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Ribbon Cutting at MoM – You Are Invited!

See our funding partner’s Year-End newsletter FHSP with a feature on MoM. The museum’s reopening celebration will highlight its newest visitor experience, an escape room adventure aptly named MoM’s Escape Womb. Designed to delight visitors age 18 and above (younger with an accompanying parent or guardian), with clues and puzzles about the secrets of life while visitors explore the nuances of conception, gestation and birth. This 60-75-minute Escape Womb health and wellness journey is educational and fun.  Read our Press Release here.

Ribbon Cutting

Join us tomorrow, Friday January 17th for a Ribbon Cutting with the St Pete Chamber of Commerce at our new space in The Factory at Noon. Peek at the Escape Womb. Play with us. See you soon. Directions are now here online.

Enjoy CAKE and sparkling water. Thanks to Emmanuel and 15th St Farms – another funded partner of Foundation for a Health St Pete.

Playdate for youngins at 10:30 AM and then Ribbon Cutting at Noon. See you soon!

The MoM Team X O X O

What’s Happening at MoM

Sunday: Amanda Bartles of Lactation Loop– Join us to socialize with other moms and families & take advantage of on the spot breastfeeding education and lactation support available to infants and toddlers. January 19th at noon with MoM. We’d love to make this a regular gathering so please do consider bringing conversations and hangouts w/mothers and others a regular part of our offerings. Please register in advance using this link

January 21st 6-7pm in observation of mentoring month. Jim Oliver (The Village Mentor) Co- Author in Repair of The Black Family Anthology. Event Title: “Guiding Hands: Mentorship for Mothers and Families.” Description: Explore how mentorship can empower mothers and families by providing guidance, support, and tools for success. This event highlights the power of shared experiences and community connections to navigate the challenges of parenting. INFO@MOMmuseum.org. RSVP please: INFO@MOMmuseum.org 877-711-6667.

Health, Wellness and Education events are commencing with Sierra Clark, Amanda Bartles and Courtney West empowered by our funding partner Foundation for a Health St. PeteEvents.

Thanks to Josh Naaman and Naaman Creative for helping with web updates!

 Money, money, money – we need it now. We need it bad. We need it to continue paying our rent. If you have access to some, or know someone we are now in emergency mode for the remainder of the year. I know prices are high and people are suffering. All the more reason for just the right match or miracle!

Why MoM Manifesto?

Why MoM? Read My Manifesto Online & More Here: Empowering All Women, Inclusive of All Reproductive Identities.

Thank YOU – See you soon, we hope.

Martha Joy Rose and MoM Team

xoxox <3

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Activism Art Birth Blog Books Caregiving Conferences Digital Media Internships Eckerd Events Featured Featured Artists Fl gender health History International JourMS Living Board Announcements MAMA MOM Art Annex MOM Conference MoM Pop Up motherhood Opportunities Residency Social Justice Sociology Spiritual Motherhood st petersburg The Factory, St Pete

Membership and Year-End Donation Drive – the Museum of Motherhood Needs You!

Greetings Friends – MoM wants you to be part of this significant, empowering, and impactful outreach initiative. Help MoM build on our successes with you as our partner. Now is the time for our year-end membership and donation drive. Your memberships and donations are our main source of income, keeping us free and open to the public throughout the year. Because of you, we continue to reach people from around the world with this important project.

Significance: We are the first and only Museum of Motherhood in the world, elucidating the art, science, and herstory of women, mothers, and families inclusive of all reproductive identities.

Empowering: We connect with students, travelers, and families reminding them of our collective shared status, our origin stories, and the inherent creativity of the human experience for the empowerment of all.

Impactful: We are devoted to educating the world about the contributions and experience of m/others both historically and in contemporary culture. We intend to fill a longstanding void by focusing on the many roles of women and mothers through our exhibits, events, resource center, scholarship, and educational partnerships. We are taking our rightful place in the museum world.

WE NEED YOUR HELP MORE NOW THAN EVER

We are a grassroots non-profit that has been devoted to the art, science, and herstory of women, mother’s and families since 2003. We have exhibited in the City of Seneca Falls (where the Suffragettes marched for the vote) the UES of New York City, and in multiple universities.

Last year, founder Martha Joy Rose featured exhibits and invited visitors into her domain post-covid and conducted 178 home tours along with sponsoring the work of artists in residence, while hosting free healthful community suppers with YesChefVillage, and creating volunteer and mentorship opportunities with local high school students throughout the semester.

During this time, many of you joined our campaign to purchase the Mother Tree for our permanent collection. Because of you, we were successful. The Mother Tree will be on exhibit at MoM beginning December 2023.

Now, we need you again! Please help us sustain our MOMentum by securing our overhead expenses from January through July 2024. Our rent total is $24 K. Help us keep the doors open, the lights on, and meaningful engagement opportunities happening. These operational expenses must be met in order to continue our work. We believe that together we can do it!

MoM opened its doors at the Factory St. Pete in the warehouse arts district this September. We currently serve 1,200 visitors each month, maintaining our mission of being free and open to the public for those most in need of support, information, conversation, and inspiration.

MULTIPLE WAYS TO GET INVOLVED

Donation: Make a donation to MoM in any amount. No amount too small. DONATE

Membership: Join MoM with a membership. Multiple levels of participation are available. JOIN

Membership/Partnership: New Member Sign Up at the FairgroundsSt. Pete use code: MOM23 for free game add on at Fairgrounds St. Pete, as well as a free Activity Map at MoM. Or sign for a new MoM Membership for for add on experience at Fairgrounds! Sign up here with membership at MoM and/or follow links to Fairgrounds St. Pete Memberships.

