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Join us in Welcoming MOMs Newest Interns: Teddy Friedline and Sarah Akomoh

Hello MOM Family! We are thrilled to announce our two most recent additions to our amazing team, Teddy Friedline and Sarah Akomoh. Teddy will work closely with our JourMS editor to ensure a high-quality publication representing all the latest in motherhood studies. Sarah will work towards securing grants for our organization to continue our march into the future, securing our place for years to come.

New to MOM this Summer

Teddy L. Friedline (they/them) is a recent graduate of Washington College, where they won the 2022 Sophie Kerr Prize, the largest undergraduate writing prize in the nation. Their creative work, which often focuses on motherhood, can be found in Yes Poetry, streetcake, Burning Jade Magazine, and elsewhere. They are co-founder and co-editor-in-chief of FAIRY PIECE MAG, a literary magazine focused on breaking old rules and creating new ones.

They are especially excited to be working on MOM’s Journal of Mother Studies (JourMS), reviewing both creative and academic work. Teddy also looks forward to promoting JourMS widely through social media and exploring how to better disseminate the incredible contributions of our amazing authors and artists through the digital humanities.

Also Please Welcome

Sarah Akomoh

Sarah Akomoh is currently a first year MA student with a concentration in literature at USF. Her research interests are primarily connected to Black feminism and the dynamics of womanhood for both African and African American women. She is excited to intern at The Museum of Motherhood this summer and can’t wait to learn and give her research skills to the grant writing process.

Through the course of her internship, she commits to using her research skills to learn and then secure general operating support for the Museum of Motherhood through various grant writing initiatives. As part of moving the Museum forward, she will also research local and national grants and come up with a plan to support the finances of the MOM Museum. Membership and loyalty is a key dynamic feature of the MOM Museum. Therefore, Sarah aims to collate past contributors and reach out to our members to appreciate and initiate potential future patronage and sponsorship.

Passionate about topics related to m/otherhood? Reproductive identities? Art? HERstory? Mothers Making Art? Mothers in Academia? Women and Gender Studies? Lifelong students can follow the Museum of Motherhood here, join our new ONLINE COMMUNITY, and we appreciate any and all support? Be sure to follow us on social media and check out our virtual storefront for merchandise!

If you have any inquiries regarding getting involved with MOM or are interested in being part of our Living Board, you can find out information about what being a board member entails under our About tab or clicking the link HERE: Living Museum Annual Volunteers – Join Us! – MUSEUM OF MOTHERHOOD (mommuseum.org)

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Food Fights, Life, Death, and M/otherhood

Letter from the Founder: Martha Joy Rose

I’ll admit, I am mostly an observer on social media. Hanging back, commenting occasionally, and mostly tuning in when it seems interesting friend-wise, geographically or plant/food-wise. My kids send me weird stuff all the time from here and occasionally I get lost in the weirdness.

Recently, there has been an outcry in the broader social media community and in the news regarding a plethora of topics having to do with mothers. 

I’ve been immersed in the world of M/otherhood for a very long time as a scholar, a family person, and a museum curator. I think a lot more could be done, with our group here at the museum, and in our new Membership Community to collectively empower us.

For today I would just like to put it out there, that the formula crisis- or I should say the ‘lack’ of infant formula crisis is a reflection on how we treat those to procreate in general in America.

I want to avoid any hot responses or trolling type of things and just generally assert that for the population that makes humankind viable (mothers), for better or worse, who live in a country with no Social Security benefits for their time at home, an ongoing non-equitable pay situation, and a lack of federally mandated parental leave, the formula crisis is just another tip of the iceberg (among many other things). For many this is a life and death situation that begins with birth and ends, in the case of many, with death. I am specifically noting the fact that the US has the highest maternal mortality rate of any developed nation.

Now I recognize that social media is often a place to vent and occasionally to also problem solve with positive suggestions. Advocating that women should simply breast-feed is not really in tune with everybody’s reality. There are a myriad of reasons for this, so I would be in favor of those with experience, sharing their strength and hope. 

For example, the New York Milk Bank has been working for years to distribute donated breast milk. Another recent news story I stumbled on suggested that mother’s milk may soon be able to be grown in a lab (?), and when my kids were infants I sometimes supplemented with a homegrown mixture of powdered goats milk, carrot juice and molasses (the recipe can still be found online), though I am not advocating with for a specific solution as the founder of MOM, but rather raising the bar on visibility of those with experience in this area.

MOM’s own Journal of Mother Studies, too has been a really interesting source of shared scholarship on the subject. Catherine Ma wrote a piece on breastfeeding exposure and results for JourMS in 2016 and in 2017, Shannon K. Carter and Beatriz Reyes-Foster wrote the piece Peer Breast Milk Sharing as Resistance to Patriarchal Control about the informal network of mothers who do share milk between cohorts.

