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OPEN CALL: SUBMISSIONS for a special online publication at MoM for our Mothers’ Day Blog.

For a limited time only, OPEN CALL : SUBMISSIONS for a special online publication at MoM for our Mother’s Day May Blog. But first, about the photo here at the top of the page. We inherited an ugly cement wall. What did we do? Make it beautiful! Thank you Batya for your gorgeous residency and ongoing mural work, now viewable in the annex gardens. Read more at the bottom of the blog!


Submit a story about your mother. 1,500-2,000 words or poem (any length).

Our team will review all entries and we will select one special story, one runner up, and one poem for publication online for our May Mother’s Month Blog, social media and Newsletter issue.

The prize is $50 first place only / Poem is a separate award $25

We know you are ALL winners and we are excited to hear your creativity and legacy productions.

Submit by April 30th midnight via email by midnight. Include Title and Bio with Submission in word document: INFO@MOMmuseum.org

THE MONTH OF MARCH RECAP

Community is where it’s at – even as technology rises, we must remember our humanity, our earth bodies, and our mother planet. HAPPY EARTH DAY IN APRIL!

March was busy with gatherings focused on food health, motherhood, sisterhood, meditation, poetry, and outdoor mural making. Thanks to Jeff Herman, Leslie Culbertson, and Yusuke Ouchie from Creative Grape, and gratitude to Localtopia, Winter in the Woods, AEHK Studio Tour, Tombolo Books, YesChefVillage, Gloria Muñoz, our Conference Attendees, Mothers’ Group and MoM Facilitators: Its been a GREAT season for MoM.

Over the course of the past year, we have joined in events with direct engagement opportunities equalling 40,000 + people.

We have partnered with groups from ages 1-80 yrs old that include people in recovery, local high school students, housing insecure individuals, and those seeking education on the subject of healthy food to feminist studies. Those smaller groups, have totaled in the hundreds.

What Next?

Where are the women’s stories and spaces? We are only 10 % of school text books and 13% of museum exhibits.

Our lives are an inspiration. They are a miracle. They are each and everyone great. How can we illuminate the vacuum, fill the voice, reverberate with intention?

Help us honor these stories. Help us keep going. Help us be Visible, Solvent, and Celebrated. We Thank you! We are you! We need you to thrive! Together we are strong, together we rise, together we love. Help us continue our work by becoming a legacy donor.

THE ANNUAL ACADEMIC & ARTS CONFERENCE ROCKED!

REPRODUCTIVE LANDSCAPES– The conference saw participants from England, Australia, South Africa, Canada, USA, Poland, South America, Israel, Spain, and Ireland. Videos and papers to come. Find out more by accessing the Journal of Mother Studies (JourMS) and upcoming announcements about these scholarly works. The CFP for the Journal of Mother Studies is open through April 30th. SUBMIT.

Here are a few concepts to mull over (from my notes):

Can we mother a ghost? Rebecca Marcelina Gimeno

Not every pregnancy results in the birth of a child – Laura Bissell

Human care is anchored in communal activities – Sara Sudhoff

Mothering is invisible – Kate Golding


Batya Weinbaum, b. 1952, is a Jewish American visual artist and award-winning writer from Cleveland Heights, OH and Floyd, VA, and artist-in- residence at MOM Dec 3 2022-Mar 31, 2023. Her first mosaic art project was a feminist installation of fertility and warrior goddesses, Feminina Sube, Isla Mujeres, 2013-2020. A film about this magical shrine to the goddess can be seen on YouTube by typing in Dr. Batya Weinbaum. She got her doctorate at University of Massachusetts at Amherst, founded the journal Femspec, and has spoken frequently at Radical Feminist Perspectives of Women’s Declaration International. More of her art can be seen at goddessvibe.org.


Special Shout Out to Brittany DeNucci & All Our Fab Volunteers!

Special shout out to Brittany DeNucci who stepped in to run tech for us a MoM during the conference. She’s also been hard at work editing the conference videos. We are so grateful for all Brittany’s contributions. THANK YOU to all our incredible interns, volunteers & team members!

KEEP ROCKIN’ IT!

Love, Love, Love,

Martha Joy Rose, Director

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Final PUSH to 2022 Fundraising Goals and A Big Move!

