MAMA Issue n. 18 with Alex March – Exploring Womanhood [Link]

Artist: Alex March

My work changed focus after the birth of my daughter nearly two years ago, these works are all recent and deal with my concerns about womanhood.

“I am a London based artist originally from the North of England working with drawing, photography, painting and film to produce works which explore memory, representation and identity. Laborious analogue and hand techniques are combined with digital technology to explore the object/image relationships of domestic archives and ephemera.”

Recent works have explored nostalgia and romance as vehicles for interrogating feminine tropes. A current obsession with Hollywood’s golden age was provoked by the process of making my short film Torture The Women (The China Cupid) 2013/14, composed of a series of scenes taken from Hollywood screen tests for Alfred Hitchcock’s Rebecca. These scenes are digitally re-drawn and re-animated, the text edited and spliced to explore the cultural and literary manipulations of woman as romantic object. The phrase ‘torture the women’ was used by Hitchcock when asked for his advice on how to make a thrilling movie; the film seeks to take and yet subvert his advice, using repetition and digital manipulation to isolate the actress and draw attention to the peculiarities of the script and by extension Du Maurier’s novel and the whole genre.

IMAGE: ‘Bonne fête Basket Case’ postcard series, 2015, collage & gouache on postcard
Video Link: http://alexmarchartist.tumblr.com/post/114483500370/a-short-clip-from-torture-the-women

mama issue 18

Artist’s biography

Alex March is a London based artist originally from the North of England working with drawing, film, photography and painting to produce works which explore memory, representation and identity. March uses processes of editing, obscuring or physically removing areas of detail. This draws attention to the audience’ ability to empathise with the clichéd impulse to relive remembered moments and embrace notions of identity derived from personal objects, particularly photography. Laborious analogue and hand techniques are combined with digital technology to explore the object/image relationships of domestic archives, re-valuing personal items of ‘junk’ from the past to the status of artwork.

She is a founder member and director of ArtLacuna Space, an artist-led studio, project and gallery space in Clapham Junction, London. Open since May 2013, the space has hosted screenings, a mini-film festival,group exhibitions, talks, performances, experimental art projects, artist solo projects, workshops and much more. ArtLacuna has also devised a publication series, an online arts research platform and is home to nine working artists.

She graduated from Wimbledon College of Art in 2011 with a Masters in Fine Art. She featured in the Catlin Guide 2012, a guide to the 40 most promising UK graduates. She was shortlisted for the Jealous Graduate Print Prize 2011 and the Future Map 11 Prize. Previously she gained her BA in Visual Arts from the University of Buckinghamshire and studied Theatre Design at Wimbledon College of Art.

MAMA 18

See issue n. 18 online with Alex March at ProCreate Project [LINK]: http://www.procreateproject.com/m-a-m-a-issue-n-18-alex-march/

The Museum of Motherhood, the ProCreate Project, the Mom Egg Review, and the Mother Magazine are pleased to announce the launch of a bi-monthly international exchange of ideas and art. M.A.M.A. will celebrate the notion of being “pregnant with ideas” in new ways. This scholarly discourse intersects with the artistic to explore the wonder and the challenges of motherhood. Using words and art to connect new pathways between the creative, the academic, the para-academic, the digital, and the real, as well as the everyday: wherever you live, work, and play, the Art of Motherhood is made manifest. Download the Press Release here or read aboutupdated initiatives. #JoinMAMA  @ProcreateProj  @MOMmuseum @TheMomEgg @TheMotherMag

Meet Shauna Ricketts – Our Summer Intern [CLICK]

Meet our summer intern, Shauna Ricketts. Shauna is a full-time student at SUNY Geneseo in Western New York, originally hailing from the Hudson Valley. Her studies focus on Sociology and Political Science. She is also interested in art and photography. She believes that art is an amazing tool to spread awareness and engage in social messaging. Family structures fascinate her both personally and academically. She has been given a position as a Teaching Assistant for a Sociology of Families course, which she is super excited about. She has also watched the development and maturing of so many different children around her through the years. Her mother is one of twelve children and she has always analyzed interactions and outcomes within and around the family structure.