Tonight, May 22nd from 7-8:30PM, MOM shares 90 minutes with filmmaker and scholar Bonnie Silvestri online on Zoom: her film addresses American family policy among other things. The screening and talk back are free. The best way to participate is to sign up at our Community and then RSVP to join us for the 34 minute film, followed by open discussion.

Before, I sign off today, I also want to share the work of one fierce, feminist advocate Jul who created the banner for this blog and also creates awesome items which we’ve added to our store onsite at the MOM Art Annex, because, well, because every little bit helps. We need the next generation of women artists, leaders, moms, and advocates to rise. Here is Jul, in her own words:

My name is Jul and I am the artist and owner of Jul Uncensored—a Shop and Podcast centered around body positivity, sex education and social issues! I sell art, pussy pillows, badass t-shirts, funny feminist finds, and so much more in order to create awareness, spread positivity, and maybe even make people smile and laugh! The majority of the goods sold are made with up/cycled, reused, repurposed materials in order to cut down on environmental waste. You can follow me on my journey on my socials @jul_uncensored or on my website: http://www.juluncensored.com

For me personally, and for the Museum and our members collectively, whatever we can do to spread the good word, create collaborations and to encourage community, is a win-win. At least we’re not suffering alone, and who knows – we just might find solutions if we work together?!

What are your thoughts and how might we collaboratively move ahead to support each other and to solve these kinds of problems? Hope you can join us for the film tonight. Here’s the link again. Once you join the FREE community, you will have access to the event ‘Funnel of Dreams’. It would be awesome to see you there. Because, really – Motherhood IS one fuck of a journey!

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Why MOM, Why Now, Why You?

As April comes to a close and May begins in earnest, many of us are wondering what’s next? What’s next in our world, our lives, our finances, and our families. Spring has sprung but so have droughts, war, recession worries, and post-pandemic (or mid-pandemic) realities. One thing is for sure, we can only focus on the things within our control. That means looking around at your family, your friends, and your neighborhood and leading the way, the best way you can.

For teachers, this may mean balancing changing protocols in classrooms. For some mothers, this has meant spending time with strangers screaming in parking lots. For many, survival is just a day away.

In my experience, lurching forward with faltering footwork, leaves me staggering towards an unknown destination. When I feel like quitting, that often means some kind of relief is in sight. After months of lockdown, the personal management of grief, frustration, and fear, this new turn of the season brings hopeful possibilities.

The MOM Art Annex in Florida has seen signs of unprecedented growth. Perhaps this is because of a growing collective concern by some that basic liberties are under siege: book banning, women’s reproductive health access, and the rights of LGBTQ+, have sent some spinning in the direction of social changes spaces like ours. Or, perhaps it’s the years of hard work by so many that are finally coalescing in real MOMentum?

We presented our proposal to the local Historic Kenwood Association a few weeks ago and followed up with meetings with our councilman Richie Floyd. To that end, his solid advice was “advocacy” is all. So we created an ally document for interested friends to sign. Then, we created a petition [Link] that states MOM deserves her own space in the sun. We have spent months reworking some of our original internal document language to make sure inclusivity is front and center. Several new volunteers have joined us as well as a few part time staff persons. The Journal of Mother Studies will accept submissions through May 2022 and then go into the editorial process. We gratefully welcome Nicole Musselman (USF) as lead editor and are excited to welcome a new intern as an editorial assistant beginning June. This is all awesome stuff.

So, won’t you consider growing with us? Mother’s Day is next week. CLICK ON ANY OF THE FOLLOWING LINKS TO Celebrate a M/other you love by making a donation and putting her name on our Tribute Wall online. Support our fundraiser for the Mother Tree acquisition. Read our letter and sign our Ally form. Consider joining our team. Our Executive Fundraising Board is still seeking new members and we welcome those from all backgrounds and skillsets.

Oh, and yeah – HAPPY MOTHER’S DAY ! (Everyday is M/other’s Day). We L<3VE YOU, we love peace, we love our planet, and we’d like to see every human being valued in an equitable and sustainable world. Hang in there. Because we are all connected, because m/otherhood is otherhood, and because if there are more of us spreading light, rather than hate, more of us creating access than obstacles, and more people acting out of respect than entitled aggression – towards each other and our planet- then we just might make it! Let kindness be the currency of our lives.

Martha Joy Rose

Museum Director Martha Joy Rose presenting to the Historic Kenwood Association March 2022

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Featured MOM Conference

CFP Deadline Approaching – MOM Conference/JourMS 2022

Museum of Motherhood Academic & Arts Conference & Journal of Mother Studies (JourMS)

March 25-262022

St. Petersburg, Florida (In-Person & Via Zoom)

Early Submissions Dec 15/ Notification January 15; Late Submissions by Jan 15/Notifications sent by Feb. 15

Creativity for a Cause in Theory & Practice

This conference focuses on creativity, advocacy, and activism through theory and practice. Connect and collaborate! Presenters and participants will share examples, experiences, and analysis of artistic expression, social justice, identity, and action. Given the current climate, relevant questions might include: How do we heal trauma? How can art be leveraged for community connection and social change? What works and what doesn’t work? Where have we been? Where are we now? Where do we hope to be? What is radical self-healing?