This is our final countdown to the Mother Tree Fundraiser in 2022. As of now, we are over halfway to our goal of purchasing this one-of-a-kind artwork from world-renowned paper-maker Helen Hiebert, on loan to MoM until June 2023. We have raised $13,300 towards the purchase price of $25,000. That means only $11,700 left to go! Won’t you help us clinch the deal? The Mother Tree is a seven-foot high handmade sculpture installation featuring single strands of thread which have been crocheted by over 400 participants around the world. Helen is an internationally acclaimed artist, author and educator. The Mother Tree is currently onsite at the MOM Art Annex. She is impactful, lovely, and represents the connection we have to the earth, our families, and our community. Any amount, no matter how small, helps us to secure her for our permanent collection. Your name will be added to the webpage and also onsite at MoM. You can write a check, donate through Paypal or go through our GoFundMe. We thank YOU!

Read on to see all our successes in 2022 and see what we hope to achieve in 2023.

This year we commenced with BIG goals at MoM. In addition to branded content, thanks to our summer interns, we revamped our mission statement to maximize inclusivity while staying true to our goals of elaborating on the art, science, and herstory of m/others.

We recommitted to serving up visible, educational, and inspiring offerings by conducting onsite tours on a regular basis. These tours oftentimes included children. We added to our collections and exhibits, built a vestibule to better enable visitors to view our interior space regardless of pandemics, and held postpartum groups and mothers’ playdates in our garden.

Easy QR MoM Donation with Stripe (Secure Payments)

New team members came on board. Specifically, we welcomed legal advice from local lawyer Larry Dillahunty, and are most pleased to be working with Deborah Gelch in the position of Strategic Advisor, Elena Rodz in website development, Marcile Powers as Arts Facilitator, and Connie Burgess as our new Membership Director and Community Laison.

We continued with our Residencies both remote and onsite, as well as our internship program, adding four new interns poised to start work in the new year. Our international relationship with MAMA collaborators continued, bringing online art exhibits from around the world.

We heartily thank the neighborhood of Historic Kenwood and the Artist Enclave for their great work on the Studio Tour as well as Winter in the Woods, and Bohemia Night at (Kenwood Gables) which MoM participated in, and also want to shout out to SPACEcraft for including us in their latest round of installations in St. Pete, and St. Pete High School for inviting MoM to present at the Art & Feminist Club.

One piece of big news is that our director, Martha Joy Rose took up permanent residence in Florida this year, relinquishing her NY-based teaching job at Manhattan College and further cementing her commitment to MoM locally in St. Petersburg.

We thank you Living Board 2022, Zabrina Shkurti, Nicole Musselman, and two-term Residency Coordinator Tracy Sidesinger. The Annual MoM Conference and the Journal of Mother Studies (JourMS) are ongoing with this year’s hybrid conference scheduled for March 24-26. (Join us online or in person).

This year, we wrote two grants: one was denied and we are waiting to hear on the second one. We received one anonymous foundation award in the amount of $1,000, and we thank all our new members and donors! While our needs are great, as is the case with many non-profits, we have persevered through geographic moves, personnel changes, pandemics, and great and we have SURVIVED and THRIVED!

MoM belongs to you – the public, our members, and our community. Please consider getting involved or making a donation today. Use our donation link or checks can be sent to 538 28th St. N St Petersburg, Florida 33713. Help us GROW!

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Batya Weinbaum, Goddesses, and the Season of Light

‘Tis the season of grace and friendship. Let us shine our lights brightly and wide. Let us reflect on the past as we approach the new year. Let that include in our reflections a little understood, often neglected vast herstory of Goddess-wisdom from within the pagan evolutions of this holiday season rooted in mystical wisdom and earth worship.

As the director of the MoM for almost twenty years, I have met with academics, artists, and m/others from around the world. They often share elaborative perspectives on women’s issues, family studies, and feminism. I often meet people who have lived experiences vastly different than my own. They always inspire.

For example, artist, scholar, and Femspec editor, Batya Weinbaum arrived onsite at MoM for a month of mural-making and herstory speaking at the beginning of December. Everyday, there is some new story. Beginning with her early years in Manhattan as a young feminist participating variety in consciousness-raising collectives to her systematic sharing of stories of art-making and land-living. Batya regularly teaches college coursework, hosts online art circles, and speaks at international gatherings. For me, she has become a wise, welcome daily fixture onsite at MoM, where young families regularly visit to hear her stories and where we collaborate on some art-sharing circles.