Shauna’s summer project at the Museum of Motherhood has been spurred by her studies in sociology. She writes “I am always amazed when I talk to people about social services such as food stamps and they are quick to draw assumptions about the people involved, this can be seen in the Welfare Queen ideology.” Her project aims to dismantle some of the stereotypes formulated around marginalized populations of young mothers.

The target population of her summer research will be single mothers, who are classified as living in poverty by the Federal Poverty Guidelines (http://familiesusa.org/product/federal-poverty- guidelines). Her work will focus on single, low-income mothers from minority backgrounds. The main theme of this body of work is going to involve understanding how these women see themselves within society juxtaposed with how they believe they are viewed in society. The women will have an opportunity to tell their stories using their own authentic voices. We hope this will be experienced as empowering.

In Shauna’s words: Each week I will release an interview either in a video format with the woman speaking, a photograph with a written piece, or a story with a photo that I have drawn of the woman (if she wishes to not be pictured via photograph or video) or a picture that the woman drew of herself (representing how she views herself) followed by a picture that the woman drew of how society views her next to a photograph of what she currently looks like. I want to draw attention to the stigmas that exist within the social welfare system, specifically programs such as WIC and TANF. I want to explore whether or not these stigmas influence the target population and if so how, specifically in their period of pregnancy. I hope to interview some women who are pregnant, but also women with younger and older children. I want to draw upon their experiences in discovering that they were pregnant and the outlets that they were able to draw upon for support. I would also like to focus on the expectations that these women have for their children and ask them to select words that describe their ideal child. In the event that women natively speak in another language such as Spanish, I would like to keep parts in that original language but provide translations in order to maintain the authenticity of the woman’s story.

MEET SHAUNA RICKETTS  HERE {LINK}

6/11/2016 – READ HER FIRST INTERVIEW WITH ERIKA HERE [LINK]

6/22/2016 – READ HER SECOND INTERVIEW ABOUT RACE & CULTURE HERE [LINK}

6/28/2016 – READ HER THIRD INTERVIEW WITH DIANA [LINK]

7/12/2016 – READ HER FOURTH INTERVIEW WITH JESS [LINK}

7/21/2016 – READ HER FIFTH INTERVIEW WITH CELINA [LINK}

8/03/2016 – READ HER LAST INTERVIEW HERE [LINK}

(read more about the goals of this project below photo)

Shauna.jpg

Overall goals of my work
-to tell the stories of single, low-income, pregnant mothers from minority groups
-to document the stories that I hear from these women and to consult them regarding the type of media that is used
-TO EMPOWER WOMEN and supporters of women!! By promoting positive body image and self-esteem, providing the mothers with resources that will be of use to them, listening to their thoughts and respecting the position from which they speak.
-to create art that captures how women see themselves, how they think the world sees them and what they actually look like (photograph).
-to raise social awareness and to de-stigmatize social welfare programs
-to gain insight into the ways we can help this target population
-to expose the barriers that exist for this target population and their unborn children

Shauna will be posting on the following weeks throughout the summer: June 13, 20, 27, July 11, 18, 25

Celebrating the Anniversary of M.A.M.A. ~ Mothers Are Making Art [CLICK]

Here at M.A.M.A. we have been pregnant with possibilities all year long. In fact, we’re celebrating the anniversary of our collaboration this month. Read all about exciting changes at M.O.M. in our June Newsletter here [LINK].

WHO: The ProCreate Project, the Museum of Motherhood and the Mom Egg Review are partnering with the MOTHER MAGAZINE for quarterly publications, along with for bi-monthly on-line presentations featuring M.A.M.A. – Mothers are Making Art. CLICK
@ProcreateProj   @MOMmuseum   @TheMomEgg  @TheMotherMag

One_Year

SONOGRAM
by Susan Vespoli

When my daughter was a toddler
she stroked my cheek like it was the silk
edge of a blanket and pressed
the nipple-ends of soft balloons
into the plastic mouths of dolls

and when she grew breasts
boys flocked around her
like birds to our backyard
come to pluck seeds
from the center of a sunflower

and then her hands gained skill
to text friends, flick cigarettes
from the back porch, play Bad Fish
on guitar strings, and flip her middle
finger into the air like a slim bomb

until it finally folded back up, resting
in the cupped palm of the woman
who smiles at me from an exam table
with her eyes as bright as a camera flash
at the blip, blip, blip of a lit star that will be Molly.