Conference: Participate in our Annual Academic and Arts Conference. Call for participation is here. Early Bird Conference participation is: $150. SUBMIT

Shop: Go to our store to see new products! Order something online or come by our museum store in person. SHOP

Buy and Activity Map and Tour MoM: $11.50 PURCHASE

THANK YOU IN ADVANCE – STAY BLESSED – WE ARE GRATEFUL TO YOU THIS SEASON!

JOURNAL OF MOTHER STUDIES, CFP MoM CONFERENCE ’24, PODCASTS

The Journal of Mother Studies is now up online at JourMS.org. This 8th edition of the Journal elaborates on Maternal Landscapes from a variety of perspectives including the creative and the clinical. LINK TO JOURMS

Threads of Connection–Sorry/Not Sorry: Confronting mother (and other) blame–healing & resistance in contemporary culture and beyond

St. Petersburg, Florida & Online * March 22-24, 2024 * CFP – Deadline, Dec. 15th. Calling all scholars, artists, and community members for presentations and papers on the subject of mother (and other) blame, shame and pain, with a focus on resistance and healing. This international call for papers invites artists, sociologists, maternal psychologists, philosophers, anthropologists, women’s sexuality and gender professors, masculinity studies experts, birth-workers, doctors, researchers, students, and lay-people to share their work. SUBMIT

Podcasts are up with MoM Talks with My Sister. Seven episodes are posted now on a wide variety of topics. This internship project with Bethanie Dell (and her sister) have proved to be much more exciting than we ever could have anticipated! PODCAST PAGE

Stylin’ with Thee Heiress: 4th Tuesday of each month (starting Nov 28th). Help with your child’s hair. Are you able to manage your natural curls? We are here to help. Open to the community with expert guidance. All materials are provided. $30 requested donation but no one turned away for lack of funds. Register in advance please so we know how many hair kits to bring. Call 877-711-MOMS (6667) or write: INFO@MOMmuseum.org. Registration: using this link! 

Herstory/History on a cushionLast Saturday of each month, Join Donika Vlada for history/herstory on a cushion at MoM. Sessions are 2-3:30 with stories, games, art-making, and discovery. Hands on activities offer fun and learning for ages 5 +. Pre-register by filling out our online form, emailing: INFO@MOMmuseum.org or by calling 877-711-MOMS (6667). Donations welcome. Parents can hang out in a chill environment or poke around The Factory.

GO TO OUR EVENTS PAGE TO SEE UPCOMING HAPPENINGS AT MOM

Event Page with LOVE!

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November News: Internships, Numbers, and Making M/otherhood Count!

Hello World – How are things going for everyone? As we roll from October into November, signaling the beginning of another holiday season, we want to share our inspiration, hope, and love to each of our friends near and far.

Our November Newsletter went out last week. If you are not getting our monthly updates, please DO sign up for our newsletter using one of the links here on our website:

The Annual Academic MoM Conference will take place in person and online in 2023. Call for papers is posted. This annual event is a collaborative effort with artists and academics to create experiences that are both educational and artistic in nature, contributing to the body of work that comprises a vast field of mother studies. CFP due by November 30th! Link to CFP.

The 7th Issues of the Journal of Mother Studies is now live and available to read. This journal is a peer-reviewed, international, interdisciplinary open-access, digital humanities hybrid project focused on Mother Studies, a field of study devoted to the issues, experiences, topics, history, and culture of m/others, mothering, and motherhood. Special thanks to our editor Nicole Musselman! Read more.

You’re invited to join the St. Petersburg Mothers’ Club, where everyone is welcome. If you crave connection, heartfelt conversation, and an opportunity to explore the nuances of m/otherhood while navigating your individual well-being, this is the place for you! Read more.

We welcomed another intern this fall. Гердт Мария has been diligently combing through some of our more advanced texts to facilitate a new round of MoM classes in the new year. We hope to synthesize her research with existing coursework in order to launch an easily accessible class in mother studies for all to see. She has been diligently translating portions of the book the Women Founders by  Patricia Madoo Lengermann, Gillian Niebrugge. Now more about Maria:

My name is Maria, I’m a second-year undergraduate student at Higher School of Economics in Moscow. I’m a sociology major and a pubic history minor. I’m passionate about women’s rights, female literature and art, especially representing relationships between mothers and daughters or sapphic relationships, but I generally find women’s studies and herstory an inspiring and fascinating academic field. I’ve written multiple student’s papers on the topic, published two articles, and always try to support feminist initiatives in my city and my country. I’m also curious about politics and political theory, love reading, watching movies, attending galleries. I’ve always found it frustrating how women’s voices get ignored or stolen and I’m grateful to MoM for an opportunity to discover and share the lives and ideas of great female sociologists.

Coming in January 2023…

MoM welcomes Laura Gabrielle from Portland, Oregon. Laura is a graduate student in museum studies. She enjoys attending music and art events, discovering new cafes, or spending time at home with books and films. She especially loves historical dramas with good costume design! Being in the Pacific Northwest, she appreciates living in close proximity to the coast, mountains, and rivers for outdoor activities. Her research project will be dedicated to the erased history of women’s input in sociology and social theory starting with 19th century. As a research assistant, Laura will help create content for a booklet that will be incorporated within a 4-week class at Museum of Motherhood.