Batya is a graduate of Hampshire College and a mosaic muralist acclaimed for an eight year art installation project on Isla Mujeres, Mexico, where images of fertility goddesses from around the world and across cultures were assembled in large figurines in order to lend strength to the Maya fertility goddess, IxChel. Her work elaborates on the Neolithic period, influenced by the works of Marija Gimbutas, Riane Eisler, Monica Sjoo (The Great Cosmic Mother) and Elizabeth Barber (Women’s Work: The First 20,000 Years), who discuss periods of human history when motherhood was not a liability but something to be revered.

While visiting the MOM Art Annex, she will be constructing a fertility goddess mural from 6000 BCE. She believes women need to get in touch with origin myths in order to be strong women today. I agree!

This energy is significantly meaningful for students of all ages. Beyond contemporary celebrity icons, it is important to channel the power of the little studied leaders of a more female-friendly, woman-centric world.

Dr. Weinbaum’s contributions to MoM will serve up inspiration as well as a powerful legacy of connection to community members touring the MOM Art Annex as we build together towards our vision of a Museum of Motherhood here in St. Pete.

“Batya’s work hits on so many different levels for women, whether or not they’re mothers or feminists… And even in our current political climate, I think all women can and will find a unique resonance with this booming goddess that she’s installing at MOMMuseum. For me personally, as someone who has always struggled with balancing humility and pride, Batya’s raw, bold work inspires bravery and pride in addition to capturing the colorful joys that mothers contribute to a community.” – Dannie Snyder, Artivist & Educator 

BIO: Batya Weinbaum is a visionary artist whose works have been sold at the American Visionary Art Museum in Baltimore, the Oberlin Art Museum, and many galleries in NY, Boston, VA, OH, Hawaii and Michigan as well as Mexico. She has been active in the Association for the Study of Women in Mythology. Some of her work can be seen at goddess vibe.org. Dr. Weinbaum teaches online at Boston College in the Lynch School of Education and Human Development, and American Public University. She earned her doctorate at UMass Amherst, her Master’s at SUNY Buffalo, and her Bachelor’s at Hampshire College. She has published numerous creative and critical works, including award-winning essays, fiction and poetry. She was a cofounder of the Feminist Mother’s and Their Allies Caucus and Task Force in National Women’s Studies Association, where she petitioned for child care, and has published extensively about the impact of motherhood on grassroots political organizing in Palestine/Israel, in numerous journals and anthologies. 

Great Cosmic Mother

As Batya writes, “A museum dedicated to the study of motherhood deserves a message from the past via an image of a goddess, a fat fecundity image seated on a throne flanked by lions from Catal Huyuk now in Turkey, conjuring up shrines where goddesses were revered for giving birth.”

Ms. Weinbaum splits her time between Floyd VA and Cleveland Hts, OH, is happy to grant interviews about the project. Her art, publications, workshops and adventures can be followed on IG #divinefemimineartworkshops

More on Goddesses Brooklyn Museum [here].

Yours in Affirmations for World Peace, Feminist Equalities, and Friendship,

Martha Joy Rose, Director

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Joy Report: Team Art Shows, MoM Conference, and #Giving Tuesday

Hello Friends,

It’s sunny in Florida and a balmy 76 degrees and many of us are celebrating together in traditional ways. The Christmas tree is ready to be illuminated downtown, fake snow is in the air, and lights abound. Whether you are prepping the family menorah, or simply looking towards Festivus, may we be glad and of good will. May we lift up those suffering through hunger and war and let us show kindness to our neighbor and gentleness in our homes.

Let us create! Let us show our souls! Let us paint our dreams and mold images out of clay. Let us stitch together a herstory that weaves its way from the city of the arts, in the neighborhood of Kenwood, ‘where art lives’, all the way to you, wherever you may be.

This weekend, MoM team member Elena Rodz has a solo art show at Redbud Gallery 303 E. 11th St. Houston, TX 77008, Texas. The title of her show is, Dilly Dally. Dates: Dec 3 – Jan 1/ Reception: Dec 3, 6-9PM

Artist Statement: The show’s title “Dilly Dally” refers to the practice of enjoying life at a walking pace. Like many of my generation, I’m overwhelmed by the enormity of the Now — the biannual once-in-a-millennia events, the metropolitan cultural hubs we all rushed to after undergrad, the gauntlet from grade school to (maybe) retirement. A move to a small city in Texas in 2013 prompted a reconsideration at the pace I experienced life. I learned to look each moment in the face rather than over its shoulder.

This series of paintings challenges the viewer to suspend thought. The imagery and composition are superficial, and the response should be primal. I want the viewer to feel instinctually rather than put thought into deciphering the hidden meaning of the artwork. The purpose of the artwork is to pause and appreciate the slow moments and the overlooked beauty of the average. Although the scenes are all real places in Corpus Christi, TX, they recall anywhere once called home.

