The Annual Academic MoM Conference takes place this weekend, March 24-26 on Zoom and in person in St. Petersburg, FL. This annual event has been ongoing since 2005 with participants around the globe spearheading research, art, and autoethnography on women, mothers, families (and men), since its inception.

Some of this pioneering work has been featured in the Journal of Mother Studies (JourMS). All of this work has been highlighted within academic institutions. This year, however, the privately-funded conference is taking place in a modified-hybrid setting. As the ramifications of the pandemic take its toll, as women push back on hard contractions of basic human rights, and as mother’s struggle to survive and thrive, MoM is not without its struggles.

Specifically, the ongoing work of development of the museum initiative regularly encounters seemingly insurmountable obstacles. Like every non-profit, we struggle with funding for our ongoing needs and growth. We implement plans for progress and experience push-back from unseen sources, or suffer from public attitudes that wish to ignore the history of women, the stories of mothers, and the invisible labor of caregivers. Yet, still we persist.

We are not without successes, even in the midst of challenges. The Mother Tree fundraiser is exceedingly close to being finalized. Only $4,000 to go! Together we can reach that goal! Additionally, our infrastructure is growing with team Salesforce facilitating new levels of internal organization here at the non-profit MOM Art Annex. We have over a dozen volunteers from around the world working on a variety of museum initiatives and exhibitions (Pictured below). And, last, but not least, forty presenters sharing their research and expertise at this year’s Reproductive Landscapes MoM Conference this weekend representing work from Israel, the US, South Africa, England and more. We look forward with excitement to hearing their voices, seeing their work, and celebrating their achievements. MoM is about making women’s work visible!

This is how we do it:

And TEAM! Thanks to Sally Butcher, art for banner.

About Sally’s Art:

Infertile Platitudes of Embodied Emptiness

These pieces attempt to make visible a feminist narrative of infertility as a challenge to traditional modes of reproduction and patriarchal conventions of a “natural” maternal subject. During fertility treatment you are situated within biological and cultural ideas of gestation, but embody a seemingly empty, craving, sub-maternal form, in an ongoing process of becoming. Reminiscent of the visualising technologies to which we have become so accustomed throughout the reproductive period, these images do not show a uterine projection, but the outside of the abdomen. There is an impenetrable surface, marked with the umbilicus (belly button) as a symbol of the originary maternal connection, now striving to mother another. With a body full of hormones and a mind exhausted by constant thoughts of an unattainable state of pregnancy, the innocent platitudes you endure over this time remain monotonous and hollow in their own embodied emptiness.