That’s it for now. Have a busy and blessed November – We’ll see you soon!

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Art Blog Books Featured Artists Literature Residency

Meet the Newest Artist Resident at MoM: Gloria Munoz

We are excited to announce our newest Guest Artist in Residence, Gloria Muñoz! During her residency, Gloria hopes to focus on developing her novel which is set in 1940s Colombia during the period known as La Violencia. With elements of fabulism, historical fiction, and eco-poetics, the story of two sisters who are displaced by violence and left to fend for themselves is a testament to how we can experience wonder, and even magic, after loss.

Continue reading to find out more about Gloria.

Gloria Muñoz is a Colombian-American writer, literary translator, and advocate for multilingual literacy and writing. She was awarded the Academy of American Poets 2019 Ambroggio Prize and the Gold Medal Florida Book Award. She has also been honored by the Highlights Foundation’s 2022 Diverse Verse Fellowship, the Macondo Workshop, Lumina’s Multilingual Nonfiction Writing Award, a Las Musas Mentorship for Latine and nonbinary authors, a New York State Summer Writers Institute Fellowship, a St. Petersburg Arts Alliance Muse Award, a Creative Pinellas Grant, the Estelle J. Zbar Poetry Prize, the Bettye Newman Poetry Award, a Gen Yes Doris Duke Foundation Artist Award, a Think Small to Think Big Artist Grant, and a St. Petersburg Arts Alliance’s Jim Rolston Professional Development Grant. Gloria was part of the inaugural Tin House YA workshop and has presented her writing, research, and advocacy work at conferences, colleges, public schools, and book festivals across the United States and Latin America. Her writing has appeared in Puerto del Sol, VIDA Review, Acentos Review, Lumina, the Rumpus, Yes Poetry, Juke Joint, Best New Poets, Sweet, Burrow Press, Cosmonauts Avenue, Entropy, Wildness, Cagibi, and elsewhere. Muñoz is also the author of the chapbook Your Biome Has Found You. She holds degrees from Sarah Lawrence College and the University of South Florida. A proponent of cross-disciplinary collaboration, Gloria has worked alongside botanists, musicians, dancers, historians, classicists, visual artists, conservationists, and neuroscientists. She is a co-founder of Pitch Her Productions and she is one-half of the songwriting team Moonlit Musíca. Most days she writes, teaches, and works with environmental nonprofits.


Also, Announcing This Week:

MoM is also pleased to announce, a conversation about the film, Adventures in Miscarriage with director Cheryl Furjanic, who presented her film trailer at the MoM Conference in 2022 – in person in St. Petersburg in March!

She received incredible feedback and has just launched a new version of the trailer and a summer fundraiser for the film. Here is the link. https://watch.showandtell.film/watch/adventures-in-miscarriage-summer-fundraiser

It will be up until July 31st. Then, on Wednesday, July 27th at 6:30pm ET, she will be hosting a conversation about the film and the current state of miscarriage care. Here’s the link for that: https://nyu.zoom.us/webinar/register/WN_1xNcM1coSLmlMZAJCKXDlA

We are excited to support and view this important film which offers a perspective into this generally underreported experience!

If you are interested in applying for a guest residency here at MoM, please go to our website HERE: https://bit.ly/3uRgugm  to find out more. BE SURE TO HURRY! Spots have been filling FAST! We hope that future tours of the space will be available soon, but they are by appointment only in Artist Enclave Historic Kenwood: “where art lives.”

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Art Birth Blog Books Caregiving Featured Feminism health MAMA MOM Art Annex motherhood Residency Spiritual Motherhood st petersburg

MAMA Issue 50: Mothers and trees. Roots and families. Art and love.

The Mother Tree

I want to write about mothers and trees. Roots and families. Art and love.

Last year our world appeared to be on fire. Headlines captured devastating events around the globe. From politics to pandemics, the news cycle, as well as our personal lives, were upended in so many ways. In the midst of one of many California blazes, a story about a redwood matriarch dubbed the Mother of the Forest in Santa Cruz, California caught my attention.

Mother of the Forest is one of the tallest trees in Santa Cruz Park. A symbolic womb at her core forms an 8 x 13 foot room, or a hobbit hole, or a sacred space — depending on your perspective.   

I have become obsessed with trees. 

Trees are a testimony to patience and resilience. They offer shelter, contribute to healthy ecosystems, and fight climate change. Redwoods protect and support each other as well as other sapling growth by creating family circles sprouted from the roots of a parent tree. These families may or may not be genetically related. These lessons in cooperation can be a metaphor for humanity in its current fragmented state.

One month ago, I headed back to the MOM Art Annex in Florida after a prolonged absence. Ready to explore the next steps with our community and see to the ongoing growth of the Museum project, I arrived energized. Rising in the midst of display artifacts, art, and birthing objects, a new exhibit towers in the heart of the Annex. Artist Helen Hiebert’s Mother Tree is a brilliant illuminated sculpture made of paper and thread on loan to us for the year.

In preparation for the Mother Tree’s arrival, I pursued the book Finding the Mother Tree by Suzanne Simard, a deeply inspiring tale of scientific discovery and maternal care. I pondered our new directions with the Museum of Motherhood and gladly welcomed a guest artist residency proposal by Polly Wood, which included constructing an empty nest as a ceremonial acknowledgement of her daughter going off to college.

“A nest,” I exclaimed. “How timely for the Mother Tree’s arrival.”

