Happy Mothers’ Day, Contest Winners, Residencies & More

ST. PETERSBURG — Inside a historic bungalow on 28th Street North, a dream is being nurtured.

It’s an incubator for a museum dedicated to motherhood and also the home of its founder: artist, activist and mother Martha Joy Rose.

Hailing from New York, Rose said she was born in Ithaca, worked in Manhattan and raised kids in Westchester. She previously taught mother studies and sociology of family at Manhattan College. Now, relocated in St. Pete, she hopes to rock Florida FORWARD by building a Museum of Motherhood in the Sunshine City.

MAMA: ISSUE 52 HBAC Performance Manifesto

The HBAC Performance Manifesto was written from my personal experience of being pregnant and not given access to a home birth or the birthing centre. Having previously had a caesarean, I was labelled ‘high risk’ and was not being heard. On 4th and 5th November 2018, over 25 hours, I performed the act of giving birth at home with the support of two independent midwives. The birth was documented as an act of everyday life in the domestic space, with cameras set up in my kitchen, my bedroom and my living room. The Manifesto declares my views on birth as an every day performance and Home Birth After Cesarean (HBAC) as being a safe birth.

M.A.M.A 51: Art and words by Clara Aldén

The Mother of Frankenstein’s Monster (2021) researches the production of bodies and identities in relation to motherhood. ” My children were produced by and within my body”. Production continues after birth: children’s bodies grow and their identities develop. The identity of the mother is also born in relation to the child’s birth. This inquiry revolves around the idea of maternal “split subjectivity” and the child as an “unruly descendant” of the mother. It researches the conjunction of symbiosis and struggles present within a mother-child relationship.