We applaud Elena and love her dearly for her creativity, spunk, and expertise. She greatly contributes to the MoM team and we are all better for knowing her. See more of Elena’s art which is available for purchase here.


We are excited for our Annual Conference this March 23-24 in St. Pete and on Zoom. THE DEADLINE to SUBMIT IS EXTENDED TO DECEMBER 10th. You only need to submit a 250 word abstract about an academic paper, art project, or other medium on the topic of Reproductive Landscapes: This conference call is for papers, performances, conversations, and art, focused on new gender identities and discourse. Here is the full CFP and submit via the JourMS website. Won’t you please join the conversation about this very important topic!


It’s #GivingTuesday! This year MAKE IT MoM and help us GROW!

We have DREAMS of a PLACE to call OUR own. A museum that ELEVATES, illuminates, DISSEMINATES, and complicates this wildly IMPORTANT identity, JOB, journey, and POSITION of care, CONCERN, birth, and LIFE- the WOMYN at the CENTER of creativity, PROCREATION, productivity, SORROW, hope, HELP, and JOY 💓– any DONATION amount MAKES a difference. We ARE the ART, science, and HERstory of M/others.

Any amount benefits our forward movement; $5, $10, $15, $25, $50, $100, $1,000. We have so much we are $5, $15, $10, $25, $100, $1,000 towards MEMBERSHIP, acquisitions, BUILDING CAMPAIGN.

We look forward to your energy, your care, your good vibes, and your financial support. THANK YOU!

As November winds to a close and December rushes in, let us take time to reflect not only on the things we are grateful for, but the ways in which we can all heed the call to ‘do better’ in our lives, our relationships, and in the ways we work and move in the world.

Love, Love, Love,

Joy Rose, Director and Founder (Link to our December Newsletter)

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Hurricanes and the World Today

Many of us have been shocked by recent world developments in the environment, social climate, and in economics. This week’s hurricane was a brutal reminder of just how devastating and close to home natural disasters can be.

Fortunately, MoM made it out of the storm relatively unscathed, but we still have many concerns for our Florida neighbors as well as those in dire situations across the globe.

In times of great upheaval, in addition to reacting appropriately, many of us also take time to examine our lives, our decisions, and current directions. Should I stay? Should I go? What can I do to make a difference?

Right now, while many within a hundred miles will be digging out of debris, and as we conduct our own onsite cleanup, MoM will persevere with a mission of hosting conversations, gatherings, and forums on what is going right, and what is going wrong, on our planet today.

Our recent residency with sociology fellow Amanda Watson, has been postponed due to the effects of Ian, however we will still hold a roundtable focus group on Wednesday, October 5th 7:30-8:30PM EST, on “children in the face of climate change and reproductive inequity.”

Please join us in our online community Zoom. RSVPs are welcome. In the meantime, please do hold strong. MoM Loves You!

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Grow Mama Grow

There is always plenty to do around this house! At MoM, we continue to be actively reviewing multiple infrastructure definitions, fundraising initiatives, and plans for growth. In the meantime, creating compelling content and opportunities to connect virtually and in-person are essential.

JOIN US (Wed) JUNE 22 6:30-8PM EST for a community talk and discussion on Zoom at our *NEW COMMUNITY. We invite you to pre-register for this FREE workshop. RSVP on the community site with Dr. Roksana Badruddoja.

DR. ROKSANA BADRUDDOJA WORKSHOP EVENT ON OUR COMMUNITY NETWORK: Reproductive trauma-from loss of children to obstetric violence-has an epigenetic impact. In her upcoming MOM Community talk on June 22, 2022, at 7 p.m. EST, Roksana Badruddoja will discuss how trauma changes our gene 🧬 expression/informs how we show up in the world and how we can recover ourselves. Available on our *NEW COMMUNITY SITE. Register now for FREE opportunities to collaborate, communicate, and present. We look forward to connecting over the miles. RSVP.

OUR MULTIPLE INITIATIVES AND WORKS IN PROGRESS:

MEMBERSHIPS: Finally! Memberships have arrived (although they have not launched yet, we should have this functional opportunity ready to launch within the next few days). We are so pleased to announce this new addition to our museum initiative. Now we can better build together. Whether it’s a private tour you’re looking for, access to our conference, newsletter, community or legacy membership – you asked – we’ve got it covered. Please prepare yourselves to sign up for a membership and help us grow, grow, grow. Pick the annual membership that’s right for you by clicking here.