Polly and I spent a glorious two weeks spinning magic. A blog about her residency is online at MOM. The next guest artist arrives in mid-December with work featuring among other things, landscapes and trees in gorgeous muted watercolors. 

Polly Wood working on her “Empty Nest” at MOM

As the year winds down, I gratefully acknowledge the manner in which I’ve been able to spend time with emerging mother artists here in St. Petersburg, and also family as well. My son, his wife, and their baby have been on-site for the last six weeks, crowded into the MOM Art Annex’s tiny space– along with the exhibits, myself, and visiting guests. My one-year old granddaughter crawls around the carefully childproofed perimeter while I proudly chase after her.  

In these accompanying photos, I introduce my granddaughter to a world of female sheroes, the art of motherhood, and a variety of messages aimed at empowering women and girls. The images for this MAMA exhibit also include my own self-portrait surrounded by the Mother Tree’s yarn roots in a symbolic gesture of rebirth, renewal, and generational connection. 

Martha Joy Rose ; rebirth with Helen Hiebert’s “Mother Tree” sculpture and Polly Wood’s “Nest”

Every major tree metaphor reminds me to trust in the slow, yet, steady growth of the museum project. Good things take time. Like a redwood, we want the museum to stand as a testament to the ages. We want to collaborate with our community and our surroundings. These things develop and deepen slowly. We are the connection. We are the women. We are the love. We are the trees.

If you would like to donate to our Mother Tree acquisitions campaign, please consider helping us purchase the Mother Tree in perpetuity by making a tax-deductible donation here.

In gratitude and perseverance, Martha Joy Rose

Frank and Sojourner Truth at MOM 2021

Raising the next generation of empowered humans means teaching them about our past: our struggles, problems, issues, and herstory. At the MOM Art Annex we do exactly that, while building towards our future by developing the footprint for the Museum of Motherhood project as an international education and exhibition destination.

I look forward hopefully, understanding deeply the importance of engaging with people of all ages in an inclusive, supportive, and smart environment. Together we can elevate the voices and artistic endeavors of all humans, and in our case, especially m/others, procreators, dreamers, childless by choice, women in history and present day sheroes– as well as those who have suffered loss and infertility.

My granddaughter and I have started this conversation early and often – even though she is still pre-verbal. A picture is worth a thousand words in this case!

Martha Joy Rose: Martha Joy Rose is a community organizer and Museum of Motherhood founder. Her work has been published across blogs and academic journals and she has performed with her band Housewives On Prozac around the world. She is the NOW-NYC recipient of the Susan B. Anthony Award, her Mamapalooza Festival Series has been recognized as “Best in Girl-Power Events”, and her music has appeared on the Billboard Top 100 Dance Charts. She founded the Museum of Motherhood in 2003, created the Motherhood Foundation 501c3 non-profit in 2005, saw it flourish in NYC from 2011-2014, and then pop up at several academic institutions. After teaching Mother Studies at the college level, she moved to St. Petersburg, Florida. Her current live/work space is devoted to the exploration of mother-labor & performance art while she oversees the continued growth of the Museum of Motherhood project.

Helen HiebertHelen Hiebert constructs installations, films, artists’ books and works in paper using handmade paper as her primary medium. Her sculpture Mother Tree serves as a symbol of the vulnerability, strength and sense of community she feels as a mother. The seven-foot tall handmade paper dress/tree features single strands of thread which extend from the bodice of the dress, representing mother’s milk, and cascade to the floor, transforming via crochet into roots which pile up, filling the surrounding space as a tree’s roots would fill the ground beneath it. The transformation from dress to tree and root to soil symbolizes the mother as a provider and nurturer throughout human development. Since her inception, hundreds of people have contributed to crocheting roots with messages of family, friendship, and affirmation.

Procreate Project, the Museum of Motherhood and the Mom Egg Review are pleased to announce the 50th edition of this scholarly discourse. Literature intersects with art to explore the wonder and the challenges of motherhood. Using words and art to connect new pathways between the academic, the para-academic, the digital and the real, as well as the everyday: wherever you live, work and play, the Art of Motherhood is made manifest. #JoinMAMA #artandmotherhood

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Bitch In The House – Has Anything Changed?

By Violet Phillips

Cathi Hanauer is an author in Northampton, Massachusetts who graduated from Syracuse University. During college, she double majored in magazine journalism and literature, and graduated with magna cum laude and phi beta kappa honors, after winning a journalism award and interning for Seventeen. She’s since written articles for the New York Times, the Washington Post, Elle, O, Real  Simple, and Glamour, was formally the books columnist for Glamour and Mademoiselle, and the relationships advice columnist for Seventeen and nexttribe.com and has taught at The New School and the University of Arizona. [1]

Her essay collection, The Bitch in the house, is about women’s frustration with marriage and motherhood. The women whose writing was included are not unusual. According to CNN::

“46% of moms get irate with their husbands once a week or more. Those with kids younger than 1 are even more likely to be mad that often (54 percent). About half of the moms describe their anger as intense but passing; 1 in 10 say it’s “deep and long-lasting.”

