MOM Art Annex: Exhibition & Education Center

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CFP (MOM Conference 2020) Embedded in SEWSA, USF St Pete

(USF) Women and Gender Studies is pleased to host the 2020 SEWSA Annual Conference in Tampa Bay, Florida, St. Petersburg Campus Location. The Annual MOM Conference Panels will be embedded within this conference.

Call For Papers on the subject of Mother Studies within the topic of “Embodying Disobedience, Crafting Affinities” please go to the application link and direct your inquiry to Michelle Hughes Miller who will be facilitating the organization of MOM Conference panels.

This year’s theme—figures embodiment and diverse lived experiences as the lifeblood of resistant politics and the livelihood of building alliances across our many differences. The theme echoes the broader mission of the interdisciplinary field of Women’s and Gender Studies (WGS). With its distinctive blend of research, programming, teaching, and advocacy, WGS questions conventional wisdom, challenges the status quo, critiques intersecting gendered, sexual, and racialized inequities and injustices, and strives to create social change for more equitable, ethical, and just futures.

Our theme takes special inspiration from the work of feminists of color and their allies— including early abolitionists like Sojourner Truth and Harriet Tubman, civil rights activists such as Fannie Lou Hamer, Septima Clark, and Rosa Parks, groups such as the Combahee River Collective, writers and teachers like Audre Lorde, June Jordan, Mitsuye Yamada, Cherrie Moraga, and Gloria Anzaldua, The Movement for Black Lives, founded by Alicia Garza, Patrisse Cullors, and Opal Tometi, the #sayhername campaign, the reproductive justice movement, and the work of researchers and theorists such as bell hooks, Angela Davis, Kimberle Crenshaw, Lila Abu-Lughod, Emma Perez, Saidiya Hartman, Gayatri Spivak, Dean Spade, Jasbir Puar, Fred Moten, C. Riley Snorton, and the late Saba Mahmood, among many, many others. The work of these scholar-activists is a source of critical insight into the workings of what the Combahee River Collective called interlocking systems of oppression, and a reminder that disobeying unjust state logics and challenging administrative and other forms of violence is literally a matter of life and death, more so for some populations than for others. For this reason, so too do these trailblazing and cutting-edge activists and scholars prompt us to recall the imperatives of self-reflexivity, critical positionality, and situated knowledges in confronting inequality and injustice from a variety of intersectional and transnational perspectives.

In these ways and others, our theme invites a wide range of interdisciplinary critical engagements with the body politics of disobedience. How, for instance, do different forms and modes of racialized and gendered embodiment inform strategies of disobedience to state regulation, the criminalization and dispossession of multiply- marginalized populations, and the ongoing upward redistribution of wealth and resources under neoliberalism? At the same time, the theme invites consideration of how to better craft stronger and more capacious affinities between counterhegemonic projects, for example, between The Movement for Black Lives, disability justice activism, struggles for indigenous decolonization, trans and intersex rights, prison abolition, and intersectional feminist, queer, and anti-racist research and activism. “Embodying Disobedience, Crafting Affinities,” then, seeks to emphasize the continuing import of multi-issue politics in efforts to move beyond commodified notions of allyship towards relations of radical solidarity and mutual interdependence.

In the current historical moment we are witnessing unprecedented interest in feminism and a resurgence of activism in the same space as increasing white nationalist, anti-trans, anti-immigrant, and anti-choice rhetoric, policy, and legislation. In such a climate, this year’s SEWSA takes the opportunity to draw insight and inspiration from the past and chart a course toward different, hopefully more just—and perhaps also more queer— futures. As 2020 marks the 59th quadrennial presidential election, the centennial of the 19th Amendment, and the fiftieth anniversary of the first women’s studies program, we want to remember the ways in which women’s studies has linked theory to practice, not only to transform the present but also to know the past differently and to imagine and create a world beyond it. Women’s studies, from its inception, ranged across the disciplines, found resources where it could in the name of survival and resilience, and insisted on forms of interdisciplinary inquiry that today demand questions of gender, race, and sexuality to disrupt the naturalized status quo. Women’s and Gender Studies, at its best, embodies disobedience—to the disciplines, reigning ideas of sex and gender, the nation, racial capitalism, and single-issue politics—while simultaneously fighting to craft political and intellectual affinities that will make a difference in the world.

We invite proposals that envision and examine diverse ways of embodying disobedience and crafting affinities across a wide range of theories, practices, and contexts. All disciplines, methodologies, and styles of presentation are welcome, and from students and scholars at all levels.

