, installations, and photography. Having children has propelled me to question what an identity is and to work and practice more as part of my daily routine.

Adapting, resisting, transforming, and accepting are the nature of the “in-between” stages, and this process of progression has become an important focus of my work. I went to Mainland China in 2012 for the first time for a three-months artist-in-residency. This was my first time living in China and reliving in an Asian country after living in the United States for almost ten years. That experience allowed me to witness how my identity went through stages of change, and experience the process of in-between. Even though I am Chinese, and I have Chinese features, I didn’t feel like I belonged there in the beginning. Oftentimes people carry their own set of cultures and identities when they migrate, and it is inevitable that they have to adjust this “carry on” within the new environment, and also change and adjust the way they live with new environments throughout different stages and events of their lives. While on residency in China, I underwent the process of “in-between” the transition of identities, I changed the way I speak to how the locals speak I started to use the words and sentences they use. As a result of these relocating adjustments, a distinct new identity was established in the new space. Read more at Procreate Project [Link}

POETRY: Taking the Baby to See Rothko at the National Gallery

By Jennifer Stewart Fueston
Fifteen minutes before closing seems like more time
than we’ll need to see all there is to see of Rothko’s
blocks of color, the hungry purples smeared on
canvases, the primal reds. The baby likes the moving
walkway, mobiles, flickering lights, the giant blueberry-
colored rooster crowing at the city from the roof.
I assume abstract expressionists will be a bit beyond
his comprehension, forgetting that they’re art stripped
down to form, to line and color, to oval and ochre, to
rectangle and rose. So that when his babbles echo off
the surfaces in Rothko’s room, I see he understands it
more than I will, pre-verbal, full of awe, himself another
masterpiece of bright, unsayable things.
Published in MOM EGG REVIEW 16
Jen Stewart Fueston lives in Longmont, Colorado. Her work has appeared in a wide variety of journals and anthologies. The forthcoming poem, ‘Trying to Conceive,’ was a finalist for Ruminate magazine’s McCabe poetry prize. Her chapbook, Visitations, was published in 2015. She has taught writing at the University of Colorado, Boulder, as well as internationally in Hungary, Turkey, and Lithuania.

MAMA_Logo_2015

The Museum of Motherhood, the ProCreate Project, the Mom Egg Review, and the Mother Magazine are pleased to announce the launch of a bi-monthly international exchange of ideas and art. M.A.M.A. will celebrate the notion of being “pregnant with ideas” in new ways. This scholarly discourse intersects with the artistic to explore the wonder and the challenges of motherhood. Using words and art to connect new pathways between the creative, the academic, the para-academic, the digital, and the real, as well as the everyday: wherever you live, work, and play, the Art of Motherhood is made manifest. Download the Press Release here or read about updated initiatives#JoinMAMA  @ProcreateProj  @MOMmuseum @TheMomEgg

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SPEAK UP, SPEAK OUT & Perform With FEROCITY-St. Petersburg, FLA-Feb 10-11, 2017

Deadline Extended to November 20th!

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CFP – Mothering From The Margins Conference; St. Petersburg, FLA

10-11 February 2017

How can mothers, fathers, daughters, sons and caregivers SPEAK UP, SPEAK OUT, and perform with FEROCITY?

Calling all social scientists, women’s, sexuality, and gender scholars, masculinity studies scholars, motherhood and fatherhood scholars, artists, performers, and those interested in caregiving and motherwork more generally for a creative and critical dialogue around the concept of “mothering from the margins.” How can our research, activism, and art make a difference?

Each individual and family engages in care practices from a specific social location, made up of a multitude of intersecting and co-constituting identities that are accompanied by significant privileges and oppressions. For many, motherwork takes place from the margins of society, where individuals and kin networks that do not conform to dominant family structures find themselves. We aim to consider the experiences of oppression, the possibilities for empowerment, and the impacts on individuals, families, and children when people mother from the margins. Of special interest are the following topics: LGBTQ+, queer, and alternative kinship structures; teen and young adult parents; racial minority and multiracial families; transnational caregiving and undocumented families; motherwork from and within marginalized faith communities; adoptive, blended, and multi-household families; caring for or as differently-abled or neuro-atypical; single mothers; low-income mothers and families using public assistance; conceiving and parenting after miscarriage or child death; and negotiating in/fertility; as well as those who do not identify with normative-retro-patriarchal versions of mothering and caregiving.

We welcome submissions from scholars, students, activists, artists, community agencies, service providers, journalists, mothers, and others who work or research in this area. Cross-cultural, historical, and comparative work is encouraged. We also encourage a variety of types of submissions including individual academic papers from all disciplines, proposals for panels, creative submissions, performances, storytelling, visual arts, film, music, audio, and other alternative formats.

All participants are encouraged to submit their presentation, post-conference for publication in the Journal of Mother Studies (JourMS), in August of 2017. See more at JourMS.org

Contact info@MOMmuseum.org with questions

SUMBIT HERE

READ ABOUT ANNUAL M.O.M. CONFERENCES SINCE 2005 HERE

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The Status of Mother Art Around The World [LINK]

ProCreate Project is due to launch at the Women´s Art Library at Goldsmiths University in London, England on the 15th of December, 2015. Over 100 featured ‪#‎motherartists‬. #JoinMama Book your free ticket here [LINK]

Here is my personal statement regarding the current status of mother-art around the world by M. Joy Rose:

(Martha) Joy Rose

(Martha) Joy Rose

I’ve been organizing the Mamapalooza Festival (worldwide) since 2002, which was inspired by the adventures of my mom-rock band, Housewives on Prozac (1997-2008). The intention was to support a mother-made-arts-movement and to activate social change for women who were mothers because: a) mother-made art was not being encouraged, b) venues for maternally-inspired artistic expression were non-existent. Motherhood generates its own reasons for celebration as well as illuminating a unique set of challenges. It was my very strong feeling that women who were artists should not ignore the procreative and caregiving aspects of their new-found embodied existence and that opportunities for mother-made-art should flourish.

By creating an inclusive, large-scale platform, I licensed the festival to event organizers ultimately reaching four countries and twenty-five cities. Hoping to open the portals to individual (and family) creativity as well as call attention to the specific issues women who are mothers and caregivers face. The festival garnered millions of followers through media stories generated by local events. The issues we tackled were broadly related to everything from acknowledging the liberating power of creative self-expression amidst the self-sacrificing nature of motherhood, to enhancing community engagement, as well as educating families at risk in the health, economic, and the reproductive justice arena.

ProCreateAfter years of organizing and promoting Mamapalooza through our non-profit Motherhood Foundation Inc. (2003-2010), the focus shifted to the long-term goal of having a physical location for the Museum of Motherhood. We procured a donated space in New York City from 2011-2014 where 60,000 people from around the world enjoyed our collaborative location. M.O.M. is currently online and conducts international academic conferences on the topic of mother studies (2005-ongoing). I got my graduate degree in mother studies in 2015 and am teaching through the museum portal, conducting classes in “families and social change” at Manhattan College, and writing about my experiences. Goals include continued international partnerships and a next-level space for exhibitions, classes, and archiving the science, art, and history of mothers, fathers, and families. The Mamapalooza Outdoor Extravaganza Festival continues to host approximately 10,000 families on the third Sunday of May each year in partnership with the New York Parks Department at Riverside Park South in Manhattan, USA.

I am thrilled to collaborate with the Procreate Project! Please stay in touch through MOMmuseum.org. See also Mamapalooza.com #JoinMama @MarthaJoyRose @MOMmuseum @Mamapalooza