44% of mothers feel like the fathers aren’t aware of chores and childcare tasks that need to be done and are poor at multitasking. [2] other common problems are men paying more attention to their mothers than to their wofes, expecting their wives to take care of all responsibilities, being messy and thinking housework isn’t their job, not communicating their feelings and obsessing over sports. [3]

Often, women accept those types of circumstances and do the work with no complaint. According toTIME:

“In 1994, sociologists Mary Clare Lennon and Sarah Rosenfield looked at the time diaries of working women and their husbands, as well as individual reports on both individuals’ feelings about the distribution of labor in their homes. They found that the men who performed 36% of their household’s labor reported the strongest feelings of fairness. But the women who were most likely to say the arrangements were fair expected men to do even less: their time diaries attested to the fact that they were doing 66% of their household’s labor. Lennon and Rosenfield wrote, “both women and men appear to believe that women should do about two-thirds of the household chores.””[4]

This might be because marketing and media images have, increasingly, began to show mothers as blissful and selfless, and women feel pressured to go along with it, but that increasingly appears to not be the case. As life coach and writer Beth Berry says:

“Motherhood heavily engages some aspects of who we are, while leaving almost no room for the growth of other, equally essential parts. Unless we’re aware of the need to balance this out outside of motherhood (and can manage to find the time and support to pull that off), wholeness and thriving can feel quite elusive.”

She also points out that postpartum care can be disappointing. Women often don’t make enough money to raise kids the way they’d like to and extended family members tend to not be as helpful as you might hope. Moms feel the pressure to fight against aging and the media and marketing are constantly working against mothers. [5]

The statistics are predictably grim. According to TIME:

“A survey of 913 mothers commissioned by TIME and conducted by SurveyMonkey Audience found that half of all new mothers had experienced regret, shame, guilt or anger, mostly due to unexpected complications and lack of support. More than 70% felt pressured to do things a certain way. More than half said a natural birth was extremely or very important, yet 43% wound up needing drugs or an epidural, and 22% had unplanned C-sections. Breastfeeding, too, proved a greater challenge than anticipated. Out of the 20% who planned to breastfeed for at least a year, fewer than half actually did.” [6]

Even though it might seem like the current generation has more freedom than past mothers, many millennial women disagree.  As editor EJ Dickinson says:

“Even in an era when shifts in gender and social norms are the norm, we are still limited by a culture that stubbornly refuses to make space for all of our dreams. No matter how many advanced degrees we earn, no matter how many bad men we replace with supportive and nurturing partners, and no matter how strong and self-sufficient we are, millennial women are still forced to decide between deeply dissatisfying options. Choose motherhood over work, and we lose out on the self-empowerment, personal fulfillment, and financial independence a career affords; choose work over motherhood, and we lose an experience that could give our lives new color and dimension and meaning; try to have both, and we end up embittered and exhausted, operating on half-empty at all times.”[7]

Author Meaghan O’Connell goes so far as to argue that oppression starts with the idea of mothers:

“It was so stark to me, honestly. I was a gender studies major, I was a feminist in high school, I wasn’t one of those people who was thirty-five and hadn’t considered myself a feminist. But I really found myself breastfeeding all the time and thinking, this is why women are oppressed. I figured it out, in this visceral way that was undeniable to me, and an inconvenient reality. You can’t be stuck on a couch feeding your baby around the clock and not thinking about this. I mean, I guess people do. I just remembered this, I was running around the track, my boobs were full of milk, and and I knew I had to be home soon, and I was like, this is it, this is the core of all of it. If women didn’t give birth, we would probably be equal.” [8]

Being a stepmother can bring even more discrimination and discontement. Blogger Jamie Scrimgeour bemoans: “The stigma in our society, the challenge of finding your place in a family that was created before you were even a thought, finding your place with your stepkids, the ex, extended family. The list of challenges is exhausting, especially if you’ve found yourself in a high conflict co-parenting relationship.”[9{

But, there are easy ways motherhood can be improved. According to psychology today:

“Support from friends and family help new mothers deal better with stress, and this has been proven to help mothers see their children in a more positive light. Mother’s who have the help of people they trust feel more self-esteem, confidence as a parent, and struggle less to access information that helps them problem-solve for their bundle of joy.” [10]

It seems as if social support would improve the lives of Cathy Haneur and other writers who’ve spoken out about being angry over motherhood and wifehood not living up to their expectations.

Editor’s note: Each month as part of MOM’s ongoing remote internship initiative, Violet Phillips puts pen to paper to review books from our library. Her most recent submission is detailed here. The editor’s thoughts are as follows: While social support appears to improve women’s feelings about motherhood, COVID has made life especially difficult to navigate. Not just for mothers, but for everyone. Recent articles indicate that the fundamental challenges for women who are mothers remain fundamentally unchanged with or without this setback from the ongoing pandemic. A recent New York Times article, ‘This Is a Primal Scream‘, depicts the frustration of America’s maternal mental health crisis, as does this article by Kimberly Seals Allers in the Washington Post titled ‘Female Rage is All The Rage‘ (2018). Cathi Hanauer and friends have an updated version of this book called The Bitch Is Back: Getting Older, Wiser, and Happier, which is nice to hear– but, this editor, deep in the trenches of motherhood asserts, there is still plenty of work to do! The original Bitch in the House is part of MOM’s library. (Martha Joy Rose, 2021).

Sources

[1] cathihanauer.com online. Accessed April 22, 2021.

[2] cnn. “Why we get mad at our husbands.” Martha brockenbrough and parenting.com 7:47 am est, November 29, 2011. Online. Accessed April 22, 2021.

[3] divorcedmoms.com “9 martial problems only women face.” January 21, 2020. Jolie Warren. Online. Accessed April 22, 2021.

[4] time. “Too often, working mothers do far more of the childcare than their husbands. Here’s how to fix that.” Darcy lockman. May 16, 2019. Online. Accessed April24, 2021.

