Maternal Nest

August 2015; MAMA, ProcreateProject features the art of Kerry Stammers
August 2015; MAMA, ProcreateProject features the art of Kerry Stammers

Kerry Stammers- ‘Maternal Nest’ painting
As part of our ongoing series with Procreate Project, MAMA: mothers are making art announces new works and texts.

According to Kerry, the painting “represents the nesting instinct in pregnancy and the rediscovery of creative ‘playtime’. The background foliage of the nest which is painted are the flowers from my mothers garden where I grew up. Laid on top are the fresh flowers from my own garden as I strive to provide a protective, inspiring enviroment for my son. Hidden amongst the foliage is an old tea set, it is like a prop from my childhood where stories and games were created.”

See also, Barefootbabysteps – ‘Painting with nature’
essentially a childhood pastime, a little hobby to while away the hours in my parents beautiful garden in the Suffolk countryside, It would start with an outdoor adventure,foraging little treasures along the way. At any given moment the shape of a flower or leaf or twig even, would remind me of an animal or character or story. I would stop in my tracks and let a picture organically form on the ground/ tree stump below. There was always something sad yet magical about leaving a little creation behind to get blown away by the wind, or snuffled by a passing hedgehog or squirrel, photography allows me to capture that moment when everything is fresh and newly formed before its componants get whisked back into the circle of life.

Kerry hope the pictures, (along with her recent creations), inspire children and adults alike to look at the world around them with new eyes: explore the outdoors, forage for earthy treasures and unleash their imagination to create new stories and adventures.

More about Kerry and her creations here [LINK]

See new video from Procreate Project’s founder:

Read the accompanying essay this month by Jenny N. “Reflections on Maternal Thinking” here [LINK]. Excerpt below:

In her book, Maternal Thinking, Sara Ruddick defines what she understands to be the concept by this same name. It should be noted that this definition has a social, historical, and cultural context. The vision of maternal thinking, as she perceives it, has come out of our notions of what type of person mothers should be and what role they play in our society. Ruddick states: “The agents of maternal practice, acting in response to the demands of their children, acquire a conceptual scheme – a vocabulary and logic of connections – through which they order and express the values of their practice” (Ruddick 1989). Maternal thinking, she goes on to say, is guided by a mother’s interest in their child’s preservation, growth, and acceptability. Preservation begins whenever the mother reasonably believes her child to be a viable being and continues on through their first years of life. The mother is consumed with protecting her baby during these vulnerable years. Growth occurs following these first few years, when the mother is still entrusted with the child’s protection, but now wishes to see the child grow physically, emotionally, intellectually, and socially. Acceptability refers to a mother’s desire to mold her child into the type of person that is socially accepted. A reflection no doubt of what we value in our society, I once heard a mother remark on the playground, “Why would they not want their kid to be smart and athletic?” More.

Project AfterBirth – NEWS RELEASE – July 2015

We are delighted to announce Project AfterBirth’s:

OFFICIAL EXHIBITION SELECTION
Project AfterBirth presents the first ever international open art exhibition on the subject of parenthood. The exhibition will feature unseen and rarely shown artistic responses to lived experiences of pregnancy, birth and early parenthood, in a variety of visual, performance, literary, film & digital disciplines, by 30 international contemporary artists.
The selection panel spent many days over the past two months viewing the (more than 150) works submitted from all over the world in response to the open Call For Artists, reading through all application documents and deliberating over which of the many exceptional artists and outstanding works on offer to put through.
Due to the personal and intimate nature of the exhibition’s subject, many of the works and accompanying artist statements had a deep emotional impact. This, together with the quality, quantity and variety of the submitted works, made the selection panel’s task far from easy. However, as you will agree from the list of names below, Project AfterBirth promises to be a tremendous exhibition.
Most importantly perhaps, our experiences over the last two months have confirmed how much great contemporary, innovative work has been made and undoubtedly will continue to be made on the subject of pregnancy, birth & early parenthood in the 21st century. As the first ever open exhibition on the subject, Project AfterBirth will only scratch the surface of what is out there. It is therefore crucial that the lingering taboo status of parenthood in the contemporary art world and its perceived inferiority as an artistic subject, continue to be challenged at every opportunity.
It will take more than Project AfterBirth to change things, but through the exhibition and an anticipated (funding dependent) inter/national tour, community engagement programme and research project we are in the process of developing, we hope to make our mark and, along the way, inspire other arts professionals and organisations to adopt a more inclusive approach and develop opportunities for work on the powerful subject of parenthood.
So here, then, our selection of artists for Project AfterBirth’s exhibition:
1. Alison O’Neill (UK)
2. Amanda West (USA)
3. Belinda Kochanowska (Australia)
4. Carole Evans (UK)
5. Chris Anthem (Beirut/UK)
6. Clare Archibald (Scotland)
7. Courtney Kessel (USA)
8. Csilla Nagy (Hungary)
9. Danielle Hobbs (Australia)
10. Debbie Lee (UK)
11. Eti Wade (UK)
12. Geoffrey Harrison (UK)
13. Helen Sargeant (UK)
14. Hester Berry (UK)
15. Ione Rucquoi (UK)
16. Jana Kasalova (Czech Republic)
17. Jenny Lewis (UK)
18. Josie Beszant (UK)
19. Laura James Wray (UK)
20. Lu Heintz (USA)
21. Madison Omahne (USA)
22. Magda Stawarska Beavan (Poland/UK)
23. Marilyn Kyle (UK)
24. Rachel Fallon (Ireland)
25. Rocio Saenz (Mexico)
26. Ruth Gray (UK)
27. Sacha Waters Freyer (USA)
28. Sarah Sudhoff (USA)
29. Tareg Morris (UK)
30. Trish Morrissey (UK)
Project AfterBirth’s exhibition launches at White Moose gallery, UK, from 2nd October until 13th November 2015.
To keep up to date with all developments, please join the mailing list via the form below.
Project AfterBirth‘s exhibition selection panel members were:
– founders/curators Mila Oshin & Kris Jager (Directors, Joy Experiment, UK);
– Stella Levy and Julie Gavin (Directors, White Moose, Devon, UK);
– Martha Joy Rose (Director, Museum of Motherhood, New York, USA);
– Helen Knowles (Director, The Birth Rites Collection, Manchester, UK);
– Francesca Pinto (Head of Development, Photographer’s Gallery, London, UK).