DEFINITIONS: Womyn, m/others, reproductive identities, the Journal of Mother Studies and more. How do we create conversation on these ideas and identities? First, let us begin by understanding from a broad perspective what we are attempting to dialogue about. We will continue examining these topics throughout the 2022-23 year. Read more here.

BECOME AN ALLY: Sign our new ally letter as we build MOMentum in St. Petersburg for the Museum and Motherhood. After meetings with our local council-persons we have learned that on the ground advocacy can result in impact. Our goal is to share your support with our local officials for increased funding. Thank YOU! Sign our petition here.

GUIDESTAR: Our non-profit profile is up at one of the premium portals for fundraising initiatives. While we still gotta get some numbers posted, we aim to do that over the next few months. The more we raise, the more we can brag! Read more here.

Lastly, shout out to a friend: MAKE ART/ NOT SAD panel discussion that is taking place this Sunday 19th June in England. Register for free at following the eventbrite link and find out more.

Yours in Peace, Love, and M/otherhood –

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Why MOM, Why Now, Why You?

As April comes to a close and May begins in earnest, many of us are wondering what’s next? What’s next in our world, our lives, our finances, and our families. Spring has sprung but so have droughts, war, recession worries, and post-pandemic (or mid-pandemic) realities. One thing is for sure, we can only focus on the things within our control. That means looking around at your family, your friends, and your neighborhood and leading the way, the best way you can.

For teachers, this may mean balancing changing protocols in classrooms. For some mothers, this has meant spending time with strangers screaming in parking lots. For many, survival is just a day away.

In my experience, lurching forward with faltering footwork, leaves me staggering towards an unknown destination. When I feel like quitting, that often means some kind of relief is in sight. After months of lockdown, the personal management of grief, frustration, and fear, this new turn of the season brings hopeful possibilities.

The MOM Art Annex in Florida has seen signs of unprecedented growth. Perhaps this is because of a growing collective concern by some that basic liberties are under siege: book banning, women’s reproductive health access, and the rights of LGBTQ+, have sent some spinning in the direction of social changes spaces like ours. Or, perhaps it’s the years of hard work by so many that are finally coalescing in real MOMentum?

We presented our proposal to the local Historic Kenwood Association a few weeks ago and followed up with meetings with our councilman Richie Floyd. To that end, his solid advice was “advocacy” is all. So we created an ally document for interested friends to sign. Then, we created a petition [Link] that states MOM deserves her own space in the sun. We have spent months reworking some of our original internal document language to make sure inclusivity is front and center. Several new volunteers have joined us as well as a few part time staff persons. The Journal of Mother Studies will accept submissions through May 2022 and then go into the editorial process. We gratefully welcome Nicole Musselman (USF) as lead editor and are excited to welcome a new intern as an editorial assistant beginning June. This is all awesome stuff.

So, won’t you consider growing with us? Mother’s Day is next week. CLICK ON ANY OF THE FOLLOWING LINKS TO Celebrate a M/other you love by making a donation and putting her name on our Tribute Wall online. Support our fundraiser for the Mother Tree acquisition. Read our letter and sign our Ally form. Consider joining our team. Our Executive Fundraising Board is still seeking new members and we welcome those from all backgrounds and skillsets.

Oh, and yeah – HAPPY MOTHER’S DAY ! (Everyday is M/other’s Day). We L<3VE YOU, we love peace, we love our planet, and we’d like to see every human being valued in an equitable and sustainable world. Hang in there. Because we are all connected, because m/otherhood is otherhood, and because if there are more of us spreading light, rather than hate, more of us creating access than obstacles, and more people acting out of respect than entitled aggression – towards each other and our planet- then we just might make it! Let kindness be the currency of our lives.

Martha Joy Rose

Museum Director Martha Joy Rose presenting to the Historic Kenwood Association March 2022

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Mom Residency Highlights Artist and Educator Donna Lewis

Artist and Educator Donna Lewis

As this year comes to a close and everyone celebrates this holiday season we wanted to share with you all the last MOM Art Annex Resident of 2021 . Donna Lewis is an accomplished artist and educator who values the sacredness of mother earth, and has found it to be a source of constant comfort throughout her life. It is from her experiences with nature, and her own experiences as a mother and caregiver, that she expresses her creative spirit through art.