We welcome submissions from makers, scholars, students, activists, artists, community agencies, service providers, journalists, women, men, mothers and others who work, play, or research in this area. Cross-cultural, historical, and comparative work is encouraged. We encourage a variety of types of submissions including academic papers from all disciplines, workshops, creative submissions, performances, storytelling, visual arts, film, music, audio and other alternative formats. Topics include (but are not limited to):

Radical healing. Women’s issues. Representing Maternal creativity in Film, Video, Fine Arts, Music, and Theater; Women and Representation; Race, Representation and Families mobilizing voices through creativity; Maternal Ambivalence in visual culture; Women and Loss, Depression, and Domestic Violence; Performing Feminism in Practice and Expression; Mother Writer, Daughter Writer: Writing Motherhood; Writing Family, Facilitating the Creative Family; Imaging LGBT Mothers and Maternity; “Late Bloomer” Art: Post-Maternal Artists & Non-Procreators by Choice; Representing Motherhood on the Internet; Motherhood, Art, and Creativity; Healing and Creativity; Families and Disability: Mothers as Creative Cultural Force; Photography; Behind the Camera: Women as Filmmakers, Directors, Producers; Activist Musicians across Musical Genres: Rock, Rap, Folk, Blues, Jazz, Country; Narratives of Creative Mothers: Expressing: Imaging Breastfeeding Mothers, Mommy Bloggers: Re-Writing Motherhood, etc.; Dealing with (Post-partum) Depression by Making Creative Work; Pregnant moms; Earth Mothers and Nature Grrrls; Celebrity mothers; How images of fathers impact representation; News media coverage of foster moms; Women in politics; teen mothers in film or television; Mothers as consumers; Mothering and the representation of Class and Transformation Through Creative Empowerment, Dance, Sports, Literature, and Media; Gender-fluid expressions of creativity and parenthood; Social Change and Social Activism in History and in Contemporary America.

DOWNLOAD CFP 2022 PDF

SUBMIT TO: INFO@MOMmuseum.org

All submissions are considered for publication at the Journal of Mother Studies (JourMS).

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ANNUAL REPORT FROM THE DIRECTOR

The Motherhood Foundation Inc. (MFI) funds ongoing activities and exhibitions at the Museum of Motherhood (MOM). We are grateful for the financial support we received this year. This year’s anonymous grant awarded funds to help support acquisitions, education, art residencies, and scholarship. MOM has not allowed onsite visitors since the COVID-19 pandemic in early March 2020, however, our activities continue.

In February we built and installed a Women’s History Exhibit at USF (University of Southern Florida) in Tampa at the Women and Gender Studies Center celebrating the centennial of American women’s right to vote. That exhibit, titled The Founding Mothers, was archived and is currently available for viewing online at our website. As part of that initiative, one of our students recorded highlights of the feminist waves so that visually impaired visitors could access the information via audio. The website was also redesigned and rebuilt over the course of 2019.

Our internship program mentored eight student interns including three international students who were guided to create content on a wide-ranging series of topics including film and feminist perspectives, literature reviews from our library focused on historical perspectives as they pertain to women, and gendered labor to name a few. Some of these students came from Reproductive Justice classes at USF and some discovered us through Google search as they sought out opportunities for remote internships in a museum setting.

Online exhibits are ongoing in partnership with Procreate Project and the Mom Egg Review (England & USA). MOM also assisted with the promotion and launch of Maternal Arts Magazine (International) in 2020. The Journal of Mother Studies (JourMS) featured the work of ten authors along with two book reviews and was published online on September 1, 2020.

PROGRAMMING: As 2021 approaches with new challenges and opportunities, MOM seeks to reactivate our ongoing Residency Program (by application) onsite at the MOM Art Annex in St. Petersburg, Florida. This program encourages scholars, artists, and activists to apply for the Residency Program onsite for a two-week opportunity for personal and professional development within the interdisciplinary subject of mother studies. (This project is currently funded by volunteer labor).

DEVELOPMENT: MOM is an art, science, and history center. Goals for the MOM Art Annex in St. Pete include purchasing an additional out-building, creating a foundation pad for the building onsite, and outfitting the building for arts activities and art storage ($20,000). In addition to adding an out-building, an existing shed needs attention. Goals include outfitting the shed with AC, finishing the interior walls, moving historical items that are currently inside the main house to this exterior location and installing plexiglass so that visitors can safely access the exhibit without jeopardizing any of the curated materials on display ($18,000). Finally, we aim to create a dozen outdoor waterproof plexi-glass posters to be installed along the fence perimeter of the Annex ($3,000).

ACQUISITIONS: MOM Art Annex aims to acquire a life-size birthing simulator mannequin ($4,295) an antique incubator, (prices vary), exterior sculptures for the sculpture garden (prices vary according to individual artists), as well funds to hire an app developer for MOM.