Possible presentation topics might include (but are not limited to):

  • The history, current state, and future of feminist, LGBTQ+, and anti-racist activisms
  • Political participation and movement building leading up to the 2020 U.S. election
  • Linkages between Black Lives Matter, disability justice activism, immigrant rights, and trans and intersex mobilization for self-determination and bodily integrity
  • The uses of anger (in Audre Lorde and beyond)
  • Politics and affect (outrage, repugnance, disgust, humor, pride, envy, loss)
  • Scholar-activist coalitions
  • Settler colonialism and decolonial feminist resistance, especially within
    Caribbean and diasporic feminisms
  • Increasing women, POC, and LGBTQ+ political representation
  • Possibilities and limitations of the #MeToo movement
  • Challenges to Title IX under the Trump Administration
  • Humanitarianism and neoliberalism
  • Digital media and activism
  • Interdisciplinary public scholarship in the era of “fake news”
  • Feminist and queer performance studies as disobedience
  • Afro-Latina identities and politics
  • Black feminist leadership and social movements
  • Disability studies: pedagogies and politics
  • Fat studies, embodiment, and activism
  • Trans and intersex studies and public policy

Session Types and Instructions:

Individual presentation proposals: 200-word proposal

Panel presentation proposals: 3-4 presenters, 600-word proposal (We strongly
encourage panel proposals from graduate and undergraduate students.)

Roundtable proposals: 6-8 presenters, 8-10-minutes each; can include works-in-
progress/slow science (600-word proposal)

Proposal submission deadline is December 6, 2019 and proposals should be submitted to: SEWSA SUBMISSIONS LINK. If you have a proposal idea that is not listed above, such as a performance piece or art submission, email conference staff at sewsa@usf.edu to discuss options. Any additional questions can be forwarded to INFO@MOMmuseum.org

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MOM Conference 2019 – April 5-6 – The Public is Invited

April 5-6, 2019

FULL CONFERENCE SCHEDULE

Rewriting Trauma & Visibility: Motherwork, Pregnancy, and Birth

Keynote presentations with Khiara M. Bridges and Roksana Badruddoja. See the schedule for more information.

GENERAL INFORMATION

The international MOM Conference is an annual event that features research, scholarship, and creative collaboration in the area of Mother Studies. Each year, the academic committee organizes university experiences that are interdisciplinary and highlight scholarship in the area of reproductive justice, maternal health, feminist theory, gender studies, literature, and the arts. The conference is organized through the Museum Of Motherhood (M.O.M.) and has partnered with multiple institutions throughout the years (2005-present), including Manhattan College, USF Tampa, Marymount Manhattan College, Columbia, ProCreate Project, Mamapalooza, and ARM now renamed MIRCI to name a few.

Activities are open to the public at no cost by RSVP only: info@MOMmuseum.org.

On Saturday evening we will induct Sara Ruben into the Motherhood Hall of Fame on behalf of her work which has brought hope and healing to so many.

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Annual Academic MOM Conference, NYC 2019: Rewriting Trauma

REWRITING TRAUMA & VISIBILITY

Motherwork, Pregnancy, and Birth

Manhattan College
Bronx, NY
APRIL 5-6 2019

The MOM Conference 2019 is sponsored by the Lasallian Women and Gender Resource Center and the Manhattan College Department of Sociology

Calling all sociologists, women’s, sexuality, and gender scholars, masculinity studies scholars, birth-workers, doctors, maternal psychologists, motherhood and fatherhood scholars, artists, performers: This conference call for papers focuses on uncovering, naming and rewriting traumas of motherwork, pregnancy and birth. We especially aim to make visible those topics related to (dis)abilities and other marginalized positionalities, relying on Patricia Hill Collins’ conceptualization of motherwork as mothering that is designed for the survival and success of the next generation in the context of oppression. We recognize traumas in multiple forms, originating before, during, and after pregnancy and birth and throughout motherhood, contextualized by the intersectional identities of those traumatized. We encourage presenters to unpack the sociocultural domain and the medicalized environment within which traumas often occur, embracing and analyzing meaning-making, as Barbara Katz Rothman and others would have us do, in the areas of maternal health and well-being.

We intend the conference to serve as a site of resistance as we reframe and reconstruct the landscape of embodied trauma within motherwork, pregnancy and birth and the ongoing labor of mothers and caregivers everywhere. We recognize the scale, variance, and duration of trauma and hope to support and empower those who most need it.