Throughout her residency with us this December, we hope you will be able to see the beauty of the world through her art, and come to appreciate the lasting connections we make with the world around us that shape who we all come into being with each new phase of life. Continue reading to personally hear from Donna to learn more about her art, her career, and life.

I turned 65 this year. With that change, I retired from my job of twenty-five years as an educator. After teaching art and architecture to high school students, I am now learning to let go of the frenetic pace, the relentless work-cycle, and focus on my own desires and passions.

I am learning to release my creative, art-making self in order to heal and bring forth a new chapter in my life. But, it is not always easy.

Being committed to the process of creativity means living in synchronicity. There is a constant need to balance movement with downtime, exercise with rest, and the mundane with the magnificent. I realize the importance of allowing myself the freedom to let my mind and heart wander, as I slowly learn to enjoy, and feel deserving, of what is to come. 

I search for clarity about some major life-decisions, taking the time to swim, to walk, to breathe, and to use the materials at hand to better nurture ideas and self-reflection.

Nature and trees are important to me. They have supported me, cleansed me, and calmed me throughout these many years. A walk in the park or alongside the river has always allowed for invaluable insight and consolation to arise, even in the most difficult times. Even in the midst of a busy teaching schedule, or personal challenges, a weekend in nature, or a summer trip to the sea, has inspired me and lifted me in inexplicable ways.

Treehouse, Watercolor by Donna Lewis

But, fleeing the city isn’t always necessary. Some of my best ideas have arisen during my treks through New York. I have been a resident of Manhattan for four decades and experienced the concrete jungle as a place with pockets of nature to discover, even amidst the hustle and bustle. Luckily, I considered Washington Square Park to be my backyard, the West Side Highway my exercise spot, and the playgrounds as a great source of recreation for my children.

Public spaces are significant and all-important to life in the city. They allow families and individuals to connect with each other to embrace places that improve our sense of wellbeing, while calming our senses, and relaxing our minds. 

Manhattan is a place with rivers on either side. Urban planners have come to realize the importance of these natural assets. Parks, green spaces, and piers with plantings have become the new vision for the city, and I am grateful for that. 

Much in the same way that nature connects us to our mother, the earth— my paintings connect me with my soul’s calling. We are intertwined like trees, like rivers, like oceans, and like the air we breathe. The entwinement expands outward in my heart, through my family of origin and my own family of procreation.

Three Sisters, Mixed Media by Donna Lewis

I am appreciating the perennial nature of mothering. It never stops. Unlike the retirement I am taking from school, my adult children and I continue to develop our inextricable bond. As I care for my aging mother, Leila (now 88) with my four sisters, I watch the changing seasons, the expanding experiences, and the cycle of life: being a child, having a child, and caring for others’ children, and mothers has enlightened my existence, and influenced my artistic practice.

‘The Trees’, featured here in this exhibit, are a window into all of these things and hopefully reflect the whimsy, terror, and acceptance of the changes that are all around us, all the time. We cannot separate ourselves from that which we are. So, I hope to continue to find the courage and fortitude for this next phase of the journey, and I hope to do it with creative gusto, a little more in balance, perhaps at a slightly more relaxed pace. 

We here at MOM are so grateful to have Donna as our newest resident artist and are so grateful for her fantastic contribution to M.O.M.’s archives as she gives us glimpses into her work, her creative process, and unique perspective. Also be sure to follow us on Instagram for updates as well as more of her thoughts on our residency while she stays this December! Happy Holidays Everyone!

Instagram: @museumofmotherhood

If you are interested in applying for a guest residency here at MOM, please go to our website HERE: https://bit.ly/3uRgugm  to find out more. BE SURE TO HURRY! Spots have been filling FAST! We hope that future tours of the space will be available soon, but they are by appointment only in Artist Enclave Historic Kenwood: “where art lives.”

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MAMA Issue 50: Mothers and trees. Roots and families. Art and love.

The Mother Tree

I want to write about mothers and trees. Roots and families. Art and love.

Last year our world appeared to be on fire. Headlines captured devastating events around the globe. From politics to pandemics, the news cycle, as well as our personal lives, were upended in so many ways. In the midst of one of many California blazes, a story about a redwood matriarch dubbed the Mother of the Forest in Santa Cruz, California caught my attention.

Mother of the Forest is one of the tallest trees in Santa Cruz Park. A symbolic womb at her core forms an 8 x 13 foot room, or a hobbit hole, or a sacred space — depending on your perspective.   

I have become obsessed with trees. 