Wishing you heath and happiness in the new year,

Martha Joy Rose, Director

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Black Motherhood In 2020

By Kimya P. Barden, PhD

To all mothers, but Black mothers in particular –

I hope this letter finds you well and in good health. Truly, I do. Because as a Chicago-based mother of four beautiful Black children, I often feel stressed (Brown et al., 2020). The convergence of both COVID-19 and the state-sanctioned murders of Black men and women at the hands of law enforcement has left me weary. I have three young children under age five, two of whom happily attended full-day preschool before our nation began to “shelter-in” this past March with the hopes of collectively reducing the spread of the coronavirus. My other young child happily bounced between being at home with me and going two to three times a week to “Grammie and Grandpa’s,” my husband’s parents. The arrangement was quite nice. I got to spend time away from my children at work as a college professor or even engage in much-needed self-care treating myself to an occasional workout or lunch with friends or my beloved husband.

Fast-forward six months and as of September 8, 2020, the first day of school for Chicago Public Schools, my modest three-bedroom apartment is now a hodgepodge epicenter of all things early childhood.  My oldest son, age five, had been in preschool for over two years. An early and voracious reader, he thrived at both a cooperative school and a Montessori school, each decorated with puzzles, games, books, and most importantly the opportunity to forge human connections with his peers and teachers.  As a recently minted kindergartner, his first “school-age” experience is now in our cramped living room two to three times a week in front of a Google Chrome book with my husband and me volleying the role of tech facilitator (him) and emotional coach (me). From 7:45 am until 2:45 pm (with a few breaks in between), my son stares into a computer screen peppered with up to eight moving squares populated by his teachers and classmates, people he will probably never see in-person this year, maybe indefinitely. Though his teachers do a great job of pacing the class to ensure he and his peers have a balance between synchronous and asynchronous learning, he is expected to log-in and stay logged-in as “this is how the district monitors attendance.”  

My four-year-old daughter, who had been home with me for most of the first three years of her life, finally bought into the concept of school, even resisting my authority at times with the refrain of “well, my teacher told me.” Unlike my son’s public school, her school is independent and thus offered parents the option of returning to school for in-person instruction or engaging in virtual learning. However, I didn’t want to risk exposing my daughter or the rest of my family to the coronavirus. Nor did I believe that virtual learning was developmentally appropriate for preschool-aged children.  Now that she is back home in full-day “Mommy school” she is learning phonics and sight words by manipulating colorful refrigerator letter magnets, developing her social/emotional intelligence by practicing patience and forgiveness with her younger brother (who often sabotages her sight words with a quick hand swipe), fine-tuning her fine motor skills by helping me write the weekly grocery list, and engaging in artistic expression on our kitchen table with watercolor paint and my 8 x 10 printer paper as her canvas.

My two-year-old son, smack dab in the middle of being a “terrific two,” seems to have a phone or tablet in his hand much more than I desire. I have never been the parent to crucify screen time for toddlers. Sometimes, fifteen minutes of Baby Shark or Storybots can save the day as I try to prepare a home-cooked meal or finish up a work-related e-mail. However, I have noticed his level of comfort and the phone seems to be an appendage as he seamlessly scrolls and taps with the ease of a tech-savvy teenager. I am concerned about his preparedness for preschool next year as he is missing out on much needed social engagement that playgroups and toddler classes can offer. Although many daycares are enrolling two-year-olds to provide working families with much-needed child care,  I am not comfortable sending him to daycare as my son is still learning how to social distance and wear a mask.  

Still, my 18-year-old daughter is caught within the intersections of both navigating college on-line and being a Black young adult living in an urban context.  Despite an unconventional senior year of high school (her senior class may have inaugurated the first of many drive-through, “red-carpet” graduations), feeling disappointed that her college decided only two weeks before the first day of the semester to go fully online, she appears to be enjoying college classes at Howard University from her bedroom. The college dorm and campus “yard” experiences that I remember vividly from my own college experience twenty years ago have been replaced by her and her friends going to restaurant drive-throughs or visiting a friend’s house. These behaviors are developmentally appropriate and before the pandemic would have been approved, even encouraged by me. Since the pandemic, these behaviors are now risky, each having the potential to compromise our family’s health and often include the following reminders upon her departure: “do you have your mask?” or “where is your hand sanitizer” or “remember to stay outdoors as much as possible.”  Still, as my daughter and all of her friends are Black, the risks extend beyond those of contracting a microscopic virus which has taken the souls of more than 235,000 Americans (mostly people of color and the elderly) at the time of this writing. 