(Originally published in Mom Egg Review Vol. 14 “Change”).

Susan Vespoli lives in Phoenix where she teaches English at a downtown
community college, rides her bike along the canals, and walks her 3-legged dog
Jack. Her poetry and prose have been published online and in various print
anthologies and journals.

A Magnificent Move ~ Featuring Mother The Job [CLICK]

As I settle in the beautiful city of St. Petersburg, I can’t help but look around in wonder? After living and working in Manhattan (and nearby Hastings On Hudson) for the last 37 years, Florida is a BIG change! I’ve only been here for a few weeks, but two of my children graduated from Eckerd College so I am fairly savvy to the area.

There are a plethora of choices when it comes to picking a lifestyle here. I have met people who live on Beach Drive in the heart of downtown St Petersburg; friends who make their homes within a few hundred yards of the Gulf of Mexico, and some acquaintances who experience the desperation of having no place at all to call home.

I ask myself, what am I doing here? What is my justification for picking this spot? What do I hope to accomplish? While some of my peers are taking a much-needed sabbatical, and many of my colleagues (who are just a few years ahead of me) are thinking about retirement, I have chosen to create a live/work situation across the street from St. Petersburg High School in the Historic Kenwood Arts District of downtown St. Pete. Most recently, Kenwood won first place in the “Physical Revitalization-Single Neighborhood LINK.”  (continue reading below slide show)….

This slideshow requires JavaScript.

This decision honors a commitment made after years of great personal adversity. Bed-ridden from SLE and renal complications in my late thirties, into my mid-forties, I had a lot of time to think about my life– and life in general. Although I had been amply blessed and was grateful for much of what I received in terms of the health of my children and financial well-being, I began to realize that I had not been living up to my potential. I received a very clear spiritual message. Illness was the universe’s way of making me tune into a much larger mission.

This new thirst for knowledge and longing for empowerment led me towards a feminist sociological investigation into the arts, history, and science of motherhood and mothering. From the ridiculous to the sublime I screamed, sang, and shouted from the stage with my band Housewives On Prozac. Slowly, a vision for mothers in the visual and performing arts crystallized. (You can read more about this at Mutha Magazine. LINK is HERE).

Now, sixteen years later (and twenty-seven years after my first child), I am bringing the latest incarnation of the Museum of Motherhood to 538 28th St. N. St. Petersburg, Florida 33713. The Museum has popped up in Dobbs Ferry, NY (2003-2005), 401 E. 84th St. NYC (2011-2014), and now: here. The aim of this newest space is to forge community connections while highlighting exhibitions about mothers, fathers, and families. I am so very thrilled that Alexia Nye Jackson has agreed to share her fantastic work titled “Mother The Job,” an arts-based, economic exploration of motherhood in the U.S.A.

Also included are the ProCreate Project Archive and assorted fine art by Anna Rose Bain, Helen Knowles, Vee Malnar, Ronni Komarow, Noa Shay, Norman Gardner, and others. The Museum will open its doors to the public beginning September 2016. Hours will be Thursday & Friday 11-6pm and Saturday 1-4, by appointment only for tours, talks, films, and special activities. Visitors may access our extensive collection of books in the Andrea O’Reilly Library. Call 207.504.3001 (877.711.6667).

We will also launch three new initiatives in addition to Mother Studies courses online, the JourMS (Journal of Mother Studies), and the Annual Academic M.O.M. Conference each May in NYC. Those additions include the “I <3 M.O.M. Conference” in February; featuring Arts, Academics, and Inspiration, and “A Night At The Museum” initiative on Air BnB, whereby guests will be able to spend a night at the Museum, and by summer 2017 we will offer non-profit residencies for writers, artists, and scholars in the area of mother studies.

As the Museum’s founder and director, I am modeling my commitment to this current exhibition space after Eleanor Morse (among others). Eleanor helped to co-found the Salvador Dali Museum in St. Petersburg circa 1982 after her (and her husbands’) personal collection of Dali paintings spawned what is now arguably one of the centerpieces of St. Petersburg’s cultural landscape. Let the good work continue. ~ M. Joy Rose (website)

**Read more about my commitment to the Tampa Bay area: Feminism, Football, and Family [Article LINK]

MONTHLY NEWSLETTER