Trees are a testimony to patience and resilience. They offer shelter, contribute to healthy ecosystems, and fight climate change. Redwoods protect and support each other as well as other sapling growth by creating family circles sprouted from the roots of a parent tree. These families may or may not be genetically related. These lessons in cooperation can be a metaphor for humanity in its current fragmented state.

One month ago, I headed back to the MOM Art Annex in Florida after a prolonged absence. Ready to explore the next steps with our community and see to the ongoing growth of the Museum project, I arrived energized. Rising in the midst of display artifacts, art, and birthing objects, a new exhibit towers in the heart of the Annex. Artist Helen Hiebert’s Mother Tree is a brilliant illuminated sculpture made of paper and thread on loan to us for the year.

In preparation for the Mother Tree’s arrival, I pursued the book Finding the Mother Tree by Suzanne Simard, a deeply inspiring tale of scientific discovery and maternal care. I pondered our new directions with the Museum of Motherhood and gladly welcomed a guest artist residency proposal by Polly Wood, which included constructing an empty nest as a ceremonial acknowledgement of her daughter going off to college.

“A nest,” I exclaimed. “How timely for the Mother Tree’s arrival.”

Polly and I spent a glorious two weeks spinning magic. A blog about her residency is online at MOM. The next guest artist arrives in mid-December with work featuring among other things, landscapes and trees in gorgeous muted watercolors. 

Polly Wood working on her “Empty Nest” at MOM

As the year winds down, I gratefully acknowledge the manner in which I’ve been able to spend time with emerging mother artists here in St. Petersburg, and also family as well. My son, his wife, and their baby have been on-site for the last six weeks, crowded into the MOM Art Annex’s tiny space– along with the exhibits, myself, and visiting guests. My one-year old granddaughter crawls around the carefully childproofed perimeter while I proudly chase after her.  

In these accompanying photos, I introduce my granddaughter to a world of female sheroes, the art of motherhood, and a variety of messages aimed at empowering women and girls. The images for this MAMA exhibit also include my own self-portrait surrounded by the Mother Tree’s yarn roots in a symbolic gesture of rebirth, renewal, and generational connection. 

Martha Joy Rose ; rebirth with Helen Hiebert’s “Mother Tree” sculpture and Polly Wood’s “Nest”

Every major tree metaphor reminds me to trust in the slow, yet, steady growth of the museum project. Good things take time. Like a redwood, we want the museum to stand as a testament to the ages. We want to collaborate with our community and our surroundings. These things develop and deepen slowly. We are the connection. We are the women. We are the love. We are the trees.

If you would like to donate to our Mother Tree acquisitions campaign, please consider helping us purchase the Mother Tree in perpetuity by making a tax-deductible donation here.

In gratitude and perseverance, Martha Joy Rose

Frank and Sojourner Truth at MOM 2021

Raising the next generation of empowered humans means teaching them about our past: our struggles, problems, issues, and herstory. At the MOM Art Annex we do exactly that, while building towards our future by developing the footprint for the Museum of Motherhood project as an international education and exhibition destination.

I look forward hopefully, understanding deeply the importance of engaging with people of all ages in an inclusive, supportive, and smart environment. Together we can elevate the voices and artistic endeavors of all humans, and in our case, especially m/others, procreators, dreamers, childless by choice, women in history and present day sheroes– as well as those who have suffered loss and infertility.

My granddaughter and I have started this conversation early and often – even though she is still pre-verbal. A picture is worth a thousand words in this case!

Martha Joy Rose: Martha Joy Rose is a community organizer and Museum of Motherhood founder. Her work has been published across blogs and academic journals and she has performed with her band Housewives On Prozac around the world. She is the NOW-NYC recipient of the Susan B. Anthony Award, her Mamapalooza Festival Series has been recognized as “Best in Girl-Power Events”, and her music has appeared on the Billboard Top 100 Dance Charts. She founded the Museum of Motherhood in 2003, created the Motherhood Foundation 501c3 non-profit in 2005, saw it flourish in NYC from 2011-2014, and then pop up at several academic institutions. After teaching Mother Studies at the college level, she moved to St. Petersburg, Florida. Her current live/work space is devoted to the exploration of mother-labor & performance art while she oversees the continued growth of the Museum of Motherhood project.