Though the murders of Breonna Taylor, George Floyd, and Ahmaud Abery are the most recent high profile killings by both police and/or narcissistic vigilantes, young Black bodies have been subjected to state-sanctioned violence since this country’s founding, particularly in Chicago. This includes Chicago-reared teenagers and young adults like 17-year-old Eugene Williams stoned to death during the “race riots” of 1919, 14-year-old Emmet Till mutilated and shot to death while visiting Mississippi relatives in 1955, 22-year-old Rekia Boyd fatally shot by a police officer in 2012, and 17-year-old LaQuan McDonald shot 16 times by a police officer in 2014. Each was prematurely murdered during a critical stage of human psychosocial development characterized by increasing independence and responsibility. I can only imagine how their mothers, grandmothers, and mother-figures wept.

As a Black mother of a college student, I have to frequently have “the Talk”— the desperate soliloquy delivered by Black parents to their pre-adolescent and adolescent children about adopting placating body language and intonation as a tool against the dangers of racism (Whitaker & Snell, 2016). “The Talk” is delivered to prolong both Black children’s freedom and their actual lives in the presence of police officers or others who can use their power and positions of authority to alter the course of Black life. “The Talk” is not novel. My mother anxiously shared similar words with me in the 1990’s; my grandmother discussed with her how to stay “safe” in the 1960’s; and my grandmother, a second-wave migrant of the Great Migration from Arkansas, received a similar conversation from her parents, my great-grandparents, in the 1950’s. “The Talk” reinforces how powerless many Black parents feel at being ill-equipped to fully protect their children from the fatal impacts of white supremacy (Whitaker & Snell, 2016; Thomas, 2013).  Thus, at times, I believe Black motherhood in particular can be simultaneously risky and rewarding. Despite all of my planning, care, thought, and especially prayer, I know my children’s bodies may be rendered by others as invisible, a threat, and inconsequential. 

In the year 2020, my Black motherhood feels like a particularly arduous marathon as I laboriously protect my four children from both an invisible, yet deadly virus and the harm that may come from race-based discrimination. Psychologists and other mental health providers have coined a term that sums up this disjointed feeling I often have: race-related stress (APA, 2018; Utsey et. al, 2008). It is psychosocial distress and harm caused by racial discrimination perpetrated against people of color in the form of the following forms of racism: individual (an individual’s conscious and unconscious bias directed at a person of color), cultural (false messages from cultural groups deemed superior about the inferiority of people of color), and institutional (policies and practices embedded within institutions like education which are often weaponized against people of color). 

For example, as Black women are disproportionately confined to the “service” sector, employed as teachers, health care specialists, delivery drivers, retail staff, fast-food cashiers, and other “essential” workers, they may experience individual race-related stress by both the broader public and their colleagues.  Social scientists often label this form of race-related stress as micro-aggressions or everyday racism (Pierce, 1970; Sue, 2017). Still, cultural racism can impact Black mothers’ stress levels as they consume news outlets —both social media and broadcast media— which feed the voyeuristic appetites of media consumers who routinely use news outlets to show both the murders of Black people and the polarizing “debate” around the importance of protecting our children’s lives.  Black life and death are often subjected to the realm of the public spectacle.   

Still, Black mothers are often subjected to institutional race-related stress via the intersection of occupational segregation and segregated housing policy which disproportionately distributes us to both low-paying jobs and hypersegregated communities void of a robust tax-base to fund highly resourced schools.  This is important as Black mothers (and fathers) with pre-primary and school-aged children in both the public and private sector bear the burden of simultaneously working and home-schooling, or risk sending their children to independent schools and daycare centers knowing that essential family like grandparents may opt-out of caring for their grandchildren to ensure their own health and safety. 

As a university professor at a public university on Chicago’s South Side I work with many mothers, most of whom identify as Black or Latina.  In both on-line class discussions and virtual office hour conversations, the theme of race-related stress dominates their narratives.  Specifically, feelings of anxiety about the uncertainty of parenting, schooling, and work seem to plague these women. The work-family balance is in need of alignment. Accordingly,  I offer you personal and professional tips to get through this moment. I implore you to recite this declaration aloud: MAMA First. MAMA is an acronym where the letter M stands for meditation, A for awareness, M for movement and the final A stands for access. 

MMeditation is an exercise of the mind.  For many African Americans, meditation is often likened to prayer or devotion (Woods-Giscombe & Gaylord, 2017). Since March of this year, I have returned to my meditation practice to calm my nerves and spirit. Since the school year began, I have been meditating daily.  I wake up 20 minutes before my children, get in a seated position on my yoga mat, close my eyes, and then breathe. I identify an object of attention, something I want to cultivate more of in my life like joy, gratitude, peace, patience, health, and wellness. I focus on that object and breathe, breathe, breathe. Lately, I have been integrating yoga and positive affirmations into my meditation for additional clarity and balance. 

A: My meditation practice often brings awareness to a unique realization or sensation, particularly my feelings.  Black women and mothers are often discouraged from both feeling and verbalizing anger, frustration, and melancholy as it may reinforce cultural stereotypes about our temperament and ultimately our worth (Perry, 2011). However, acknowledging a full range of emotions is critical as it provides essential information about what is needed to get better. I have become aware that parenting four children, monitoring virtual and “Mommy” school, and working from home often leaves me feeling emotionally exhausted. Acknowledging feelings of defeat and overwhelm can signal that additional supports, breaks, and even time-off from work may be long overdue. 