 

The Art of Motherhood

Since immersing myself in the motherworld in 1989 I have observed the rise in the visibility of humans engaged in the practice of birth and caregiving. This visibility has translated into music, scholarship, literature, theater, and most recently a rise in fine artists lending their passion to making video, photography, paintings, and performance. I am thrilled by this because making the labor, love, and struggles of motherhood visible lends itself to introspection, observation, and contemplation of mother-work, mother-identity, and the ties that bind. Indeed, I feel blessed to have been born exactly at this time and to have been an active participant in this process. As Alana Ruben Free said to me the other day after an especially tedious and frustrating week, “at least we changed the world.” Martha Joy Rose

Please enjoy the beautiful work of Ana Alvarez-Errecalde here [CLICK}

“Birth of My Daughter”

Ana Alvarez-Errecalde
Ana Alvarez-Errecalde

M.A.M.A. – Mothers ARE Making Art – New Installation(s)

WHAT: The ProCreate Project, the Museum of Motherhood and the Mom Egg Review are partnering for bi-monthly on-line presentations featuring M.A.M.A. – Mothers are Making Art.
WHEN: The 1st and the 15th of each month words and images will highlight the joy and the challenges of being both a mother and an artist.
WHERE: Online is the place! We will host works of art about mothers and mothers-to-be; featuring academic and creative writing in order to promote women internationally and generate cultural exchanges and opportunities.

WHY: We are determined to explore the extraordinary experiences of mothers and how, by means of channeling these new and powerful energies a person can cultivate both motherhood and art. However, support is needed and awareness must be raised to facilitate this process and to finally empower it.

We strive to give voice to all women, make acceptable room for “feelings,” sensations, and interpretations without judgment; we want to make space for mothers in the arts to display their work and move a conversation about “the art of motherhood” forward. DOWNLOAD THE PRESS RELEASE.

@ProcreateProj  @MOMmuseum @TheMomEgg #JoinMAMA

slide5This month features Lynn Lu (Pictured on homepage and above here) and Beck Tipper, whose writing is highlighted on the M.A.M.A. page here.

Paradoxes for the Virtual collaborative Skype performance with Birgitta Hosea on YouTube [LINK].
Lab451LONDON; Camden Image Gallery; London, UK. 2015
In a game of Exquisite Corpse, Lynn Lu (live) and Birgitta Hosea (projected from SKYPE) explore intimacy and the generation of interpersonal closeness across a virtual divide through a scored series of shared confidences.

-PREGNANCY AND AFTER MOTHERHOOD INSPIRED SEVERAL OF THE LYNN LU PERFORMANCES AND INSTALLATIONS-

Lynn Lu received a BFA from Carnegie Mellon University with a major in Sculpture and a minor in Graphic Design in 1999. In 1998, she studied with Christian Boltanski at the École Nationale Supérieure des Beaux-Arts in Paris, and at the École Marchutz in Aix-en-Provence. She earned her MFA in New Genres at the San Francisco Art Institute in 2002, and completed a PhD program (ABD) at Musashino Art University in Tokyo in 2008, on a full scholarship from the Japanese Ministry of Foreign Affairs. In 2010 she was awarded the degree of Doctor of Philosophy by the University of Newcastle in Australia.

Since 1997, Lynn has exhibited and performed extensively in the United States, Singapore, Japan, China, Korea, Thailand, Vietnam, Philippines, Indonesia, Cambodia, Australia, New Zealand, UK, France, Switzerland, Germany, Austria, Denmark, Finland, Sweden, Estonia, Poland, Belarus, Czech Republic, Turkey, Greece, Argentina, and Canada.

See more about Lynn at ProcreateProject.com

MAMA_Logo_2015

To read Andrea O’Reilly’s piece on Feminist Motherhood go to our link here, and read her piece also live online at ProCreate Project.

Art and Performance by Nicola Canavan
Art and Performance by Nicola Canavan: Raising the Skirt

Raising the Skirt: ‘La mar es posa bona si veu el cony d’una dona’, is a Catalan belief in the vagina, translated as ‘the sea calms down if it sees a woman’s cunt’. (Images by Dawn Felicia Knox)
The gesture of lifting the skirt has been translated across the world. It is known as Anasyrma or Ana-Suromai (Ancient Greek), Anlu (Kom Communities) and many others. A flash of the cunt has been known to calm other forces of nature too, in Madras (India) women were known to subdue storms by exposing themselves. In other folklore Women could drive away the devils, evil spirits and warriors as seen in Fontaine’s ‘Nouveaux Contes’, all through the power and beauty of their cunts. ‘Raising the Skirt’ has influenced my practice for many years (www.nicolacanavan.com); by questioning notions of beauty and the status of women socially and culturally across many religions, and how this affects how the female body is translated across mass media; I feel it would be an important step back to go forward, to reclaiming the cunt as a powerful tool in assertion.