Helen HiebertHelen Hiebert constructs installations, films, artists’ books and works in paper using handmade paper as her primary medium. Her sculpture Mother Tree serves as a symbol of the vulnerability, strength and sense of community she feels as a mother. The seven-foot tall handmade paper dress/tree features single strands of thread which extend from the bodice of the dress, representing mother’s milk, and cascade to the floor, transforming via crochet into roots which pile up, filling the surrounding space as a tree’s roots would fill the ground beneath it. The transformation from dress to tree and root to soil symbolizes the mother as a provider and nurturer throughout human development. Since her inception, hundreds of people have contributed to crocheting roots with messages of family, friendship, and affirmation.

Procreate Project, the Museum of Motherhood and the Mom Egg Review are pleased to announce the 50th edition of this scholarly discourse. Literature intersects with art to explore the wonder and the challenges of motherhood. Using words and art to connect new pathways between the academic, the para-academic, the digital and the real, as well as the everyday: wherever you live, work and play, the Art of Motherhood is made manifest. #JoinMAMA #artandmotherhood

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AEHK Art Birth Caregiving Featured Feminism MOM Art Annex motherhood Spiritual Motherhood st petersburg

Re-encouters ; How are we connected?

During the month of October, Polly Wood came to St. Petersburg, Florida to reflect, make art, and build a nest. More specifically, after ushering her daughter off to college, she realized there was an opportunity to commemorate this significant rite of passage. She came to MOM to build an empty nest.

On top of Polly’s many accomplishments, she is in the process of expanding her career as a musician and artist. She is also in the midst of searching for the threads of the next part of her journey. I didn’t realize the relevancy of the timing of her visit until she arrived on site. We were both engaged in creating big life changes. While I anticipated that I was doing her a kindness by offering her a residency, the opposite was actually true. Polly came with gifts.

The first time I met Polly she performed original music on drums and vocals at the academic ARM Conference in Canada in the early two thousands. I bonded with her instantly. Then, she participated in more performances at the MOM Conference in Manhattan, and I subsequently visited her at her childhood home in Ithaca, New York.

Polly’s first exhibition at MOM, over a dozen years ago, was an online presentation about the Sacred Feminine which launched our first Museum website. In it, she wrote about maternal labor, Goddesses, reproductive rights, and trees. Our relationship roots run deep.

In this online exhibit with the museum, Polly articulated the significance of trees within her own vision of the sacred feminine. She wrote: “Trees are symbolic, metaphoric and metaformic providing relationship, meaning and inspiration.  Cross-culturally, trees are associated with the feminine principle, as well as with knowledge, life, cycles, time, and the connecting matrix between earth, water and sky.”

She elaborated on the relationship between trees and the ways in which “trees are deeply embedded in human consciousness and, physiologically, embodied within the womb of pregnant mothers.”

Her descriptions of the manner in which the placenta is “the only organ in a human that grows when needed – in order to support, nourish and sustain a human life.” Images of the “umbilical cord representing the trunk, and the exposed blood vessels acting as branches,” were included in these early presentations.

When she made the commitment to visit recently, the synchronicity of her willingness to devote time and attention at the MOM Art Annex brought a beautiful focus to our own growing momentum, which includes a search for a new Executive Fundraising Board, as well as an ongoing fundraiser for purchasing Helen Hiebert’s Mother Tree for our permanent collection.

Over the course of the two weeks, we shared conversations, sourced materials, and made art. The affiliation I felt over what we have shared through the years, as well as the ways in which both of us have continued to grow, does indeed remind me of the unfolding branches of the intertwined sacred feminine, which I am fortuitous to witness within the walls of the museum, now flanked by one magical empty nest, crafted by this soul sister, Polly Wood (Pictured above and below this text).

There are stretches where time appears to inch forward incrementally. Movement can be difficult to perceive. This can be true for people, landscapes, and even plants. Tree and forest seedlings take anywhere between twenty and one hundred and fifty years to fully develop. Growth appears almost imperceptible. In the case of Polly and myself, so much has happened since our last encounter, but the last two weeks felt comfortably familiar. We picked up right where we left off.

The photos shared here, of the nest she built, the Mother Tree, and our own entwinement represent a personal celebration of life unfolding, our individual development, and maturation, as well as the manner in which we are inextricably linked through our art, womanhood, and our m/otherness. In each of these experiences, we are born anew. First in conception, then inception, then again and again in the counterpoint of connection. EnJOY! And, please consider joining MOM in some capacity or other, either by donating to the Mother Tree (Link below) or joining us in our ongoing efforts to expand.

Together we are strong. Together we are marvelous. Life is a circle. We are the trees. ~ Martha Joy Rose