M: Meditation and awareness breed movement.  It is recommended that adults engage in physical movement for at least 30 minutes daily to impact their weight, mood, and overall health. Given the current demands of motherhood, carving out 30 minutes can seem impossible. However, I implore you to take at least 10 minutes a day and just move. Brisk walking, taking the stairs, and even housework are excellent ways to get your body moving. Movement with your children is even an option.  Exercise with my children includes dancing in my living room to old-school music videos, jumping rope, and even playing family tag.

A:  As a social work practitioner, I affirm that access to mental health therapy services is critical for many Black women and mothers. More than 60% of African Americans believe that mental illness is stigmatized and a sign of weakness (Ward et. al, 2013). However, “talk” therapy with a culturally responsive mental health professional can improve feelings of distress, demystify feelings of worry, cultivate greater communication skills, and improve overall quality of life. These gains can be particularly beneficial for Black mothers parenting in the midst of a public health crisis. If you are in need of someone to talk to, Black-women owned and operated mental health supports like Loveland FoundationTherapy for Black Girls, and The Boris Lawrence Henson Foundation offer free and discounted therapy for Black women and mothers.

Hang in there Mama,

Kimya

Works Cited

American Psychological Association. (2018). Physiological & Psychological Impact of Racism for African Americans. https://www.apa.org/pi/oema/resources/ethnicity-health/racism-stress

Brown, S.M., Doom, J.R., Lechuga-Pena, S., Watamaru, S.E., & Koppels, T. (2020). Stress and parenting during the global COVID-19 pandemic. Child Abuse and Neglect, August, doi: 10.1016/j.chiabu.2020.104699

RAPID-EC (September 8, 2020). Something’s Gotta Givehttps://medium.com/rapid-ec-project/somethings-gotta-give-6766c5a88d18

Utsey, S.O., Giesbrecht, N., Hook, J., & Standard, P.M. (2008). Cultural, familial, and psychological resources that inhabit psychological distress in African Americans exposed to stressful life events and race-related stress. Journal of Counseling Psychology, 55(1), 49-62.

Ward, E.C., Wiltshire, J.C., Detry, M.A., & Brown, R.L. (2013). African American men and women’s attitudes toward mental health illness, perceptions of stigma, and preferred coping behaviors. Nursing Research, 62 (3), 185-194.

Woods-Giscombe, C.L & Gaylord, S.A. (2017). The cultural relevance of mindfulness meditation as a health intervention for African Americans. Journal of Holistic Nursing, 32(3), 147-160.

Whitaker, T. R., & Snell, C. L. (2016). Parenting while powerless: Consequences of “the talk”. Journal of Human Behavior in the Social Environment, 26(3-4), 303-309. https://doi.org/10.1080/10911359.2015.1127736

Perry, M. H. (2011). Sister citizen: shame, stereotypes, and Black women in America. New Haven: Yale University Press.

Pierce, C. (1970). Offensive mechanisms. In F. B. Barbour (Ed.), The Black seventies (pp.265–282). Boston, MA: Porter Sargent.

About: Kimya P. Barden is an Associate Professor of Urban Community Studies at Chicago’s Northeastern Illinois University. A Chicago native and mother of four, her research interests include African American young adult identity development, perceptions of historical trauma by African American youth, and neoliberalism’s impact on African American student identity. She recently contributed to the Journal of Mother Studies exploring the impact of tenure on Black mothers in academia and has presented at multiple MOM Conferences in New York City over the years.

Abstract: Recent data suggests that parental stress is at an all-time high (WHO, 2020).  The combination of both the COVID-19 induced pandemic and collective unrest brought on by police murder and brutality has caused many parents to experience signs of anxiety, depression, and distress. According to a recent poll, 68% of caregivers of young children report a significant increase in stress since the beginning of the pandemic (RAPID-EC, 2020). In addition, as most US school districts have opted this Fall for virtual learning, parents have become even more stressed as they try to manage work and schooling from home. Even more, as the rate of fatalities from both COVID-19 and systemic racism in the form of police violence has disproportionately impacted people of color, race-related stress is particularly pronounced, especially for Black mothers (APA, 2018).

Original publication is online at JourMS: Journal of Mother Studies – LINK: Black Motherhood in 2020

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Featured

The Journal of Mother Studies Turns 5 Years Old: 2020 Online


How is everyone? Are you hanging in there? I hope so! This has been an unusual year, on so many levels. 

The MOM Art Annex is in quiet hibernation as well, as we lower our heads, hunker down, and try to survive. At the same time, many of us are raising our voices to call out systemic racism, social problems, and inequities as we identify them.
 
Through it all, submissions to the journal came rolling in as we prepared for our fifth year of digital humanities publications with research papers, book reviews, and some artworks. Thematically, the submissions were on diverse topics.
 