Topics of interest include but are not limited to:

Intersectional identities as the context of motherwork, pregnancy and birth traumas

Motherwork, pregnancy and birthing with (dis-)abilities, illness, and children with special needs

Biomedical and cultural discourses of motherwork, pregnancy, and birth, including issues related to marginalized identities, fertility treatment, gender, and intersex identities
Normative constructions of gender in motherwork, pregnancy and birthing

Child and maternal psychology interventions, alternative therapies, and results

Breastfeeding ambivalences, obstacles, and outcomes

Future wombs, including transplants, artificial constructions, cloning, and surrogacy

Art as healing and activism as visible resistance
Embodied resistance to socially constructed proscriptions and conventions about motherwork, pregnancy, and birth, especially as contextualized within marginalized positionalities

Narratives surrounding:

  • High-risk pregnancies, pregnancy-related illnesses, and birthing complications
  • Cesarean Section, Episiotomy and other Obstetric Violence
  • Stillbirths or Therapeutic Terminations
  • Pregnancy loss, Alternative Therapies, and Healing

Individuals conducting research, making art, working in hospital or alternative birth settings, and presentations by mothers, family members, and students as well as auto-ethnographic perspectives are welcome

All submissions for this conference should be considered for submission to the Journal of Mother Studies (JourMS), an academic, peer-reviewed journal devoted to Mother Studies. You may also submit for the conference only if you wish. Abstracts must include a title and 50-150 words for individual papers, panels, and other submission types (e.g. performance, media, music). Go to MOMmuseum.org and look for the “Conference Submissions” tab or submit a word doc. to info@MOMmuseum.org by Dec. 1

The international MOM Conference is an annual event that features research, scholarship, and creative collaboration in the area of Mother Studies. Each year, the academic committee organizes university experiences that are interdisciplinary and highlight scholarship in the area of reproductive justice, maternal health, feminist theory, gender studies, literature, and the arts. The conference is organized through the Museum Of Motherhood (M.O.M.) and has partnered with multiple institutions throughout the years (2005-present), including Manhattan College, USF Tampa, Marymount Manhattan College, Columbia, ProCreate Project, Mamapalooza, and ARM now renamed MIRCI to name a few.

DOWNLOAD_CFP_MOM_Con_2019_PDF

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A Museum of Motherhood – What’s That? [Click]

FOR IMMEDIATE RELEASE

MEDIA CONTACT: Martha Joy Rose, Director Museum of Motherhood
207.504.3001
Info@MOMmuseum.org
A Museum of Motherhood – What’s That?

St. Petersburg, Florida January 26, 2018 – When it came time for a move, there were several things motivating artist and founder of the Museum of Motherhood, Martha Joy Rose. She is the mother of Bucs football center Ali Marpet and his older brother, Brody Marpet, who is part of a new startup called Gaspar’s Rum. For Rose, family rules. Since both boys relocated to St. Petersburg, Joy as she is called, decided to follow.

Formerly a rock and roller, concert promoter, and academic, her band, Housewives On Prozac toured the country from 1998 – 2008. In 2002, she started the Mamapalooza Festival, which moved to 25 cities promoting moms who rock internationally. Along with her band, the women of Mamapalooza enjoyed appearances on Good Morning America, CNN, and multiple media outlets including the New York Times and the London Times. Thousands attended events in New York, London, Sydney, and Toronto. In 2010, Rose turned her attention to creating the first ever Museum of Motherhood on the upper east side of Manhattan. Relationships with local universities resulted in internships with students interested in studying the art, science, and history of mothers, mothering, and motherhood. M.O.M. as it is known, became a destination point for twenty thousand travelers during the museum’s 29 months on East 84th St., which was in part sponsored by Gymboree.

“I have an ongoing interest in how mothers contribute to the social and economic fabric of American culture as well as the individual struggles women who are mothers experience,” says Rose. The museum is currently located in Rose’s live/work space in a 1920s bungalow across from St. Pete High School.

Rose is speaking at the Tampa Bay Breastfeeding Task Force Annual Conference on Feb. 9th. More info here [CLICK]

The second annual “I Love MOM” Conference takes place on February 16 & 17th on the USF campus in partnership with the Museum and the USF Women’s and Gender Studies Department. International artists and academics present on a variety of topics. Free and open to the public: RSVP info@MOMmuseum.org.

The museum doors will also be open to participants in the Artist Enclave of Historic Kenwood’s annual Artist Studio Tour. The free two-day event is on Saturday, March 17 10-5 and Sunday, March 18 12-5. Copies of the edited collection, the Music of Motherhood (Demeter Press 2018), and select pieces of art, by Ms. Rose will be for sale and on display.