[5] Beth berry revolution from home. “Why modern-day motherhood feels so fusterati g.” January 16, 2018. Onomatopoeic ne. Acessed April 24, 2021.

[6] time. “Motherhood is hard to get wrong. So why do so many moms feel bad about themselves?” Claire howorth. October 19, 2017. Online. Accessed April 24, 2021.

[7] bustle. “Let’s talk about why so many young women are convinced motherhood is going to suck.” Ej Dickson. March 30, 2018. Online. Accessed April 34, 2021.

[8] electric lit reading into everything. “Meaghan O’Connell thinks motherhood is what keeps women oppressed.” March 29, 2018. Becca s huh. Online. Accessed April 24, 2021.

[9] Jamie scrimgeour. “What makes being a stepmom so damn hard.” November 21, 2091. Jamie scrimgeour. Online. Accessed April 24, 20121.

[10] psychology today. “New moms need social support.” January 13, 2013. Online. Accessed April 24, 2021.

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Our Bodies Ourselves – The MOM Library

By Violet Phillips

Our Bodies, Ourselves was written by The Boston Women’s Health Collective in 1970, with the goal of promoting women and girl’s health, reproductive rights, and sexuality. The knowledge presented was radical for its day, illuminating topics as varied as masturbation and abortion.

To quote the Los Angeles Times, “Forty years ago, a copy of “OBOS” on the shelf signified you were a certain type of woman — curious, and unashamed of it. In control. You were not the high school junior who was clueless about sex and pregnancy and missed six months of classes due to “mono.”[1]

Three years after Our Bodies was published, abortion in America became legal with the passing of Roe Vs Wade.[2] Sex education programs in classrooms had been gaining in traction in schools since the 1960s.[3] However, controversy about girl’s bodies and who controls them has continued to be a topic of debate and public discourse.

Even in 2020, there is still growing pressure for women to get plastic surgery and sexual images shown on media pressure teenagers to engage in certain behaviors. While there have been many systemic changes, teenage girls’ vulnerability to STDs, ongoing pressure to have sex at a young age, and unrealistic beauty standards haven’t changed enough. Society continues to evolve, but when it comes to recognizing individual’s personal choices there is still room to be more inclusive.

Early versions of Our Bodies, Ouselves did not include information about transgender identities, environmental concerns, or mental health advice. However, the writers have since expanded their knowledge. In 2020, Our Bodies, Ourselves launched a website. Today, they give well-researched advice, on health, sexuality, and wellness for women, girls and also transgender people.

Throughout the years, The Boston Women’s Collective has inspired health care policies, research on women’s health, feminist activism, feminist studies, health care, and health activism. Prior to the publication of this seminal piece of literature, in many parts of the world, sexuality as well as reproductive rights had many negative associations.[4]

I have grown up in an era of increased knowledge. Gone are the early-day doctors who focused on women’s reproductive value, and used “hysteria” as a diagnosis, which minimized women’s emotional wellbeing and invalidated women’s experiences.[5] My grandmother nearly died from a botched illegal abortion in the early 60s. The original copy of Our Bodies, Ourselves in my bookcase was inherited from her. Because of the work of the Boston Women’s Collective, I am privileged to enjoy a more positive outlook than many women from my grandmother’s age.

Access to the internet in 2021 connects us at unprecedented levels. One recent novel titled, Conversations  Between Friends published in 2017, by Sally Rooney, discusses the topic of endometriosis. The main character gets diagnosed at 21 years old. The disease is often undiagnosed and rarely mentioned in the media, even though it’s been known to have serious effects on mental health, and even on education. Endometriosis is addressed on the new Our Bodies Ourselves website.[6]

Despite a prolific and sometimes superficial “wellness culture” that includes dubiously helpful information, there is a forty-year-plus history of Our Bodies Ourselves which gives people verified information that is dedicated to addressing topics as wide-ranging as motherhood, health, reproductive-control, and emotional well-being. That is a good thing!

CITATIONS


[1] https://www.thedailybeast.com/our-bodies-ourselves-turns-40-why-the-womens-sexual-health-book-still-matters. Our bodies, ourselves’ turns 40: why the women’s sexual health book still matters.” Jessica bennettt. Daily beast. September 30,  2011. Online. Accessed January 9,2021.

[2] https://www.history.com/topics/womens-rights/roe-v-wade#:~:text=Sources-,Roe%20v.,procedure%20across%20the%20United%20States.&text=Wade%2C%20abortion%20had%20been%20illegal,since%20the%20late%2019th%20century. Accessed January 11, 2021.

[3] https://www.plannedparenthood.org/uploads/filer_public/da/67/da67fd5d-631d-438a-85e8-a446d90fd1e3/20170209_sexed_d04_1.pdf. Planned Parenthood accessed January, 11, 2021

[4] The legacy of Our bodies, O

urselves– and how one book can change your entire life.” Laura lambert. Brightly. Online. Accessed January 9, 2021.

[5] The female problem: how male bias In medical trials ruined women’s health.” Gabrielle Jackson. The guardian. November 13, 2019. Online. Accessed January 8, 2021.

[6] https://www.ourbodiesourselves.org/book-excerpts/health-article/endometriosis/. Accessed January 11, 2021

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ABOUT

Meet our newest intern, English major Violet Phillips from Mills College, Oakland, CA. Read more about Violet on our Internship page. We look forward to her ongoing reports from the MOM Library, posted here throughout the next few months.

