Perhaps social support does improve women’s feelings about motherhood. However, recent articles, during the time of COVID, for example, would indicate that the fundamental challenges for women who are mothers remain fundamentally unchanged. A recent New York Times article, This Is a Primal Scream, depicts the frustration of America’s maternal mental health crisis, as does this article by Kimberly Seals Allers in the Washington Post titled Female Rage is All The Rage (2018). Cathi Hanauer and friends have an updated version of this book called The Bitch Is Back: Getting Older, Wiser, and Happier. The original Bitch in the House is part of MOM’s library.
Trish Morrissey, (born 1967 in Ireland; lives and works in London) graduated in photography at the University of the Arts in London in 2001. Her work mainly relies on photography by simulating a specifically constructed reality, playing on the binary pair: truth/ representation. Trish Morrissey’s photographs become an instrument to criticize and question family unity and its quintessential manifesto, the family portrait that displays similarities, proximities, hierarchies, and inner orders.
The Genesis of Contemporary Black Feminism According to the Combahee River Collection.
Today, a message from Maya Angelou featuring her poem titled Human Family. This is also a reminder, the Museum of Motherhood is devoted to elucidating the science, art, and history of mothers. We are invested in telling stories from, for, and about, the multicultural family.