The museum is located at 538 28th St. in St. Pete. Tours are by appointment only and can be made online or by calling 207.504.3001. Exhibits feature a pregnancy vest (which tour participants can try on), the laminated cereal box dress worn by Rose when touring with Housewives band, and assorted art, antiques, ephemera, and teaching tools. More information is available at MOMmuseum.org

DOWNLOAD PDF PRESS RELEASE M.O.M.

MOM ONE SHEET PDF

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Schedule Your Visit to MOM in January 2018 [Click]

VISIT MOM: Help us celebrate ONE YEAR at our new location in St. Pete! The M.O.M. Art Annex has enjoyed visitors from all over the country. To schedule a visit with us in January 2018 sign up online here or write us: info@MOMmuseum.org

By checking the above box, I agree that I am participating in a tour offered by Motherhood Foundation Inc. at the Museum of Motherhood (MOM) Art Annex at 538 28th St. N. in St. Petersburg, Florida during which I receive information and instruction about mothers, fathers, and families from an interdisciplinary perspective. I recognize that with any activity, unexpected physical injury can occur, and I am fully aware of these kinds of risks and hazards. I agree to assume full responsibility for any risks, injuries or damages, known or unknown, which I might incur as a result of participating on the premises of MOM. I knowingly, voluntarily and expressly waive any claim I may have against owners, volunteers, other participants, and the non-profit Motherhood Foundation Inc. for injury or damages that I may sustain as a result of participating in activities at MOM. I agree that Motherhood Foundation Inc. at the Museum of Motherhood (MOM) Art Annex and its agents may use any image, photograph, voice or likeness, in its promotional materials and publicity efforts without additional compensation. I further understand that by participating in the photography or filming, I release Motherhood Foundation Inc. at the Museum of Motherhood (MOM) Art Annex and its representatives, licensees, employees, photographers, and their designees from any and all liability for any violation of any privacy or proprietary rights. I have read the above release waiver of liability and fully understand its contents. I voluntarily agree to its contents. I voluntarily agree to the terms and conditions stated above.

CONFERENCE: Our second “I ❤ MOM” Conference” takes place on February 16-17th in collaboration with the USF Women’s and Gender Studies Dept. and made possible by a ResearchOne grant. We hope you’ll join us. The event is open to the public through pre-registration. We are excited to feature keynote speaker Andrea O’Reilly and a book launch of the new edited collection, Music of Motherhood by M. Joy Rose, Lynda Ross, and Jennifer Hartman on Friday evening Feb. 16th. Write us at info@MOMmuseum.org.

COMMUNITY: The local Historic Kenwood Artist Enclave has been busy organizing community events, including the Arts Walk coming in March. The new enclave motto “where art lives” is particularly salient considering we really do live and work at the museum.

RESIDENCIES: Thus far, M.O.M. has hosted three residencies. In January, artist and activist, Christen Clifford arrived as our first guest and spent two weeks editing her latest work. She returned again in July. Also, we saw the first summer Spirited Woman Residency with Dawn Louise Parker who has been hard at work on her manuscript titled Forty-Seven Days of Love. In October, we welcomed Hannah Brockbank who joined us for a two week residency. Hannah is a poet hailing from Sussex, England. Her pamphlet Bloodlines will be published by Indigo Dreams in 2017 and she is a Kate Bett’s Award winner (2016). Read more about our residencies here [LINK]

LIBRARY: MOM is proud to announce that it now has the complete Demeter Library onsite!!

EXHIBITS: Try on a pregnancy vest, view anatomically correct dolls, see art from around the world, and experience a new historical display about women’s work in the home.

INTERNSHIPS: We currently have several calls out to local college students for internships for the spring of 2018. Our high school intern, Andres’ has been with us since the spring and is a St. Pete High School senior. He is hard at work cataloging our library and creating a new student exhibit for January 2018. We welcome one new intern in January as well. We’re looking forward to introducing you to her.

ONLINE: In July of 2017, according to our google report 4,239 conducted searches and found us online. We are happy and proud that people are thinking about us. We hope that we can continue to expand in our new location. If you have ideas or want to get on board, please write Museum Director: Martha Joy Rose at MarthaJoyRose@gmail.com Introduction to Mother Studies classes will re-launch with a new partnership sometime within the next six months – stay tuned.

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CFP: MOM Conference 2018 – Teaching Mother Studies In The Academy & Beyond [LINK]

LINK TO SUBMIT HERE [LINK]

LINK TO SUBMIT HERE [LINK]