Categories
Blog Books Education Featured Feminism gender History Internships

WITCHES, MIDWIVES AND NURSES

By, Srilagna Majumdar

In America, the month of October is the month of witches – the evil, the cruel, and the ugly. The Museum of Motherhood has hundreds of books in its collection, intended to educate, elucidate, and empower. How have women been targeted as witches throughout history, since the middle ages and what can we learn? Let’s look at how Barbara Ehrenreich sheds light upon this subject in her book “Witches, Midwives and Nurses: A history of women healers “ :

The age of witch-hunting spanned more than four centuries in its sweep from Germany to England. Witches represented a political, religious, and sexual threat to the Churches, as well as to the State. In the late fifteenth and sixteenth centuries, there were thousands of executions- usually burnings at the stake- in Germany, Italy, and other countries- an average of 600 a year for certain German cities. The witch hunts represented a deep-seated social phenomenon that goes far beyond the history of medicine. The most virulent witch hunts were associated with periods of great social upheaval shaking feudalism at its roots- mass peasant uprisings and conspiracies, the beginning of capitalism, and the rise of Protestantism. In some areas, witchcraft represented a female lead peasant rebellion. Unfortunately, the witch herself- poor and illiterate- did not leave us her story. It was recorded, like all history, by the educated elite so that today we know the which only through the eyes of her persecutors. 

While one theory suggests that witch-craze was an epidemic of mass hatred and panic, another interpretation holds that witches themselves were insane. But, in fact, the witch-crazes were neither a lynching party nor a mass suicide by hysterical women. The witch-hunts were well-organized campaigns, initiated, financed and executed by Church and State. Anyone failing to report a witch faced both communication and a long list of temporal punishments.

Who were the witches, then, and what were their “crimes” that arouse such vicious upper-class suppression? First, witches are accused of every conceivable sexual crime against men. Second, they are accused of being organized. Third, they are accused of having magical powers affecting health- of harming, but also of healing. Witch-healers were often the only general medical practitioners for people who had no doctors and no hospitals and who were bitterly affected by poverty and disease. But witch-hunters Kramer and Sprenger had to write, “ No one does more harm to a Church than midwives”. Male upper-class healing under the auspices of the Church was acceptable, female healing as a part of a peasant subculture was not (Pages 7,8,10,14).

The witch healers methods posed a great threat to the Church, since the witch relied on her senses, and on trial and error, cause and effect. She didn’t need any faith or doctrine- this hit the dogma of the Church very hard. This scared the orthodox authoritative Church and compelled them to curb the potential of these women. So, now you know why some regressive and mean minds refer to intelligent, brave, and proud women as “witches” every now and then, even today!

Srilagna Majumdar, India
Included in the MOM Art Annex Library
Categories
Art Birth Books Education Feminism gender International Internships Queering Parenting

Making Space for More Than One Mother

By Aster Woods

Shelley Park in “Queering Motherhood” discusses her personal experience with being both a birth-giving mother and an adoptive mother in an extended family. She considers her children’s own perspectives on the way in which she mothers them; her adopted daughter in particular is resistant to her claim of motherhood, screaming “You’re not my real mother!” at her through a slammed-shut door. This leads Park to consider:

“ If child’s affective psychology might be queered to allow “room in her mind” for two (or more) mothers.”

Which begs the question, how do children absorb and interact with monomaternalism as it intersects with the heteronormative hegemony? This is the “teleological script – mythological life script” It is the pervasive system of indoctrination to the idea that a nuclear family is the only worthwhile family. It is tempting to see this as an outdated concept – and it is – and yet it remains with us, a shadow cast by our confusion and doubt. This concept of a perfect family is flawed in so many ways; as Park says, it:

“Ignores historical realities of genetic families divided by poverty, war, and slavery. It is further contested by the now common forms of family created by adoption, divorce, and remarriage, and new reproductive technologies such as surrogacy and in vitro fertilization (IVF)”.

Intuition is arguably an infant’s most profound sense of ability. Babies have no other reliable sense, no way of understanding the things they do perceive, but they can intuit accurately and consistently from birth. Furthermore, as a child begins to learn about the world around them, they are devoted to classification and organizing systems; particularly child-friendly systems such as color-coding. Have you noticed the extent to which we classify children’s gender? Before they have any concept of it their clothing, toys, books, games, and TV is telling them exactly what they are and how to behave based on that. This is compounded by what they mirror from the people around them (predominantly parents, although teachers and extended families play a huge role also) their intuition leading their development in a subtle but insidious way toward conformity. The “unlearning” of this comes in fits and starts later and throughout life; girls of 7 or 8 will ritualistically destroy their barbies, disavowing simultaneously their child-ness and their female-ness. Young boys have less permissivity in their experimentation of rejection; in a world where femalehood is seen as defective, a young girl aping boyhood is seen as unproblematic whereas a boy rejecting boyhood is cause for serious concern. The teenage years, with their turbulent uncertainty, are often marked with a return to gender norms which are then re-negotiated in emerging adulthood.

And so, to revisit Park’s question – How to “queer a child’s affective psychology” to refute the heteronormative one-mother fallacy?

From an adopted child’s perspective, these two frameworks are irreconcilable; loyalty to either script requires the child to be disloyal to someone in her life. Hence, as I suggest here, neither script’s notion of a “real” mother is adequate and the adopted child—indeed all children with multiple mothers, including children of divorce and remarriage, children of lesbian partners, and children birthed with the aid of new reproductive technologies and relationships—need to learn to deconstruct the nature/culture dichotomy that gives rise to these notions.