I thought about putting the journal aside this year. But, Patricia English Schneider’s piece on “Mourning Mother” was deeply moving and Olatunbosun Samuel Adekogbe’s submission about “The Cultural Value of Motherhood” in Jimi Solanke’s Music (in Africa), compelled. I thought, perhaps curious scholars need to see this information?
 
Finally, at the last moment, I was contacted by Samantha Kolber whose poetry book titled Birth of a Daughter was recently published by Kelsay Books. A review was quickly organized. There are multiple papers worth exploring here, including Kimberly Hillier and Christopher Greig’s later submission titled Mothering During Covid. So, we organized editors, blind reviewers, and connected them to the distinguished authors represented here.
 
According to the way I see it, we need to support each other, celebrate each other, and keep writing. While this year’s journal is unconventional, it is certainly a powerful read. I’m deeply honored to have been able to contribute to the dissemination of these pieces. It is my sincerest wish that you and your family stay strong and healthy in light and love. [Read JourMS online here].
[Read the full Newsletter here].
 
 Martha Joy Rose

October Art by Aster Woods

Categories
Art Birth Education Feminism health JourMS motherhood

Interview Opportunity/Play About Birth & CFP JourMS

Lillian Isabella

INTERVIEW OPPORTUNITY:

Lillian Isabella is an award-winning documentary theatre maker. She’s looking to interview at least 100 different people with all different kinds of pregnancy and birth stories throughout the Summer of 2020.

If you have been pregnant, are pregnant, or have given birth (of all ages), as well as the people who support pregnancy including doulas, doctors, midwives, acupuncturists (who help pregnant women), she’d love to speak with you for a new documentary play she’s developing!

The narrative of the play will be formed by the people she talks to and she’d like to get a wide snapshot of the state of pregnancy and birth in the United States and how it compares to abroad.

Her first documentary play was commissioned by the Metropolitan Playhouse and was about the legendary Jonas Mekas. Her second docu play, How We Love/F*ck, celebrated female sexuality and had its world premiere at Cherry Lane Theatre.

If you or anyone you know might be interested in speaking with Lillian, please send her an email at Lillian@LillianIsabella.com. More about Lillian, here: www.lillianisabella.com.

CFP JourMS

CRAFTING COVID: Embodying Disobedience, Calls to Action & Motherhood at the End of the World /Submissions through June 30, 2020

How have our lives changed in 2020? How are they the same? Is feminism taking a back seat as mothers turn to homeschooling, as salaries fade, hardship and isolation fray nerves, and as illness coupled with civil disobedience take shape on the streets?

Let these writings serve as a site of resistance as we practice the ongoing labor of birthing, art-making, scholarship, caregiving, salary-making, and survival in the time of COVID. Let us offer hope, support, and empowerment through knowledge, education, and shared experiences.

This special edition of the Journal of Mother Studies seeks to elucidate the experiences of families from an interdisciplinary perspective.

We have already received multiple submissions on a variety of topics from those conducting research, making home-site projects, working in hospital or alternative birth settings, as well as auto-ethnographic perspectives. Submissions are open on a rolling basis to all, through the month of June 2020.

JourMS submissions are peer-reviewed and the journal is published annually on September 1 each year online.

The Editorial Collective of the Journal of Mother Studies invites submissions of scholarly articles and essays from the Interdisciplinary Humanities as defined by the arts, history, culture, the social sciences, women’s and gender studies, literary studies, anthropology, the folkloric, psychology, the digital humanities, and media studies. We encourage dialogue between varying fields and welcome feminist critiques of race, class, ethnicity, sexuality, technology, media, public health, and nation. The Journal also features book reviews about newly penned and forthcoming works.

Please submit abstracts electronically. We will then contact you and ask you to submit a full MS Word attachments article via e-mail: JourMS@gmail.com 

  1. All work should be double-spaced, with 1-inch margins, in 12-point Times font
  2. Scholarly essays should be 5-18 pages double-spaced. Reviews should be approximately 500 words (we are flexible).
  3. JourMS is interdisciplinary, therefore, writers can follow either APA or MLA format (depending on your discipline). Double-space all text, on 8 1/2 X 11-inch paper, using Times New Roman. American spelling.
  4. All manuscripts must be submitted with a cover document:
  5. Include a page with author’s name, address, email, phone number, brief bio, affiliation, & recent publications
  6. A 250-word abstract
  7. You are welcome to submit original art, or photographic images along with your manuscript; please ensure that you have (or will) proper permissions. Additionally, we will accept alternative formats such as PowerPoint, video, audio, and visual presentations.
  8. We will send you an acknowledgment of receipt once your submission is processed. The Editorial Board reviews all submissions before sending them out for external, anonymous peer review.  We may provide reader comments, and ask you to revise and resubmit your work.
  9. Please submit a final manuscript in Word Document to JourMS@gmail.com
  10. Seeking additional editorial board members as well for this year’s edition

Please circulate widely! PDF is here for sharing: JourMS_CFP_2020

Categories
Blog Featured Literature motherhood Residency

The Journal of Mother Studies 3rd Edition 2018, Residencies, and More

JOURMS: The Journal of Mother Studies (JourMS) 2018 is currently published online. Special thanks to Candace Lecco for her work as editor and to all our authors and editorial volunteers. Find out more here: LINK

 

 

 

 

 

 

 

 

 

 

 

 

 

RESIDENCIES AT MOM ART ANNEX 2019: M. Joy Rose has returned to Manhattan College or the spring 2019 semester. We anticipate accepting new residencies at the MOM Art Annex in St. Pete, Florida beginning August 2019-December 2019.

Meanwhile, students of all ages, who are interested in accessing course materials for Sociology of Family curriculum can watch for posts on our teaching website.

M. Joy Rose back to teaching at Manhattan College

 

Categories
Art Books Classes Conferences Featured Feminism Literature MAMA Media

A Magnificent Move ~ Featuring Mother The Job [CLICK]

As I settle in the beautiful city of St. Petersburg, I can’t help but look around in wonder? After living and working in Manhattan (and nearby Hastings On Hudson) for the last 37 years, Florida is a BIG change! I’ve only been here for a few weeks, but two of my children graduated from Eckerd College so I am fairly savvy to the area.

There are a plethora of choices when it comes to picking a lifestyle here. I have met people who live on Beach Drive in the heart of downtown St Petersburg; friends who make their homes within a few hundred yards of the Gulf of Mexico, and some acquaintances who experience the desperation of having no place at all to call home.

I ask myself, what am I doing here? What is my justification for picking this spot? What do I hope to accomplish? While some of my peers are taking a much-needed sabbatical, and many of my colleagues (who are just a few years ahead of me) are thinking about retirement, I have chosen to create a live/work situation across the street from St. Petersburg High School in the Historic Kenwood Arts District of downtown St. Pete. Most recently, Kenwood won first place in the “Physical Revitalization-Single Neighborhood LINK.”  (continue reading below slide show)….

This decision honors a commitment made after years of great personal adversity. Bed-ridden from SLE and renal complications in my late thirties, into my mid-forties, I had a lot of time to think about my life– and life in general. Although I had been amply blessed and was grateful for much of what I received in terms of the health of my children and financial well-being, I began to realize that I had not been living up to my potential. I received a very clear spiritual message. Illness was the universe’s way of making me tune into a much larger mission.

This new thirst for knowledge and longing for empowerment led me towards a feminist sociological investigation into the arts, history, and science of motherhood and mothering. From the ridiculous to the sublime I screamed, sang, and shouted from the stage with my band Housewives On Prozac. Slowly, a vision for mothers in the visual and performing arts crystallized. (You can read more about this at Mutha Magazine. LINK is HERE).

Now, sixteen years later (and twenty-seven years after my first child), I am bringing the latest incarnation of the Museum of Motherhood to 538 28th St. N. St. Petersburg, Florida 33713. The Museum has popped up in Dobbs Ferry, NY (2003-2005), 401 E. 84th St. NYC (2011-2014), and now: here. The aim of this newest space is to forge community connections while highlighting exhibitions about mothers, fathers, and families. I am so very thrilled that Alexia Nye Jackson has agreed to share her fantastic work titled “Mother The Job,” an arts-based, economic exploration of motherhood in the U.S.A.

Also included are the ProCreate Project Archive and assorted fine art by Anna Rose Bain, Helen Knowles, Vee Malnar, Ronni Komarow, Noa Shay, Norman Gardner, and others. The Museum will open its doors to the public beginning September 2016. Hours will be Thursday & Friday 11-6pm and Saturday 1-4, by appointment only for tours, talks, films, and special activities. Visitors may access our extensive collection of books in the Andrea O’Reilly Library. Call 207.504.3001 (877.711.6667).

We will also launch three new initiatives in addition to Mother Studies courses online, the JourMS (Journal of Mother Studies), and the Annual Academic M.O.M. Conference each May in NYC. Those additions include the “I <3 M.O.M. Conference” in February; featuring Arts, Academics, and Inspiration, and “A Night At The Museum” initiative on Air BnB, whereby guests will be able to spend a night at the Museum, and by summer 2017 we will offer non-profit residencies for writers, artists, and scholars in the area of mother studies.

As the Museum’s founder and director, I am modeling my commitment to this current exhibition space after Eleanor Morse (among others). Eleanor helped to co-found the Salvador Dali Museum in St. Petersburg circa 1982 after her (and her husbands’) personal collection of Dali paintings spawned what is now arguably one of the centerpieces of St. Petersburg’s cultural landscape. Let the good work continue. ~ M. Joy Rose (website)

**Read more about my commitment to the Tampa Bay area: Feminism, Football, and Family [Article LINK]

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