The nature vs nurture debate leads to some difficult ideological areas. One argument supporting genetics and privileging gestation and birth as the only valid path to motherhood, can be uncovered as problematic when you consider the child is a person in their own right, who cannot be owned or controlled unless ethical structures are seriously breached. However, are children blank slates? I don’t believe so. Genetic and epigenetic factors aside, how much do we pass on to our children?
As Uma Narayan (1999) states, perhaps the most ethical form of parenting holds “the virtue of privileging a child’s interests above those of competing parents, treating children more as ends-in-themselves than as objects of property-like disputes between contending parents.”

Furthermore, by rejecting the teleological, monomaternalistic and heteronormative life-script we are able to engage again with other historical and cultural forms of child-rearing, which involve:

“maintain[ing] as many . . . parental connections with adults who wish to maintain these bonds as is . . . feasible in any given case”

And, when done responsibly and ethically, have been proven to be beneficial for the health of all children and adults involved.

Sources:

Park, Shelley M. Mothering Queerly, Queering Motherhood. State University of New York Press, 2013.

Petrella, Serena. 2005. A geneology of serial monogamy. In Geneologies of identity: Interdisciplinary readings on sex and sexuality, eds. Margaret Sönser Breen and Fiona Peters, 169–82.

Narayan, Uma. 1999. Family ties: Rethinking parental claims in the light of surrogacy and custody. In Having and raising children: Unconventional families, hard choices, and the social good, ed. Uma Narayan and Julia J. Bartkowiak, 65–86. University Park: Pennsylvania State University Press.

Categories
Art Birth Books Conferences Featured motherhood

Schedule Your Visit to MOM in January 2018 [Click]

VISIT MOM: Help us celebrate ONE YEAR at our new location in St. Pete! The M.O.M. Art Annex has enjoyed visitors from all over the country. To schedule a visit with us in January 2018 sign up online here or write us: info@MOMmuseum.org

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By checking the above box, I agree that I am participating in a tour offered by Motherhood Foundation Inc. at the Museum of Motherhood (MOM) Art Annex at 538 28th St. N. in St. Petersburg, Florida during which I receive information and instruction about mothers, fathers, and families from an interdisciplinary perspective. I recognize that with any activity, unexpected physical injury can occur, and I am fully aware of these kinds of risks and hazards. I agree to assume full responsibility for any risks, injuries or damages, known or unknown, which I might incur as a result of participating on the premises of MOM. I knowingly, voluntarily and expressly waive any claim I may have against owners, volunteers, other participants, and the non-profit Motherhood Foundation Inc. for injury or damages that I may sustain as a result of participating in activities at MOM. I agree that Motherhood Foundation Inc. at the Museum of Motherhood (MOM) Art Annex and its agents may use any image, photograph, voice or likeness, in its promotional materials and publicity efforts without additional compensation. I further understand that by participating in the photography or filming, I release Motherhood Foundation Inc. at the Museum of Motherhood (MOM) Art Annex and its representatives, licensees, employees, photographers, and their designees from any and all liability for any violation of any privacy or proprietary rights. I have read the above release waiver of liability and fully understand its contents. I voluntarily agree to its contents. I voluntarily agree to the terms and conditions stated above.

CONFERENCE: Our second “I ❤ MOM” Conference” takes place on February 16-17th in collaboration with the USF Women’s and Gender Studies Dept. and made possible by a ResearchOne grant. We hope you’ll join us. The event is open to the public through pre-registration. We are excited to feature keynote speaker Andrea O’Reilly and a book launch of the new edited collection, Music of Motherhood by M. Joy Rose, Lynda Ross, and Jennifer Hartman on Friday evening Feb. 16th. Write us at info@MOMmuseum.org.

COMMUNITY: The local Historic Kenwood Artist Enclave has been busy organizing community events, including the Arts Walk coming in March. The new enclave motto “where art lives” is particularly salient considering we really do live and work at the museum.

RESIDENCIES: Thus far, M.O.M. has hosted three residencies. In January, artist and activist, Christen Clifford arrived as our first guest and spent two weeks editing her latest work. She returned again in July. Also, we saw the first summer Spirited Woman Residency with Dawn Louise Parker who has been hard at work on her manuscript titled Forty-Seven Days of Love. In October, we welcomed Hannah Brockbank who joined us for a two week residency. Hannah is a poet hailing from Sussex, England. Her pamphlet Bloodlines will be published by Indigo Dreams in 2017 and she is a Kate Bett’s Award winner (2016). Read more about our residencies here [LINK]

LIBRARY: MOM is proud to announce that it now has the complete Demeter Library onsite!!

EXHIBITS: Try on a pregnancy vest, view anatomically correct dolls, see art from around the world, and experience a new historical display about women’s work in the home.

INTERNSHIPS: We currently have several calls out to local college students for internships for the spring of 2018. Our high school intern, Andres’ has been with us since the spring and is a St. Pete High School senior. He is hard at work cataloging our library and creating a new student exhibit for January 2018. We welcome one new intern in January as well. We’re looking forward to introducing you to her.

ONLINE: In July of 2017, according to our google report 4,239 conducted searches and found us online. We are happy and proud that people are thinking about us. We hope that we can continue to expand in our new location. If you have ideas or want to get on board, please write Museum Director: Martha Joy Rose at MarthaJoyRose@gmail.com Introduction to Mother Studies classes will re-launch with a new partnership sometime within the next six months – stay tuned.